List of Articles سبک زنانه

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  1 - Investigating the Characteristics and Forms of Femininity or Feminine Dialect in Jaleh Ghaem Maghami's Poetry
  Maryam Beyck
  10.30495/dk.2023.704821
  Feminine dialect, feminine writing, and feminine style, or in general the feminist movement is a self-conscious movement that seeks to persuade women to emancipate themselves from the domination of the male-dominated intellectual and linguistic system of society and ask More

  Feminine dialect, feminine writing, and feminine style, or in general the feminist movement is a self-conscious movement that seeks to persuade women to emancipate themselves from the domination of the male-dominated intellectual and linguistic system of society and asks them to liberate themselves and their desires, and  explore their hopes and aspirations as an active part of human society. Jaleh Ghaem Maghami is considered by most researchers to be one of the founders of women's literature. Her poems are full of feminine perspective and mentality, and even the anonymous rendition of her poems, would immediately attract the reader’s attention to its female authority. Jaleh's emphasis on her gender in her poetry reflects her efforts to introduce femalehood to society and to change social representation of women. The emergence of the constitutional movement caused a great change in the minds of Iranians. This event revealed its impact in two ways. First, it led to the improvement of literacy, and the necessity of a literature that was accessible to all and that its themes were relevant to the lives of the masses. Second, the extensive connection with the West became more prominent due to the emphasis on the themes of freedom, homeland, nationality, and political and social criticism of poetry and literature. In this research, the author has tried to identify the signs in Jaleh’s Divan in a descriptive-analytical way and with a library method, which distinguishes her female poems from male poems and refers to those works as a distinct female writing style. Manuscript profile
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  2 - a
  mehri talhkabi Touraj Oghdaei
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  3 - A Study of Feminine Style In "Acacia Alley" Novel by Raziyeh Tojar
  Faezeh Arab Yousef-abadi Shahla Kalbali
  The purpose of this article was to extract the effective female-gender components in the style of the “Acacia's Alley” novel written by Raziyeh Tojar. According to preliminary results, these components were: female language, feminine affection and cultural i More

  The purpose of this article was to extract the effective female-gender components in the style of the “Acacia's Alley” novel written by Raziyeh Tojar. According to preliminary results, these components were: female language, feminine affection and cultural issues related to women in this novel. The female language in this novel was characterized by the repetition of words or parts of sentences to stress the desired emotional sense. In this novel, most women refuse to use definitive words and their discourse was infused with a bit of prolongation. The presence of more than 298 color-related terms and the frequency of using different colors with their details in the language of novel’s characters has bestowed a feminine flavor to this novel. Moreover, the motherly affection represented one of the strongest forms of emotions in this novel. Underusing of curses emphasized its feminine style here, for reasons such as cultural and educational poverty of women in ambiguous situations, a tendency towards superstitions and folk beliefs had gained prominence. In this novel, there were various examples of cultural and social issues, which showed that women's social rights were not equal to men. Manuscript profile
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  4 - The Color Element as the Symbol of Forough Farrokhzad’s Feminine Style
  Eqlima Ansari Ashraf Chegini
  The purpose of the present research was to study the role of color and its symbols in expressing feminine sentiments and emotions of Forough by using the new views of color psychology. The use of colors and feminine symbols were the means for Forough to communicate with More

  The purpose of the present research was to study the role of color and its symbols in expressing feminine sentiments and emotions of Forough by using the new views of color psychology. The use of colors and feminine symbols were the means for Forough to communicate with her audience, expressing her feminine thoughts, speaking of a woman’s concerns and aspirations, and ultimately, defending her virtue as a woman. Regarding this element in her sentimental and feminine poetry contributed to a better understanding of her and, to a large degree, a decent connection of the audience with her feminine thoughts and feelings. This research was based on descriptive – analytical study, and according to the results obtained from the current study, red was at the highest frequency as the most vibrant color with a perfectly positive effect; after that black was considered as the heaviest color, which is the expression of the most feminine feelings in Forough’s poetry. Pink with the lowest frequency was used as an utterly feminine color; and other colors including white, green, silver, blue and gold, were roughly the same, reflecting the spirits, regrets, wishes, and chastity of this female poet. Manuscript profile
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  5 - The Analysis of Feminine Style in The Bride a Play Written by Faridah Farjam
  farzaneh heidari
  This study focuses on feminine style which is noticed by researchers regarding the increasing number of female writers in the contemporary era. The names of Robin Lakoff and Sarah Mills are distinguished among the theorists of this field, due to the presentation of prac More

  This study focuses on feminine style which is noticed by researchers regarding the increasing number of female writers in the contemporary era. The names of Robin Lakoff and Sarah Mills are distinguished among the theorists of this field, due to the presentation of practical models. Lakoff enumerates some features of feminine language emphasizing the linguistic differences between men and women, and Mills considers three levels of vocabulary, sentences and discourse in the linguistic analysis of feminine works. The methodology of the current research is discourse analysis based on the integration of Lakoff and Mills' theories on four levels: 1. lexical 2. syntactic 3. rhetorical 4. Discourse. The purpose of the study is to find the characteristics of feminine style in The Bride written by Faridah Farjam who was the first Iranian female playwriter. The findings of the research indicate that the author used feminine linguistics in vocabulary, syntax, and rhetoric at the discourse level, to challenge male culture and assert women’s rights, and develop their personality and awareness. Also, the influence of the author’s gender on the tone of the text is another component for confirming the theoretical models. Manuscript profile
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  Samira Teymoori Saeid Bozorg Bigdeli Ghodratollah Taheri
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