Investigating the Characteristics and Forms of Femininity or Feminine Dialect in Jaleh Ghaem Maghami's Poetry
Subject Areas : Persian language and literature texts
Maryam
Beyck
1
(Assistant Professor, Department of Persian Language and Literature, Bafaq Branch, Islamic Azad University, Bafaq, Iran.)
Keywords: Women's Language, women's style, literary criticism, contemporary poetry, Jaleh Ghaem Maghami,
Abstract :
Feminine dialect, feminine writing, and feminine style, or in general the feminist movement is a self-conscious movement that seeks to persuade women to emancipate themselves from the domination of the male-dominated intellectual and linguistic system of society and asks them to liberate themselves and their desires, and explore their hopes and aspirations as an active part of human society. Jaleh Ghaem Maghami is considered by most researchers to be one of the founders of women's literature. Her poems are full of feminine perspective and mentality, and even the anonymous rendition of her poems, would immediately attract the reader’s attention to its female authority. Jaleh's emphasis on her gender in her poetry reflects her efforts to introduce femalehood to society and to change social representation of women. The emergence of the constitutional movement caused a great change in the minds of Iranians. This event revealed its impact in two ways. First, it led to the improvement of literacy, and the necessity of a literature that was accessible to all and that its themes were relevant to the lives of the masses. Second, the extensive connection with the West became more prominent due to the emphasis on the themes of freedom, homeland, nationality, and political and social criticism of poetry and literature. In this research, the author has tried to identify the signs in Jaleh’s Divan in a descriptive-analytical way and with a library method, which distinguishes her female poems from male poems and refers to those works as a distinct female writing style.
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