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Open Access Article
1 - Arab Poetry’s Bride in Contemporary Kurdish Poetry
Arman Mohammadi Raygani Moslem KhezalliLeyli & Majnoon are from the famous lovers in Arab and even world literature whose love story reflects in most of the nations’ literature. Kurdish literature is not an exception and the poets around the world paid special attention to love stories and depict i MoreLeyli & Majnoon are from the famous lovers in Arab and even world literature whose love story reflects in most of the nations’ literature. Kurdish literature is not an exception and the poets around the world paid special attention to love stories and depict it in their poetries especially in the odes since ancient years. The present article tries to study Kurdish contemporary poetry and survey the poets’ knowledge qualitatively and quantitative. Manuscript profile -
Open Access Article
2 - Themes of social love in poems of Ahmad Shamloo and NizarQabbani
Sohayla Salahi Moghadam Marziye Asghar Nejad FaridLyric poetry in contemporary literature has changed. “Woman” has changed from aesthetic subject to an active persona and in the literature field; we can see the effects of this activity and creativity. With contrastive literature as a branch of comparative l MoreLyric poetry in contemporary literature has changed. “Woman” has changed from aesthetic subject to an active persona and in the literature field; we can see the effects of this activity and creativity. With contrastive literature as a branch of comparative literature, we study the common subjects in global literature which there are not composed or written by effect from each other, but they are the result of same situations and approaches. In this article, ten common concepts for description “woman” in Nizar Qabbani, Arab contemporary poet, and poems of Ahmad Shamlou, Iranian contemporary poet, are studied. In some poetic periods of these poets, both, lyric and social and poetical issues mixed together and “love” is seen in a specific balance. There are two basic approaches in the poetry of both poets, in first approach bands the poet heat and verve of challenge and social concern. In second approach, “love” gives poet hope for challeng. Beloved in the shape of a prophet and a perfect “woman” is the source of beauty and goodness in the poet’s world and celebrates the days of victory with poet. Manuscript profile -
Open Access Article
3 - Describing the immoral and spiritual areas of the beloved in the lyric poems of Hakim Sanaei
Hosein Salimi Bashir AlaviThe Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasiona MoreThe Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasionally preoccupies himself. Introduction to Sanai's hymns which describe the beloved, although not uniform in number of verses and is often between 7 and 29 verses, but has a place in his hymns. In this article, while briefly introducing various aspects of the description of the beloved, such as; The field of immorality and spirituality or the reporter of the face and sensory and intellectual similes, etc, the image of the beloved Sanai with emphasis on the poet's intellectual evolution, should be examined and analyzed; Therefore, first, the most important and special approaches of Sanai in drawing the image of the beloved have been extracted and classified into eight groups. Then, by studying and finding the frequency of words and presenting diagrams, their importance, how they are used, their place and the way of intellectual development in Sanai's depiction of the beloved's image are analyzed in the lyric poems of his praise poems. The presence of characteristics of Khorasani style and traces of change that later become the beacon of poets in the field of dealing with the beloved, is one of the highlights of the lyric poems of Sanai praise that are addressed in this study. The research method is descriptive and analytical with statistical charts. Manuscript profile -
Open Access Article
4 - Shahrokh-Nameh: Epic or lyrical poems?
Elham Shirazi MohammadHosein KaramiShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from c MoreShahrokh-Nameh is an epic-historical poems of the poet of the 10th century AH Mirza Muhammad Qasemi Gonabadi. The topic of this Masnavi is about of conquests, Justice, journeys, honesty, goodness and braveries of Shahrokh, the the ruler of the Timurid Empire from coronation to death. In this manuscript, beside a brief introduction of the poet, the stylistic features of his poems are explained at three levels of linguistic, literary and intellectual in a layered manner. By reviewing the poems, in addition to the epic themes, it appears that many of the verses are different from the epic atmosphere of the poems. Therefore, this is a martial and festive work which the existence of beautiful idols in battle scenes and even bringing SĀQI-NĀMA at the end of each topic has made this feature even more prominent. Qassemi has created a new style of saga. By carefully examining the issues and events of the stories, the authors reached the point that Shahrokh-Nameh is a combination of epic, history and lyric. Qasemi's lexical games indicate his dominance of vocabulary, metre and rhythm in poetry. Qasemi's imagery depicts his skill in imagination and meaning and to the fullest extent; it is the use of words, expressions and lyrical images to express epic adventures. Manuscript profile -
Open Access Article
5 - The Arabic Sonnets of Mowlana and Hafez: A Contextual Critical Study
Mehdi Momtahen Monir Ahmad ShareeatiResearches done on Mowlana’s and Hafez’s poems abound in numbers leaving the readers with the idea that no other concept has been left unexplored. But once all these researches re-examined, one finds that a part of the Iranian and Islamic literature has not MoreResearches done on Mowlana’s and Hafez’s poems abound in numbers leaving the readers with the idea that no other concept has been left unexplored. But once all these researches re-examined, one finds that a part of the Iranian and Islamic literature has not been thoroughly explored and explained by the researchers in the field. This is where we come to the Arabic poems composed by these two poets which in themselves exemplify their poetic craftsmanship as well as their mastery, especially Mowlana, of the Arabic language. A re-examination of the poetry of these two great poets one comes to the conclusion that they take their philosophical sustenance from the teachings of Quran. This is apparently detectible through the liens of all these Arabic poems which reflect the impact of the Abbasi era literature on them using a very simple and down to earth language and bearing the vast power of imagination and some motives of Arabic poetry. This article is an attempt to compare the Arabic poems composed by Mowlana and Hafez and, through a new perspective, present these two poets in different dimensions and perspectives which have not been explored therewith informing the readers who have not been acquainted with them by examining their mutual spiritual experience they both provide. Manuscript profile -
Open Access Article
6 - Reflection of lyrical subjectivity in the norm and the sonnet of Houshang Ebtehaj
Abbas BaghinejadHooshang Ebtehaj (H.E .Saye), a contemporary poet and modern poet, has brought a new and special manifestation of Ghanaian poetry. In both Nimayi poetry and Ghazal, he is indebted to the lyrical attitudes and language of his predecessors, and has been influenced in vari MoreHooshang Ebtehaj (H.E .Saye), a contemporary poet and modern poet, has brought a new and special manifestation of Ghanaian poetry. In both Nimayi poetry and Ghazal, he is indebted to the lyrical attitudes and language of his predecessors, and has been influenced in various ways by the rich mentality prevalent in Persian poetry, as well as by renowned Ghazal poetry. Anyway, Ebtehaj's approach has monopolistic features that distinguish it from other traditionalist sonnets. In this essay, several aspects of the poetry of Ghazal are studied and the quality and aspects of this poet's influence on the tradition of Persian poetry, as well as how he deals with some of the foundations and components of lyric poetry, are analyzed and Explain. In this regard, Ebtajaj's dual approach, which is sometimes traditional and sometimes unusual and exclusive, deals with such topics as rich mentality, romantic attitude, love tradition, beloved beauty, beloved lust and fascination with love. Has been studied and the role of these categories in the development of lyrical and thematic-creativity and the aesthetic richness of ebtehaj's poems, both solely in love with his sonnets and with symbols of social and philosophical prestige, has been described. Manuscript profile -
Open Access Article
7 - Poems Collection Structures of "Hanjarey Zakhmi Taghazol (The Sore Larynx Lyricism)" of Hussein Monzavi
zivar dehghani shams- al -hajiyeh ardalani seyed ahmad kazerooniRepetition and circle are the main axes of the formation of musical elements. This pattern is also found in the musical system of modern poetry and covers three inner, outer and aside music areas. Based on these patterns, Monzavi has created the music of his poems. This MoreRepetition and circle are the main axes of the formation of musical elements. This pattern is also found in the musical system of modern poetry and covers three inner, outer and aside music areas. Based on these patterns, Monzavi has created the music of his poems. This study aims to examine the music creator arrays in sonnets of the collection "HANJAREY ZAKHMI TAGHAZOL" (sore throat lyricism) and the method of using these elements and also their function in Monzavi poems has been shown. The findings of this research suggest that Monzavi use different ways for the musical richness of his own lyrics including: pay attention to the diversity of prosodic rhythms, employing useful rhythms, create proper meaning and thematic with the rhythm of prosody, pun utilizing, repetition, contrast, rhymes musical function that make his poems unison, totally, Monzavi poem musicality elements classified in four categories: Outer music, aside music, internal music and spiritual music. Manuscript profile -
Open Access Article
8 - Investigating the imaginary schemas of "love" in Farrokhi Sistani's lyric poems
nabiollah arabkhazaeli Hoseein Ali pashapasandi Hossein Parsaeischemas are one of the most important concepts in cognitive linguistics, the main issue of which is that actions and behaviors emerge from us in this world, and through this, fundamental conceptual structures emerge to think about abstract matters. Are used. The present Moreschemas are one of the most important concepts in cognitive linguistics, the main issue of which is that actions and behaviors emerge from us in this world, and through this, fundamental conceptual structures emerge to think about abstract matters. Are used. The present study, with a descriptive-analytical method, examines the types of imaginary schemas (volumetric, kinetic and power) in the word "love" in Farrokhi Sistani's poems. The purpose of this study is to identify these schemas in Farrokhi's sonnets and how the word "love" is objectified in them. The results indicate that among the three imaginary schemas, the power schema has a higher frequency in Farrokhi's lyric poems; Because Farokhi shows in his poems that love has influenced the lover with his great power. After the concept of power schema, the motion schema has the highest frequency in Farrokhi's lyric poems, which has been used to show the companionship of love with the lover during the path of love. The volumetric schema has the lowest frequency and with the help of this schema, the poet shows the sufferings of the lover in the path of love. Manuscript profile -
Open Access Article
9 - The Description and Image of beloved’s Face in “The Youth” by Bizhan Elahi
Hadi Tayteh Mahsa ImaniberenjabadBizhan Elahi is one of the poets of ‘other poems’ who has paid attention to the aesthetic layer and the rhetorical elements in the collection of ‘Youths’ despite the lyrical language and attention to the element of emotion. In Youths, this entang MoreBizhan Elahi is one of the poets of ‘other poems’ who has paid attention to the aesthetic layer and the rhetorical elements in the collection of ‘Youths’ despite the lyrical language and attention to the element of emotion. In Youths, this entanglement of the two elements of emotion and rhetoric has also spread to the description of the beloved's face and his features and states. The face of the beloved in Bizhan Elahi's Youth is sensual and the kind of love is bodily in his poems. Elahi uses lyrical language in a type of white poetry that is closest to the nature of prose. In this research, the beloved face is described and analyzed, including the eyes, the skin of the beloved’s face, forehead and eyelids, the body and heart of the beloved, and the characteristics, actions and reactions, moods and behaviors of the beloved, including endearment, the mutual love of the lover and the beloved, and how these states get expressed in lyrical and literary language are examined and analyzed. As well, the similarity of the beloved to other phenomena and rhetorical images related to the face, body and characteristics of the beloved are analyzed and described. The aesthetic aspect of the beloved's face, the type of behavior, actions and reactions and the characteristics of the beloved become more and more obvious. In this research, in a descriptive-analytical method, while expressing the poet's descriptions of the beloved, we express the aesthetic layers and rhetorical elements resulting from these descriptions. Manuscript profile -
Open Access Article
10 - زبان شعر و عشق
سیّد احمد حسینی کازرونی -
Open Access Article
11 - .
مریم اسمعلی پور -
Open Access Article
12 - In Search of Vahid Ghazvini’s Divan and the style of his odes
Roghieh SadraeiVahid Ghazvini belongs to a family who has earned his life as a civil servant and like many civil servants in the Safavid era he was a poet and incidently a prolific one. Vahid’s poetry is concerned with various subjects such as epic themes to lyrical and mo MoreVahid Ghazvini belongs to a family who has earned his life as a civil servant and like many civil servants in the Safavid era he was a poet and incidently a prolific one. Vahid’s poetry is concerned with various subjects such as epic themes to lyrical and moral themes and Shahr Ashoub. His main poetic style is Isfahani or Indian style which is the style of the poets in Safavid era. In this article, the features of his style in composing odes, his language (diction and syntax), and rhetorics (rhetorical devices) have been analyzed and examples were given for each case. Manuscript profile
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