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Open Access Article
1 - Analysis of the written discourse of Ataba al-Kataba with a pragmatic approach based on Fairclough theory
Reza Heidari Nouri Delaram BaghdadiThis article is an analysis based on Norman Fairclough's theory in the Ataba Al-Kataba with a pragmatic approach that examines and analyzes linguistic forms, their purposes and functions based on Fairclough's views. The theoretical basis of the research is in the framew MoreThis article is an analysis based on Norman Fairclough's theory in the Ataba Al-Kataba with a pragmatic approach that examines and analyzes linguistic forms, their purposes and functions based on Fairclough's views. The theoretical basis of the research is in the framework of a three-level (layered) model of description, interpretation and explanation. The dimensions of discourse are very prominent in "Schools and Letters of Ataba al-Katabah" due to the close connection between language and social structures and the influence of the text on social relations. In this text, in addition to the effect of power relations, specific language choices that are specific to the style of this period are distinguished in the process of meaning production. The purpose of this study is to show the type and style of twentieth century discourse and to show the power of the author (Montajeb Jovini) in the form of his discourse. The different view on introduction and analysis of Ataba Al-Kataba is another goal of this study. This research has been conducted by descriptive-analytical method and it is examined by qualitative content analysis method and citing the text of the letters and mentioning the evidence of the example. Manuscript profile -
Open Access Article
2 - The narration of symbolism and the flow of mind in the symphony of the deads and towards the lighthouse
Kian PishkarThe field of comparative literature is one of the largest and most extensive fields of study in world literature, which can open many openings for literary enthusiasts to know nations, literature, cultures, traditions and thoughts. Among the great Iranian and British wr MoreThe field of comparative literature is one of the largest and most extensive fields of study in world literature, which can open many openings for literary enthusiasts to know nations, literature, cultures, traditions and thoughts. Among the great Iranian and British writers, many people have heard the names of Abbas Maroufi and Ms. Virginia Woolf and are not familiar with their valuable works that have undoubtedly influenced the literature of their country and the world. The novels "Symphony of the Deads" by Abbas Maroofi (1957) and "Towards the Lighthouse" by Virginia Woolf (1942-1882) are valuable and great works of Persian and English literature that have their own unique features and characteristics that comparative study of their narration based on modern narrative, the proposed format and structure of the fluid flow of the mind, while facilitating their literary understanding, can provide a new way in the practical study of modern and postmodern comparative literature. Manuscript profile -
Open Access Article
3 - Stylistics of Akhavan Sales's Poems about the Imposed War; Relying on the Intellectual Level
Reza Zarinkamar Mohammad Mehdi SayarPoets who wrote about the imposed war are divided in two groups; the first group of poets are influenced by the trend of the Islamic Revolution, whose literary and artistic life was formed or highlighted during the Islamic Revolution and the imposed war. The second grou MorePoets who wrote about the imposed war are divided in two groups; the first group of poets are influenced by the trend of the Islamic Revolution, whose literary and artistic life was formed or highlighted during the Islamic Revolution and the imposed war. The second group consists of poets who had a significant reputation before the Islamic Revolution and wrote about the necessity and sense of duty about the imposed war. Mehdi Akhavan Sales is from the second group. Before the Islamic Revolution, he was a prominent poet and with the beginning of the war, he used his epic and artistic poetic language to save the country from foreign aggression. This study examines the poems of Akhavan Sales about the imposed war and analyzes them from a stylistic point of view- based on the intellectual level. The result of the research is that Akhavan, as a pro-Iranian and pioneer poet, in spite of his religious and political differences with the dominant discourse and poets of the Islamic Revolution, is remarkably close to the desirable identity model of the governance in his war poems Manuscript profile -
Open Access Article
4 - Methodology of Feminism Prospect in “I Turn the Lights Off” Based on Lukács’s Viewpoint
Neda Yans Kamran Pashaeei Fakhri Parvaneh Adel ZadehBy emergence of renaissance, novels replace with epics because of their capability in showing lives’ realities. In first half of twentieth century, György Lukács introduces realistic novels as the main harmonic literary form with Bourgeois society. Fem MoreBy emergence of renaissance, novels replace with epics because of their capability in showing lives’ realities. In first half of twentieth century, György Lukács introduces realistic novels as the main harmonic literary form with Bourgeois society. Feministic viewpoint has been manifested in his works by joining Marxism school. “I Turn the Lights Off” by Zoya Pirzad in Iran is one of the woman – centered novels which could gain a special position among contemporary Persian novels in recent years by discussing women’s world. According to the importance of the mentioned novel in fiction literature, the present paper attempts to survey stylistic elements of womanish writing comparatively based on feministic elements according to Lukács’ viewpoint and comes to conclusion that Pirzad often chooses and applies womanish style features consciously. The findings show that feministic terms, sentences, discourse and viewpoint in various levels are manifested. Manuscript profile -
Open Access Article
5 - Appealing and preferential stylistics in the Holy Quran from Aesthetic Viewpoint
Rahimeh Choulanin Nancy SaakiRhetoric scholars have always tried to understand the true meanings of words that express the true meaning of the appealing and preferential style. It is obvious that this style of expression is sometimes used semantically from one meaning to another simultaneously; and MoreRhetoric scholars have always tried to understand the true meanings of words that express the true meaning of the appealing and preferential style. It is obvious that this style of expression is sometimes used semantically from one meaning to another simultaneously; and sometimes it's possible that these two styles of expression shift according to the context of their application, in a way that their applications were not easily identifiable and determinable; so that the proximity of the meanings (appealing and preferential) is such that sometimes the two mentioned implements are used interchangeably and this application is very popular among the rhetoric scholars. The main point is to explain the aesthetic significance of the meanings of these words and the implements used in two expression styles, and to clarify how they are applied in Qur'an. The method of the article is qualitative and exemplary analysis technique in some Verses of Qur'an and abstract discussions are avoided. The result of the study shows that linguistic structure is not an impartial and unbiased structure in expression and presentation, and when it is used as an insignificant appealing or preferential combination, it would not be limited to them but should incorporate a structure of both meanings and the intended meaning as needed should be provided. Manuscript profile -
Open Access Article
6 - Stylistic Analysis of Shahr-ashoubs of Mas'ud-e-Sa'd-e-Salman
Parvin Bekhradi Sirous Shamisa Abdol Reza Modarres ZadehShahr-ashoubs are a cycle of poems in the Qa`t`a form describing trades, manner of traders,amusements or satirize people and places and “Mas'ud-e Sa'd-e Salmaan” is the creator of the Shahr-ashoub genre . Mas'ud-e Sa MoreShahr-ashoubs are a cycle of poems in the Qa`t`a form describing trades, manner of traders,amusements or satirize people and places and “Mas'ud-e Sa'd-e Salmaan” is the creator of the Shahr-ashoub genre . Mas'ud-e Sa'd-e Salmaan” is among the great Persian language poets of the fifth and sixth century A.H. and known as the greatest imprisoned Persian poet. His poems are in all of forms of poems simill than Qasideh (ode), Ghazal (sonnet), Qa`t`a, and… The subjects of his qasayed (odes) include praise of the king and greats of the era, prison conditions and his torments from prison and the times. They have deemed Mas'ud-e sa'd the creator of the Mostazad form of poetry, and writer of the first chronogram. he aim of this article is the study of Mas'ud-e-Sa'd-e Salmaan's style of Shahr-ashoubs. The methods used to examine poetic stile includes the examination of the nuances in language, culture and thought of these poems. Manuscript profile -
Open Access Article
7 - Stylistic Analysis of an Anecdote from Tazkirat- al-Awliya by Attar Neishabouri in the Light of Critical Discourse Analysis
Vida Ali Asgari Farhad Tahmasbi Sareh ZirakDiscourse stylistics is influenced by critical discourse analysis and role-oriented linguistics, which goes beyond the sentence level in literary texts and analyzes the text in the context of the situation. In this method, in addition to traditional stylistic analysis, MoreDiscourse stylistics is influenced by critical discourse analysis and role-oriented linguistics, which goes beyond the sentence level in literary texts and analyzes the text in the context of the situation. In this method, in addition to traditional stylistic analysis, content, influence of thoughts, ideology, and the atmosphere of text creation are explained and examined. This research uses a descriptive-analytical method to discover and recognize the various layers of Tazkirat al-Awliya as an outstanding mystical work, and examines the relationship between the layers of text, and language and ideology of the author. The results indicate that in the lexical level, the employment of religious vocabulary is influenced by the ideology of the text , highlighting the virtue and attention to the hereafter. This invites the reader to a world-hatred discourse of the text. The high frequency of informative and imperative objects and active verbs has resulted in the certainty and dogmatism of the text in the syntactic layer, and in the layer of pragmatics, explicit and persuasive morphemes have been used in the form of many news sentences, which show the author's awareness, belief and understanding of the issues raised. As a matter of fact, the author informs others about his inner desires and feelings, concerns and truths that is bound to. In the meta level, the text encourages the reader to leave the material world behind, and to devote to virtuous and ascetic life manifested in the dominant discourse of the text. Manuscript profile -
Open Access Article
8 - Shahrokh-Nameh: Epic or lyrical poems?
Elham Shirazi MohammadHosein KaramiShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from c MoreShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from coronation to death. In this manuscript, beside a brief introduction of the poet, the stylistic features of his poems are explained at three levels of linguistic, literary and intellectual in a layered manner. By reviewing the poems, in addition to the epic themes, it appears that many of the verses are different from the epic atmosphere of the poems. Therefore, this is a martial and festive work which the existence of beautiful idols in battle scenes and even bringing SĀQI-NĀMA at the end of each topic has made this feature even more prominent. Qassemi has created a new style of saga. By carefully examining the issues and events of the stories, the authors reached the point that Shahrokh-Nameh is a combination of epic, history and lyric. Qasemi's lexical games indicate his dominance of vocabulary, metre and rhythm in poetry. Qasemi's imagery depicts his skill in imagination and meaning and to the fullest extent; it is the use of words, expressions and lyrical images to express epic adventures. Manuscript profile -
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9 - a
mehri talhkabi Touraj Oghdaei -
Open Access Article
10 - Contra-reading and De-canonization as Tagi-Danesh’s Manifest Style
Rajab TohidiyanTaqi Danesh, one of the early Qajar and late Pahlavi‘s traditional and anonymous poets, tremendously influenced by poetry of Khorasani, Azerbaijani, Iraqi, and especially Hindu style. Regarding Taghi Danesh‘s lyrics and poems and taking famous Hindu poets in MoreTaqi Danesh, one of the early Qajar and late Pahlavi‘s traditional and anonymous poets, tremendously influenced by poetry of Khorasani, Azerbaijani, Iraqi, and especially Hindu style. Regarding Taghi Danesh‘s lyrics and poems and taking famous Hindu poets into consideration, two contradictory views (co-reading and contra-reading) could be grasped. In other words, once he followed traditional, repetitive, cliché and one-dimensional literary styles (poetic style of Khorasani, Azerbaijani and Iraqi) in poetic elements and phenomenon, famous fictitious, historical, mythic and Qurani characters. And another time breaking the norms and contra-readings represents dramatically contradictory views to the same subjects and issues. The object of contra-reading in Tagi-Danesh poetics is to achieve “alien concept” and avoid long literary traditions of one-dimensional, cliché and repetitive, characters, famous mythic, Qurani, historical meanings and concepts in custom and literary norms. His recent vision looks from different angel to these issues, judges them contrary to custom and leaves from canon the religious Qurani characters and elements. The present study attempts to extract contra-readings and De-canonization from Taghi-Danesh poetics and presents the findings alphabetically. The results show that Tagi-danesh following Indian poets has remarkably applied contra-readings and sharecropper. Manuscript profile -
Open Access Article
11 - A stylistic approach to Fanba Vafs novel - My Bird
Mehri TalkhabiThis article seeks to examine the application of critical stylistics in the novel “My Bird“ written by FaribaVafi so that, answer to the fundamental question that, how can be achieved to the hidden ideology and dominant discourse in the context of the novel MoreThis article seeks to examine the application of critical stylistics in the novel “My Bird“ written by FaribaVafi so that, answer to the fundamental question that, how can be achieved to the hidden ideology and dominant discourse in the context of the novel using certain stylistic components? The research was conducted with layer stylistic approach; hence, at the first, the outer layer and situational context and then two layer of narrative and textual, have been considered. This article was performed with analytical and descriptive method. The purpose of this study is the interpretation and understanding of work; because, from the perspective of critical stylistic, can be achieved to effects of hidden ideology, dominant discourse over this novel more easily and reflect on the fact that, how the language reproduces this social implications. At the end, this article concludes that, the contrasting of characters and discourses and the presence of the language negative pole in this work are significant components of style that, helping us to discover hidden ideology in the context of work. The hidden ideology of the novel is the repression of woman in the patriarchal system and woman silence and passive exposure against this repression. Manuscript profile -
Open Access Article
12 - Critical Study of Stylistics in Fariba Vafi’s A Secret in the Allies
Mehri TalkhabiThis article is to study Fariba Vafi’s novel of A secret in the Alleys, applying a critical stylistics approach in order to find an answer for the fundamental question of “how the covert ideology and discourse behind the lines of the novel can be reveal by m MoreThis article is to study Fariba Vafi’s novel of A secret in the Alleys, applying a critical stylistics approach in order to find an answer for the fundamental question of “how the covert ideology and discourse behind the lines of the novel can be reveal by means of examining its stylistics?” The research was conducted via a layer stylistic approach, i.e. at first, the outer layer and situational context, and then the narrative and textual layers have been examined. The purpose of this descriptive-analytical study is to show the interpretation and deep understanding of the novel; because, from the perspective of critical stylistics, the covert ideology, authority, power, and discourse prevailing the story can be better understood. It also can lead the readers to find out how the language reproduces those social implications. At the end, this article concludes that, the contrasting characters and discourses, as well as the negative aspect of the language used in the narration, could be the manifestations of the stylistics that lead the reader to discover the ideology behind the lines of the novel – which is here the suppression of women in a patriarchal system and their passive reaction toward it. Manuscript profile -
Open Access Article
13 - Discourse Stylistics of a Ghazal by Saadi (Focusing on Two Lexical and Rhetoric Layer Analysis)
sadina amini farhad tahmasbi Sareh ZirakThe discourse stylistics is created from combination of two layer stylistics and discourse analysis and analyzes the literary works stylistics from discourse analysis perspective; this method emphasizes on the situational texture (external) and its interaction to the te MoreThe discourse stylistics is created from combination of two layer stylistics and discourse analysis and analyzes the literary works stylistics from discourse analysis perspective; this method emphasizes on the situational texture (external) and its interaction to the text texture (internal). The common and dominant macro discourses of Saadi age include the religious –mystical institution discourse and governing-political institution discourse and public/peasant institution discourse. The main question of this research is that how these discourses have affected the romantic discourses that are dominant discourse in the Saadi’s Ghazals and created a romantic process discourse. The results of research indicate that the dominant discourses have been reproduced through discourse interaction and contrast in the visage of main characters of Saadi’s Ghazal, means the lover and beloved and the relations between religious-mystical and governing-political institutions as powerful and discourse making institutions from one side and public/peasant dominated and receptor institution on the other side have been displayed. Manuscript profile -
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14 - Who is the versifier of Pand Nameh?
مینو Fatoorechilasjlasj Manuscript profile -
Open Access Article
15 - Investigating ideological layers of style in the story of Amir Arsalan
Zahra DoriEach language is formed in a specific cultural context. This enables the literary works to point out the cultural discourse, and especially the ideology of a society. Thereby the effect of cultural transformations of various generations and even different literary MoreEach language is formed in a specific cultural context. This enables the literary works to point out the cultural discourse, and especially the ideology of a society. Thereby the effect of cultural transformations of various generations and even different literary genres can be studied. The study lies in the field of stylistics and it is from the category of discourse analysis. The story of the Amir Arsalan is one of the most popular folk-romantic novels of Persian language. Like any other literary text, the story is not devoid of ideological views, and it well describes the language discourse, power and ideology of a certain era. Through exploration of the ideological layers and their social and historical backgrounds, this study suggests how this seemingly romantic story reflects cultural and ideological clues. The result of the research shows that the story of Amir Arsalan, despite the structure of romance, has been drafted with a religious-national ideological approach to explain the supremacy of Islam (Shi'i) to disbelief .The story has changed from a historical genre to romance-fiction genre over the course of time. It is this structure and reliance on the collective memory of the people, that enables the story to have a high impact on the society Manuscript profile -
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16 - The examination of varieties of repetition on Golchin Maani poems
Mahmoud SadeghzadehAhmad Golchi Maani, the contemporary poet & investigator (1295-1379) is one of the poems which has a special attention to repetition arrays mostly lead to increasing and elegance of his words tune. Repetition is the utilization of a word / words in a sentence or a MoreAhmad Golchi Maani, the contemporary poet & investigator (1295-1379) is one of the poems which has a special attention to repetition arrays mostly lead to increasing and elegance of his words tune. Repetition is the utilization of a word / words in a sentence or a distich more than once and it is also one of the characteristics of literary styles, it is more applied to literal rhetoric in order to accentuate, hamage and chastise. Although repetition is not pleasing on on ordinary speech, however it's used to litreture styles as an example on Golchin poems in order to speech arrays or according to the poem necessitiees. In this research aproaches and characteristics of Golchin's poems will be proceeded by analysing his complete poetical works. It is applied variety of repetitions as: phonemes, syllable, word, phrase, sentence and remarks on a ingeniously styles in Golchin's poems. He applied different kinds of repetition in order to make a word tune more than other factors Manuscript profile -
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17 - بررسی سبکشناختیِ غزلیاتِ سعدی شیرازی در زنده انگاری عناصر طبیعت
Touran Ziamotlag manizhe fallahi reza fahimiAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. MoreAbstractimportant critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,Keywords: Styling, Life Nature, Ghazlia, Saadi. Manuscript profile -
Open Access Article
18 - Comparing the cognitive style of Jami and Ghazali's letters in the political context of critical discourse analysis
susan fotouhi tekantapeAbstract : The main topic of this research is a combination between stylistic of letters of Jami and Ghazzali with the approach of critical discourse analysis. The letters of mystics and great scientists are major historical sources which, in addition to enclosing a lot MoreAbstract : The main topic of this research is a combination between stylistic of letters of Jami and Ghazzali with the approach of critical discourse analysis. The letters of mystics and great scientists are major historical sources which, in addition to enclosing a lot of political, social and cultural information of the past, they show the relationships between the writers and authorities and different social classes. In this research we are trying to investigate the stylistic features of Jami and Ghazzali in three levels of description, annotation and explanation based on 3_dimentional model of Norman Fairclough in order to answer this questions that each one used which discourse and language strategy to communicate with others in political subjects? Which common and different points are exist in stylistic and language features of their letters? What role does discourse play in letters? The metod of this study is analytical-descriptive and our results showed that the ruling discourse on the letters of Jami is gnostic which, centered on divine love and ruling discourse on the letters of Ghazzali are ascetic which, centered on futurism. Each of them manipulate a discriminate discourse in letters to save authority against government ; but in fact the relationship of Jami's authority is via alignment with power of governors, on the other hand Ghazzalis's authority is via standing against the government apparatus and by this method could control the authority and invited them to adminstrative of justice and supporting people. Manuscript profile -
Open Access Article
19 - The Analysis of Dramatic Discourse with a Layered Stylistics Approach in the novel of Hiccup Moments by Ahmad Akbarpour
somayeh avarand Seyyed Ahmad Hosseini Kazerouni Seyed Ja'far Hamidi mohamad reza shahbaziDiscourse is a term used for examples of language usage and how it affects the audience, including the language of communication, or larger linguistic units such as interviews, conversations, texts, etc. Therefore, discourse manifests in a variety of forms. Sometimes it MoreDiscourse is a term used for examples of language usage and how it affects the audience, including the language of communication, or larger linguistic units such as interviews, conversations, texts, etc. Therefore, discourse manifests in a variety of forms. Sometimes it manifests as a lecture, sometimes a novel, and sometimes as a play or script, and the like. With this mission of discourse, it appears that in some of the texts, especially novels, two or more types of discourse can be distinguished due to the circumstances and the type of sentence structure. The present descriptive-analytical study tried to first define the discourse and then to examine dramatic discourse with respect to the stylistic characteristics of the novel of Hiccup Moments by Ahmad Akbarpour. The findings indicate that the obvious style of the novel is satyre and is structurally close to a play or screenplay, so that if the author has chosen the play and screenplay forms instead of the novel to express his ideology, he would have been still successful. Manuscript profile -
Open Access Article
20 - Stylistic analysis of footnote or popular novel with a look at the social and political novel of the constitutional period "Tehran Horrible" by Mushfiq Kazemi
akram asgari Fatemeh Pakroo Hamid reza ardestanirostamiContext and purpose: style is the author's or poet's method to show the specific desired content, knowledge and his point of view. These works examine its intellectual, literary and linguistic features. Pa Varagi novel is a new phenomenon and a branch of literature. Thi MoreContext and purpose: style is the author's or poet's method to show the specific desired content, knowledge and his point of view. These works examine its intellectual, literary and linguistic features. Pa Varagi novel is a new phenomenon and a branch of literature. This type of contemporary literary flow, with its artistic language, attracts people's attention and has its roots in popular literature. and is a reflection of the current issues of the society. It reflects political, social and historical realities like a mirror.Study method: This essay has investigated the narration, perspective and intellectual content with a descriptive-analytical method. The noteworthy point is the perspective of the work.Findings: Pa Varagi's novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and general structure. Findings: Pavaragi novels as a social novel along with the growth and richness of the literary stream that people pay attention to show the weaknesses and cultural defects of the society with simple language and overall structure.Conclusion: With the political, social and cultural upheavals of the late Qajar period, the writers decided to tell the nakedness of the society. Mushfiq Kazemi's first footnote novel "Tehran Makhuf" centered on love, in simple prose of a newspaper in the language of reportage. , with the aim of expressing the sufferings, problems and corruption of the government of that period, he published it. Manuscript profile -
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21 - The Investigation of Conversational Novelistic Dialogosm and Heteroglossia in the Tarikhe Beihagi
Somayeh Atarodi Mahdokht Porkhalegi ChatrodiArtisitic or poetic prose , the literal type of a novel , was considered as the super ficial meaning of words in classical stylistics of dialogism. Then, classical stylistic features which were the results of literary figures of speech survey were related to it or these MoreArtisitic or poetic prose , the literal type of a novel , was considered as the super ficial meaning of words in classical stylistics of dialogism. Then, classical stylistic features which were the results of literary figures of speech survey were related to it or these issues were limited to evaluative and empty words such as expressiveness, imagery, power or clarification for the sake of language description on the basis of personal judgement. Meanwhile, inter- textuality theories of mikail Bakhtin, the great Russian scholar, are remarkable since they are firmly based on linguistics a novel as a distinctive collection of the sounds of artistically organized personal voices and as a result, he present a unique kind of stylisitics which is strongly based on conversafional dialogism and heteroglossia. In this article, the researcher has inverstigated a special kind of dialogism in the Tarikhe Beihagi on the basis of the above theories. Thus, the findings indicate that among classical literary text, the Tarikhe Beihagi which emphasizes on novelistic aspects has got high potonfat for confirmatiom of the theories components including novelistic dialogosm and Bakhtin’s heteroglossia Manuscript profile -
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22 - Stylish Study of “The Eagle” by Khanlari, from the View Point of Language Literature and Thought Characteristics
Nafise Nik KhahPaviz Natel Khanlari is one of the prominent faces of the persio culture and literature in the contemporary periods. The most selected poetical collection of Khanlari is "The Moon in lagoon" and the most well-known his poem is a poetical song with the title of "eagle" i MorePaviz Natel Khanlari is one of the prominent faces of the persio culture and literature in the contemporary periods. The most selected poetical collection of Khanlari is "The Moon in lagoon" and the most well-known his poem is a poetical song with the title of "eagle" in 1318 which consists of new understanding from the old narrative in form of Mathnavi (couplet poet) pattern. This poem possesses eloquence and lingual characteristics and unique characterization which has distinguished that from other poems. Furthermore, the mental atmosphere dominant on this work includes expressing powers which had ever been in struggle within Khanlari and sometimes one had preference over the other, but he couldn’t t never reject truth and humanity. Manuscript profile -
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23 - سبکشناسی نشانهها در مجموعۀ شعر «آخر شاهنامه» از اخوان ثالث
سارا شفیع زاده گروسی -
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24 - سبکشناسی و جلوههای غنایی غزلیات حسن خان شاملو
مجتبی محمدی سید مهدی نوریان مهرداد چترایی -
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25 - واکاوی دستورالعمل میرزا باقر منشی ( نسخه خطی بی نظیر در علم الانشاء دوره صفویه)
دکتر مژگان اسماعیلی -
Open Access Article
26 - بازخوانی نظریۀ نظم عبدالقاهر جرجانی
صغری فلاحتی اسماعیل اشرف -
Open Access Article
27 - A staylistic look at repetition and association in Mantegh Alteir
Masood Pakdel Monireh Mahfoozi MoosaviMantegh Alteir is a poem by Attar Neyshabouri and one of the most important mystical masterpieces of Persian language and literature. Considering that in stylistics it is very important to pay attention to frequencies and it is based on frequencies that the stylistic ch MoreMantegh Alteir is a poem by Attar Neyshabouri and one of the most important mystical masterpieces of Persian language and literature. Considering that in stylistics it is very important to pay attention to frequencies and it is based on frequencies that the stylistic characteristics of a poet or a work are determined. The logic of bird has been done, an attempt has been made to analyze the goals and methods of the poet's use of repetition and association. Considered the most important features of Attar's poetic style in the logic of bird; Because the high frequency of repetition and association indicates that the poet was interested in mentioning them successively. These repetitions, which can be seen both in word and in meaning, in addition to the beauty of the poem and the pleasantness of the music, have also highlighted the poem, the poet's emphasis on the importance of the subject and the literary taste of the readers. Manuscript profile -
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28 - .
داوود واثقی خوندابی محمد کاظم کهدویی مهدی ملک ثابت -
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29 - .
mohammad ranjbar khorram makani mehdi famoori jalil nazari -
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30 - .
محمد حکیم آذر بهمن علامی -
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shahrzd bahmani -
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32 - اخلاق: ویژگی پنجم سبک شناسی تکوینی بیدل دهلوی
محمدخلیل طالبان پور اصغر دادبه -
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33 - باب هفتم گلستان در سایه روشن تصحیح
محمدخلیل طالبان پور -
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34 - Archetype in the Poems of Ahmad Shāmlū: A Pragmatic Approach
parvane delavar mohamad ali gozashti alireza salehiArchetype is a hidden structural tendency that shows the contents and dynamic processes of a collective unconscious. Archetypes can be studied in different contexts: dreams, myths, religion and literature. The present article, based on the concept of "pragmatic meaning" MoreArchetype is a hidden structural tendency that shows the contents and dynamic processes of a collective unconscious. Archetypes can be studied in different contexts: dreams, myths, religion and literature. The present article, based on the concept of "pragmatic meaning", tries to study the most prominent archetypes - such as anima, land, city/home, water - in the poems of Ahmad Shāmlū (1925-2000). So, the ideological layers of the poems are considered as an outer-context factor, showing their mythological and epic function. Manuscript profile -
Open Access Article
35 - سبک شناسی استقبال میرنجات (نسخه خطی) از محتشم کاشانی
احمد حسنی رنجبر مهین خطیب نیا -
Open Access Article
36 - Study on stylistic characteristics in first period of Persian poems (Taherid & Safarids)
Siavash Morshedi Mohammad Najjari From the first period of Persian poem – which started from first decades of 9th century and continued to the end of this century – survived just 64 verses (Poets: Hanzley-e Badgheysi, Mohammad bn Wasif-e Sagzi (from Sistan), Bassam-e Kurd, Mohammad bn More From the first period of Persian poem – which started from first decades of 9th century and continued to the end of this century – survived just 64 verses (Poets: Hanzley-e Badgheysi, Mohammad bn Wasif-e Sagzi (from Sistan), Bassam-e Kurd, Mohammad bn Mokhallad, Mahmud bn Warragh, Firuz Mashreghi, Abusolayk-e Gorgani and Shaker-e Bokhari (from Bokhara) which Gilbert Lazard in the oldest scattered Persian poems collected them. In the paper, have presented different definitions of style briefly, and eventually analyzed in the epoch style point of view, means the similar and specific characteristic in an epoch as frequency. The paper tries to study these poems as three points of view (External form, Internal Form, Subjective Form) and the results presented as frequency and in static charts Manuscript profile -
Open Access Article
37 - Examining the Common Aspects of Stylistics in Contemporary Iranian Architectural Works
Mehrdad Matin Alireza Joze piriکThe research is an investigation of stylistic methods and the extraction of common features in the works of contemporary Iranian architecture. Stylistics is one of the methods of simplifying and categorizing works. With the aim of extracting such commonalities, the que MoreکThe research is an investigation of stylistic methods and the extraction of common features in the works of contemporary Iranian architecture. Stylistics is one of the methods of simplifying and categorizing works. With the aim of extracting such commonalities, the question of this paper: "If there are commonalities between stylistic methods in contemporary architectural writings, what is their number and composition?" and the hypothesis of this paper: "the existence of common methods and their categorization in contemporary architectural stylistics" are among the pillars of the research. Extracting and achieving a coherent structure for the stylistics of contemporary Iranian architecture based on the patterns used in the authored texts of this field and presenting a comprehensive theoretical model for categorizing the works of contemporary Iranian architecture. The research identifies the main factors after library study and categorization of 30 contemporary authored works and after examining the commonalities and differences of stylistic methods. It is a qualitative research with an interpretative strategy, which explains the background of stylistic commonalities in contemporary Iranian architectural works with the historical method and the use of inductive-deductive reasoning. By summarizing the documents and using stylistic common points, an eight-fold classification for the stylistic methods of contemporary architectural texts is explained, which is very complicated in comparison with similar stylistics. Among these, we can mention the simplicity of (Donald Newton Wilber) and (Mohammad Karim Pirnia)'s style. Compared to historical stylistics, narrative stylistics based on non-architectural and unwanted events is very complicated and ambiguous. Manuscript profile -
Open Access Article
38 - بررسی سبک شناسی لایهای اشعار عارف سنندجی
صباح حسینی محمد علی گذشتی اشرف شیبانی اقدم -
Open Access Article
39 - The Analysis of the Poetical Thoughts of Andalib Kashani
Mina Salari ali akbar afrasiabpourAbstract Stylistics has greatly been in the focus of consideration in recent years and the restoration poets are the first Iranian experts who unconsciously have dealt with it and explored the ancient scholars' works. They had MoreAbstract Stylistics has greatly been in the focus of consideration in recent years and the restoration poets are the first Iranian experts who unconsciously have dealt with it and explored the ancient scholars' works. They had to scrutinize and learn all the aspects of lingual, thought and literary works of the ancient men so that to imitate them. Although these poets do not possess a specific style and only have imitated the ancient works, they've sometimes created novelty works in the same way. Pondering on their imitation of the previous poets can bring us some useful results. The restoration era poets who Andalib is one of them could save the Persian language from weakness and deficiency, has done great service to preserve the Persian ancient language and its literature. The aim of this research is the poetical thought of Andalib Kashani by bonding the language to the simplicity of contemplation in the poetry (praise, maxim , description and love .) Manuscript profile -
Open Access Article
40 - A study Cognitive style of the verses of terror and terrorism in the Qur'an
Ismail Salem Khoei Seyyed Taghi Kabiri Mahboub MahdavianAbstract It is one of the important and new sciences in the field of stylistic literature. In this knowledge, the appropriateness between the word and the meaning, the textual coherence and the harmony of the meaning of the word with the MoreAbstract It is one of the important and new sciences in the field of stylistic literature. In this knowledge, the appropriateness between the word and the meaning, the textual coherence and the harmony of the meaning of the word with the structure of the phrases are determined. In this knowledge, the science of meanings and expression is studied. Addressing this very important issue can to some extent reveal the Qur'an's view of this dimension of collective life and invite human beings to live without violence and terror. Therefore, the present article, using the knowledge of stylistics and also relying on descriptive-analytical method, intends to examine the style of verses from the Qur'an in which the category of assassination and murder is discussed. A stylistic study of this type of verses shows that the theological style of those divine verses that are related to terror, in terms of verbal and semantic structure as well as syntactic structure of words, is an avoidance approach and These verses are mentioned in the form of metaphor and irony, and most of the sentences are addressed to the reader in order to convey the state of violence and seriousness in the fight against terrorism to the reader. In general, the style of speech and The general orientation of the words in all the verses related to murder and assassination is such that it shows that murder and assassination are reprehensible and should not be done. Manuscript profile -
Open Access Article
41 - Stylistic Analysis of Interrogative Sentences in the First Juz’ of the Holy Quran
Mohammad Bayat Farahnaz Rafatjoo alireza hosseyniThe Holy Quran, as a divine book and the ultimate miracle, bears the responsibility of guiding and directing humanity. This literary miracle, which is unparalleled, employs various wise and intelligent methods to achieve its crucial mission. Among these stylistic approa MoreThe Holy Quran, as a divine book and the ultimate miracle, bears the responsibility of guiding and directing humanity. This literary miracle, which is unparalleled, employs various wise and intelligent methods to achieve its crucial mission. Among these stylistic approaches, the use of interrogative style stands out. Remarkably, out of the 114 chapters in the Holy Quran, only 18 chapters lack interrogative sentences. Recognizing the significance and role of questioning in discovering truth, the author has chosen to explore the interrogative sentences in the first Juz' (section) of the Quran for research purposes. This study employs a descriptive-analytical method and examines the literary beauty of these interrogative sentences at three levels: grammatical, rhetorical, and visual imagery. The findings of this research can contribute to updating the Quranic messages in a more practical and relevant manner, enhancing the sublime content and themes of the Quran in today's world. Additionally, by utilizing the radiant messages within the Quranic interrogative sentences, the value of questioning and seeking answers becomes evident across various dimensions: belief, knowledge, education, and culture. Manuscript profile
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