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Open Access Article
1 - The Image of Wine in Mostafā wahbī al-tal's ( ͑Arār) poetry and the amount of its influence from rubāʿiyāt-e-Khayyām (Quatrains of Khayyam)
Hooman Nazemian Hossein Abavisani Soghra Falahat Razieh MaskaniMustafa Wahbi al-Tall, known as ͑Arār(1899-1949 AD) is one of the great poets of Jordan. He is known as the 'Father of Jordan contemporary poetry'. When ͑Arār received a versified translation ofthe rubāʿiyāt-e-Khayyām (Quatrains of Khayyam), he became interested in and MoreMustafa Wahbi al-Tall, known as ͑Arār(1899-1949 AD) is one of the great poets of Jordan. He is known as the 'Father of Jordan contemporary poetry'. When ͑Arār received a versified translation ofthe rubāʿiyāt-e-Khayyām (Quatrains of Khayyam), he became interested in and fond of them, and composedKhayyām-type poems. So, we can say that it is too difficult to understandhis poems and mastering his poetic themes without understanding philosophy and thoughts of Khayyām. In order to determine the degree of poet's reliance on his poetic ability in creating new images, the article tries to have a technical look in his khamryyāt (wine poems). Similie, metaphor, hyperbole and so on are the most important devices which are investigated in the article. The results of the research show that there is no traces of the influence of imaginary pictures of Khayyām on Arār and the so called influence is due to the traces of Khayyam's philosophical thoughts in Arār poems. Manuscript profile -
Open Access Article
2 - Stylistic Reading of the Mystical-interpretive Prose of Jaami's Thesis "Rubaiyat's Explanation on Pantheism"
Asghar Dadbeh Qolamreaza Davoudi Pour A mystical text has always benefited from the simplest linguistic means to transfer its message and simultaneously has been considered as one of the most attractive Persian prose types in all ages. Jaami's prose in all of his didactic and myst More A mystical text has always benefited from the simplest linguistic means to transfer its message and simultaneously has been considered as one of the most attractive Persian prose types in all ages. Jaami's prose in all of his didactic and mystical writings benefits from the Persian prose and is full of archaism, delicacy, craftsmanship, and mastery. The prose style of the thesis '' Robaiyat's explanation on Pantheism "contains all features. In this paper after a short glance at Jaami's biography, the thesis is introduced and then prose style during Jaami's era is briefly discussed. In the next step the most outstanding of Jaami's style such as zeugma, archaism, brevity, and noun adjective agreement are analyzed. In the end a thorough conclusion is conducted. Manuscript profile -
Open Access Article
3 - “Literary interpretation of poetry and versification of quatrains and couplets”
Seyed Ahmad Hosseini KazerooniOne of the predecessors of literary researchers i.e. Aristotle has stated about way of influencing poet’s interpretation in literary and emotional implications that grandeur of poet’s interpretation lies in that to reflect imitation and representation princi MoreOne of the predecessors of literary researchers i.e. Aristotle has stated about way of influencing poet’s interpretation in literary and emotional implications that grandeur of poet’s interpretation lies in that to reflect imitation and representation principle adroitly; while other group believes in that they have manifested topics presentation technique more important than subject content so as Russian formalists had purposed subject of Speech Literature (Literariness). Thus, literary language is not similar to vernacular language except for physical lexicons, so that poets have resorted to literary terms in their literary interpretation, including simile, allusion, allegory and metaphor and the like thereby they might parochially display such concepts by recourse to fantasies and hinting implications in their verses. So quatrain is one of the purest frames of Persian verses and deemed as the most original and archaic types. Manuscript profile -
Open Access Article
4 - Human symbol in Einolghozat Hamedani quatrain based on the didactic, lyrical & mystic literature
Mohammad reza RezaeiyanBy study and consideration in literary Traces especially in mystic poem we can understand that literature and mystic is twin (Wraith) and Know that literature language is a substitution of religion language which is earthly and heavenly. Sophie always Profit by literat MoreBy study and consideration in literary Traces especially in mystic poem we can understand that literature and mystic is twin (Wraith) and Know that literature language is a substitution of religion language which is earthly and heavenly. Sophie always Profit by literature especially poetry and surely quatrain to made clear and advanced his belief – in didactic dimension and in enrapture dimension and he speaks in secret­­ language. Einolghozat Hamedani also use poetry especially quatrain in his prose traces that he himself compose. He uses secret language in the best stage by using available secret net work in his quatrain especially human symbol in which they are his subject complementary. So In this research they try to pay attention to the subjects like: how literature and mystic are related mystic literature in didactic- lyrical Form quatrain place in Sophie/ Sophie secret language and human symbol in Einolghozat Hamedani quatrain. Manuscript profile -
Open Access Article
5 - بررسی دیوان رباعیّات اوحدالدّین کرمانی از منظر عرفان اسلامی
شهریار حسن زاده فاطمه آقازاده جعفر راضی نیا -
Open Access Article
6 - واکاوی مفاهیم علمی و اعداد در رباعیات خیام، و ارتباط آن با چارچوب فکری او
اشکان گرشاسبی -
Open Access Article
7 - Checking the norms in the Beyidel Dehlavi’s Quatrains
Abdolreza Modarreszadeh Zainab Khoshvatan Mohammad SalamatianDisfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richn MoreDisfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richness because it transforms the language of the criterion and highlighting the language forms. If meta-normality is more novice, it will be more acceptable and the style of the poet will be more personal. Because one of the Indian style features is fresh and imaginative themes. Bidel Dehlavi is one of the poets of this genre with the highest degree of artistic tenderness and creativity in personal style. Bidel’s quatrains are full of imaginative and ingenious literary initiatives. The tendency to use fresh ingredients, novel themes and artistry imagery makes Bidel stretch from the natural language and it create stunning images with its amazing structure. In this article, the normality of the Bidel’s quatrains have been studied in eight lexical, syntactic, phonetic, semantic, dialectal, archaic, and written phrases،we encounter the various types of normality in Bidel, but the most prominent Bildel style attribute is related to syntactic normality is a semantic, lexical, and stylistic form by constructing specific numerical affiliations, new combinations, modern imagery, and algebraic terms. Manuscript profile -
Open Access Article
8 - The subject of history in Qat’es and Robaeis of Mirza Seyyed Yahya Modarres, devoted to Fadaei Yazdi
Fateme Chashnigir Azizollah Tavakoli Kafiabad Mahmoud SadeghzadehPaying attention to the alphabet letters for the arrangement of the date material and syntactical calculations has been considered and used since a long time. Using the alphabet letters to reflect the material of history requires special artistry and mastery. One of the MorePaying attention to the alphabet letters for the arrangement of the date material and syntactical calculations has been considered and used since a long time. Using the alphabet letters to reflect the material of history requires special artistry and mastery. One of the poets with good taste who has commented on it in his valuable divan is Mirza Sayyed Yahya Madras, devoted to Fadai Yazdi (1282 AH), one of the poets of the return period. The purpose of writing this article is to get familiar with the history of the subject of history, then to calculate it in two formats of pieces and quatrains by citing examples of it in the Fadaei Yazdi’s Diwan. This research was done analytically and with library tools, and the scope of its study was in the form of Qat’e of an authentic manuscript in the handwriting of the poet in the personal library of Seyed Yahya Modaresi Vamegh, and in the form of Robaei from an authentic manuscript in the library of Ayatollah Marashi. Fadaei Yazdi, in his poem history words, mentioned the history in meaningful sentences and words, and used it to express issues such as birth, construction, book authoring, memory, and death of people. The death of people, especially the death of scholars and after that the birth of people has a high frequency. Out of a total of 88 pieces, in 32 pieces, he considered bringing the material of history, and its use in the form of quatrains is small. Manuscript profile -
Open Access Article
9 - The Manifestation of Quranic them and Verses in Manuscript of Maamrej-al-khyal
Maryam KhazaeiliMaarej-al-Khiyal is a unique biography related to the 11th century AD. It is a fine treasure of rich and subtle words of poets who has written their emotions and inner beliefs by exquisite and beautiful expression. The form of this collection is quatrains which, of cour MoreMaarej-al-Khiyal is a unique biography related to the 11th century AD. It is a fine treasure of rich and subtle words of poets who has written their emotions and inner beliefs by exquisite and beautiful expression. The form of this collection is quatrains which, of course, few of them have not quatrain weight and are not considered as quatrain form. The collector of this fine work is Mirza Mohammad Saleh Razavi who has collected quatrains of 367 contemporary poets and before himself and all quatrains have been written in alphabetic letters order according to the pseudonym of poets. A variety of themes is seen in this biography which most of them are quranic themes and this indicates that poets have taken advantage of Quran to reveal religious and moral concepts. This work has some issues such as: God and unlimited kindness to his servants, also advise man to avoid pride, worldliness, desire, greed and pass of age, attention to the death, repent, etc. In this war of collection, sometimes, quranic concepts and compounds are used exactly at the end of quatrains or between hemistiches to emphasize, understand or complete that content. This study aims to search for these used quranic themes and verses and concepts in this manuscript collection. Manuscript profile -
Open Access Article
10 - Abdul-Rahman Shukri and the Rubaiyat of Omar Khayyam
Jamil Ja’fari Sherafat KarimiOmar Khayyam, the leading Persian poet and scientist of the fifth century created a collection of poems known as the Rubaiyat, which passed the geographical boundaries and has been translated into several languages. The first translation was presented by an English poet MoreOmar Khayyam, the leading Persian poet and scientist of the fifth century created a collection of poems known as the Rubaiyat, which passed the geographical boundaries and has been translated into several languages. The first translation was presented by an English poet named Fitzgerald who introduced Khayyam's poetry and opinions to the western world. His translation is to some extent a conceptual one, and even some of his translated poems differ from its original Persian equivalent. The Arab world did not lag behind, and some literary men began to translate the Rubaiyat into Arabic. Some of them used the original Persian version as their source, but most of them, due to lack of proficiency in Persian, inevitably took advantage of the English version. One of these Arab figures is the Egyptian poet Abdul-Rahman Shukri who has translated three quatrains from the English version into Arabic. Since he used an English translation as his source text, his translation reveals some defects both in its form and its content. For example, Khayyam’s quatrain form has been replaced by a free and conceptual translation, and he has endeavored only to convey the whole idea. This paper is a comparative study of Shakuri, and Fitzgerald translations and original Persian text of Khayyam aiming at evaluating and analyzing the defects of translation of Rubaiyat. Manuscript profile -
Open Access Article
11 - Sayyid Qutb and Persian poetry (Reflecting his appreciations regarding Hafez and Khayyam's poetry)
Faroogh NematiSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied thei MoreSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied their poem and believes that these two Persian literary figures can be classified among mystical poets. Hafez, in general, is poet with great wit and humor mixed whit romantic ideas and occult knowledge, and Khayyam, according to him, is a grieved Sufi and poet searching for the lost truth failing to find a ray of light in darkness. Sayyid Qutb's appraisals on the one hand indicates the degree of familiarity with the Iran's literature and culture and, on the other hand, reveals his detailed studies concerning the great poets of Iran. This paper aims at considering his critical appraisals and appreciation regarding two Iranian poets. Manuscript profile -
Open Access Article
12 - معشوق مهتر و کهتر در غزلیات و رباعیات سعدی
شبنم حاتم پور -
Open Access Article
13 - The study of the functions of "philosophy of the revolution of the world" in Rubaiyat Khayyami and Mohammad Hossein Karbarei
hossein akbari HABIB jadidRu'ba'yyat of Khayyami, as a representative of a tradition, has evolved throughout the centuries and years of Persian literature. Many poets in this wise tradition, formed in opposition to the deterministic thinker system, played a lot, and many morals were performed, b MoreRu'ba'yyat of Khayyami, as a representative of a tradition, has evolved throughout the centuries and years of Persian literature. Many poets in this wise tradition, formed in opposition to the deterministic thinker system, played a lot, and many morals were performed, but ultimately, the collection of these mental lesions, known as Hakim Khayyam, is called Neyshaburi. The type of thought that has been described and described in the form of Rubaiyat Khayyami has been continually imitated and followed by many poets including Mohammad Hossein Kebriayi, the prominent poet of the Nebhndani. By referring to the Ruba'iyat of Khayyami (as the later text), he has referred to various wisdom matters, including "the philosophy of the revolution of the world." In the present article, with the comparative approach and descriptive-analytical method, the manifestations of this influence and the possible innovations of the poet are considered. The results of the research indicate that the totality of what is described and represented in the Khayyami and Kebriayi are identical, and the continuity of the same tradition of scholarship in Quranic poetry is clearly seen, but what the poets of the poet give special privilege, the proper use of arrays The rhetoric is especially the likeness and metaphor and the use of indigenous terms in the Nehbandan area, which was used to simplify the process of perceiving the audience towards the details of the "philosophy of the revolution of the world." Manuscript profile -
Open Access Article
14 - نوستالژی در رباعیات خیام
علی دهقانی -
Open Access Article
15 - Speaking to the audience in Sayeri quatrains
sorayya eslamikhooSpeaking to the audience in Sayeri quatrains This study examines the address and its forms in Sayeri quatrains. Although the literary form of the quatrain does not play a significant role compared to the sonnets in sayeri divans, it is important because he has expresse MoreSpeaking to the audience in Sayeri quatrains This study examines the address and its forms in Sayeri quatrains. Although the literary form of the quatrain does not play a significant role compared to the sonnets in sayeri divans, it is important because he has expressed part of his feelings and insights in this literary form. The purpose of this research is to introduce this anonymous poet in the mirror of his quatrains. The method used in this research is descriptive-analytical. The result shows that most sayeri quatrains begin with addressing God, self, praiseworthy, non-human, singer and their punishment, and to express their meaning and purpose, they use commanding, forbidding and informing the audience along with incitement, warning, and rebuke. Manuscript profile -
Open Access Article
16 - .
Isa Charati Ahmadreza Yalameha -
Open Access Article
17 - .
مهرداد چترایی عزیزآبادی -
Open Access Article
18 - A Study and an Analysis of Didactic Foundations in Saadi's Quatrains
Hamzeh Akbarizadeh Nemat Isfahani omran Hamid TabasiThe high frequency of some ethical themes in the text indicates the educational foundations in the author's thinking. Didactic foundations are more ostensible in a coherent and short literary form like quatrains, because the poet tries to depict his instructive thoughts MoreThe high frequency of some ethical themes in the text indicates the educational foundations in the author's thinking. Didactic foundations are more ostensible in a coherent and short literary form like quatrains, because the poet tries to depict his instructive thoughts with the shortest form of thought, in order to be more effective. Saadi is one of the poets who has portrayed his didactic concerns in various forms of poetry, including his quatrains. These concerns and didactic foundations are more pronounced in Saadi's quatrains than in his other works due to the brevity of form and structure of the quatrains. Doing this research could be significant and necessary because literary researches did not paid enough attention to Saadi's didactic quatrains. Furthermore, the quatrains have a special capacity to find Saadi's didactic foundations. Accordingly, in this article, an attempt has been done to examine in a descriptive and analytical manner, the didactic foundations of Saadi's quatrains, which have not been explored so far. Numerous themes, including death, unreliability of the world, love, predestination, free will, justice, and morality (special behavioral hints), form the profound didactic structure of Saadi's quatrains. Understanding these didactic themes requires classification and genealogical view to discover the intellectual and ideological origin of the poet's thoughts. The research findings show that the didactic foundations in Saadi's quatrains are influenced by the jurisprudential and theological ideas of his time and the philosophical ideas of ancient Iran. In fact, the poet composed his quatrains according to the unsettled situation of the society of his time. He has given didactic and instructive quatrains, so that he can teach the audience a set of moral good deeds. Manuscript profile -
Open Access Article
19 - The social and intellectual basisin the thoughts ofseizing the opportunity in The Persian quatrains
Saeid HatamiHuman predilection to enjoy happiness and inner tranquility, depending on the intellectual and social situation in the Persianquatrains in the form of phrasesconnected with taste and ethical teachingshas been manifested. As this doctrine has always been one of the centr MoreHuman predilection to enjoy happiness and inner tranquility, depending on the intellectual and social situation in the Persianquatrains in the form of phrasesconnected with taste and ethical teachingshas been manifested. As this doctrine has always been one of the central didactic themes in the poem. This article intends to contemplateon the Iranian most popularquatrains, tillthe 8th century,in order to not only understanding the quality ofdistinct reflections of the teachings in their work, and findingthe social and intellectual fundamentals of the idea of inviting the audience to use every opportunity, lenienceand joyfulness,but alsofindingthe quality of the idea being impressedbyemotional and intellectual society situations. According to the study, ethical teachings in thesequatrains, being profoundly impressed by current thoughts and political situations, despite thesimilarities to the idea of hedonism in the attitude of the meaning of happiness, peace, and strategies to achieve,have benefitted fromthe deep intellectual supports, independent ofthe school of hedonism, which arerooted in their humanistic worldview and attitude. Manuscript profile -
Open Access Article
20 - جلوه های مختلف تکرار در رباعیات باباافضلالدین مرقی کاشانی .
محمد رضا شریفی -
Open Access Article
21 - An Introduction to the Maarejol Khiyal Manuscript
Maryam Khazaeli Atta RadmaneshAbstract The Maarejol Khiyal Manuscript is a unique biography related to the Safavid era. It is a fine treasure of rich and subtle words of poets who have written their emotions and inner beliefs by exquisite and beautiful exp MoreAbstract The Maarejol Khiyal Manuscript is a unique biography related to the Safavid era. It is a fine treasure of rich and subtle words of poets who have written their emotions and inner beliefs by exquisite and beautiful expression This collection seems to be in quatrain form but a few of them do not have quatrain weight. The collector of this fine work is Mirza Mohammad Saleh Razavi who ranked among the noble men of the safavid age. He was also the grand son of Shah Abbas I. He collected quatrains of 367 contemporary poets before himself and all of the were arranged in alphabetic order by their pseudonyms .A variety of themes which is seen in this version are mostly in Qur'anic matters and indicate that poets have taken advantage of the Qur'an to reveal their religious and moral concepts. This work has some issues such as : God and His unlimited kindness to His servants, also advising man to avoid pride, worldliness, desire, greed and pass of age, attention to the death, praise of God . In this manuscript, sometimes, the Qur'anic concepts and compounds are used exactly at the end of quatrains or between hemistiches to emphasize, understand or complete that content Manuscript profile -
Open Access Article
22 - Verse Styli sties in the th Century
Sayyed Ziaoddin SajjadiThis is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey t MoreThis is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey the most salient characteristics of Anvari's style in his elegy, lyric poems, quatrains, according to his taste in words and combination, poem's rhythme, rhyme and line, and also content of his poems and its main subjects. Jamaladdin Esfahani is introduced with literary ~ritics' point of views, innuences, elegy's style, rhythme, rhyme and line, rhetorical Figures that he applied and also the information that's found in his poetry, his lyrics and quatrains. Manuscript profile -
Open Access Article
23 - An Evaluation of khayyam's notion on the Basis of the corpus of his Authentic Quatrains
mehdi mahoozi There is no thinker like Omar Khayyam Neishaboury. Likewise, there is no poetry which invites us as much to dialogue, discussion, and translation as his Quatrains. I would belive that the study of Khayyam's noti More There is no thinker like Omar Khayyam Neishaboury. Likewise, there is no poetry which invites us as much to dialogue, discussion, and translation as his Quatrains. I would belive that the study of Khayyam's notion should be based on the corpus of his authentic Quatrains. In order to distinguish the Quatrains that were written by khayyam from the derivative ones, it is necessary to separate all of them by studying all this writings and comparing those Quatrains with the authentic ideas snd believes of khayyam which we withdrew from our study on all his works. In this paper constraints are introduced for identifying khayyam's authentic Quatrains. with the aid of these parameters, Quatrains which play a key-role in khayyam's thought were selected. On the basis of these results, it was possible to re-evaluate the understanding of khayyam's thought in European and Western Studies on this subject, from his own lifetime until the present day. Manuscript profile -
Open Access Article
24 - Artistic innovations in RobaiyatMoulana
Kavous Hassan Lee Shahin HaghighiRobai is awell known genrein Persian poetry which many Persian poets namely Jalal al-Din Mowlana has adapted so many times. Moulana has been the center of attention by many literary scholars with his two outstanding works that is to say Masnavi and Ghazaliat Shams MoreRobai is awell known genrein Persian poetry which many Persian poets namely Jalal al-Din Mowlana has adapted so many times. Moulana has been the center of attention by many literary scholars with his two outstanding works that is to say Masnavi and Ghazaliat Shams. Nevertheless the world of his Robaiyat likewise is filled with poetic experiences and artistic innovations which must not be overlooked. However, the literary credit of Robaiyat is overshadowed by the above illuminating works. This article points to certain artistic motivations, and literary innovations in RobaiyatMoulana. The reference for this study has been Kolliyate Shams Tabrizi provided by TowfiqSobhani published in 1381 by Ghatreh publications. This work contains 1983 robai. Manuscript profile -
Open Access Article
25 - Robai and the subject of death in robais of Mowlana
Khalil Ebrahim SariOqluRobai as a poetic genre is known to be originated in the Persian language. Since this genre normally deals with a single concept and has meter of its own, its employment in contrast with other poetic genre is less encountered in the Persian language. Among his pro MoreRobai as a poetic genre is known to be originated in the Persian language. Since this genre normally deals with a single concept and has meter of its own, its employment in contrast with other poetic genre is less encountered in the Persian language. Among his prolific poems, Mowlana has composed quatrains with utmost mastery and skill. This article is concerned with issues such as death, life after death, and Mowlana’s views regarding these subjects are provided. �ا اندیشههای وی دربارة مرگ ـ که میان انسانها مشترک است ـ ، حیات بعد از مرگ و حیات اخروی ـ که جای محاسبة اعمال این جهانی است ـ آشنا میشویم. Manuscript profile
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