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Open Access Article
1 - Affection in semantics analysis of sightless poets: Milton’s Los Paradise and Divan-e-Rudaki
Fattaneh Ghomlaghi Latifeh Salamt BavilThe main duty of literature is to affect audiences’ emotions. Poem is often a reflection of its creator’s emotional state. Thus, affection as one of the spiritual elements of poem is considered the most important artistic constituent. It is as a bridge conne MoreThe main duty of literature is to affect audiences’ emotions. Poem is often a reflection of its creator’s emotional state. Thus, affection as one of the spiritual elements of poem is considered the most important artistic constituent. It is as a bridge connecting the outer and inner aspects of its creator that has the greatest influence on the audience; In this respect, it seems vital to analyze and investigate the aforementioned element compared to other effective ones. This study aims to recognize the two sightless poets’ themes and thoughts in terms of common affection that is due to their physical defects; differences and similarities of their perspectives could lead to more understanding and to help intercultural interactions, affinity of civilizations and betterment of the world piece. In this study through a descriptive-analytical approach, we intends to investigate the ways to transfer affections, emotions, induction of meaning as well as poetic tools such as simile, metaphor, sensuality and illustration. Our findings show sensuality or the element of affection is the main commonality between the two poets. This element is more rigorous when one realizes that their blindness not only has not caused limitations, but also has enabled them to be distinctive from other sighted poets. Manuscript profile -
Open Access Article
2 - The study of Imagery in Mahmoud Moshref Azad Tehrani
Nahid Alinejad Maryam ShayeganMahmoud Moshref Azad Tehrani was one of the greatest poets of fortieth decade. The study of imagination in his poems as an impressive poet in modern poetry caused the discovery of his innovation in the field of imagination and revealed some aspects of emotions, feelings MoreMahmoud Moshref Azad Tehrani was one of the greatest poets of fortieth decade. The study of imagination in his poems as an impressive poet in modern poetry caused the discovery of his innovation in the field of imagination and revealed some aspects of emotions, feelings and social problems. In this research which is taken by taking note and library method, three hypotheses were the bases of work. One hypothesis was that Moshref as well as other contemporary poets has paid more attention to detection element among imagery elements and he has paid more attention to nature and tangible objects among constructive elements of imagery. Another hypothesis was that the emotions which are mixed with his imagination and have caused his poetic experiences were not personal emotions but social ones and they were derived from pains, sufferings and his joint hopes with people of his society and Moshref was a poet who could create beautiful images and take responsibility toward his society as an artist. Manuscript profile -
Open Access Article
3 - Tangled fiction fitness in one bit of khaghani
fazil abbaszadehPoets are compelled to be away from the norms of common language and are paying attention to the imagination in order to achieve from normal language to the exalted and literal language. Opacity and its variants as one of the aesthetic tools and entrance intent ofimagin MorePoets are compelled to be away from the norms of common language and are paying attention to the imagination in order to achieve from normal language to the exalted and literal language. Opacity and its variants as one of the aesthetic tools and entrance intent ofimagination are the most dynamic work of Khaghani Shirvani in poetic language. That insistence in this case caused that on the one side one of the elements of the difficulty of his poet but on the other side is considered as one of the unique and deep beauty and ambiguity of his art. The aim of this study is showing interconnectedness of artistic proportions and ambiguity networks in the horizontal axis go togetherness of words of a beat of the Madaen Porch ode and description of mythic meanings of beat considering consistent context in the vertical axis of whole poem. Khaghani as a teacher of ethic in the whole of this ode Particularly in the disussed Poet Could Taught deep thinking and learning at the deep layers of the lyrics to all of the people. Manuscript profile -
Open Access Article
4 - The Role of Phantom in Religious Training, Regarding to the Islamic Mysticism and Wisdom
MohammadTaghi Yousefi Yarali Kord Firoozjayi saeed ahmadiHuman being as a multidimensional creature has been always an important subject in prophet’s divine training. Knowing all dimensions of the man, either its body or soul have a special function and message in the path of sublimation. The phantom is one of the most MoreHuman being as a multidimensional creature has been always an important subject in prophet’s divine training. Knowing all dimensions of the man, either its body or soul have a special function and message in the path of sublimation. The phantom is one of the most effective elements among diversities especially the human beings. Ion This article studies the position of phantom in religious training based on Islami mysticism and wisdom. The research method is descriptive analysis with a positive approach to the subject. At first it describes the conceptual and confirmative cognition of the religious training. Then it focuses on the wisdom as a medium and some features such as creativity, mimesis, and epistemic values of conceptual cognition. Finally, we disproved that wisdom is the starting point of religious training. Manuscript profile -
Open Access Article
5 - بنمایههای دریایی در تصویرهای شعری صائب تبریزی
ali sarvar yaghoobi -
Open Access Article
6 - شیوه های مناسب سازی داستانهای تخیّلی شاهنامه برای کودکان
فاطمه فرزین محمود طاووسی مریم جلالی -
Open Access Article
7 - Look at the imagery and emotion in the poems align with Salman Harati
ghasem mehravar giglou fateme modarresiSalman Harati (1338 -1365) committed one of the poets of the contemporary style of literature in the field of Islamic Revolution and is stable. Salman poetic language is the language of poetry, simple and insignificant. Salman plain language and strong, able to create b MoreSalman Harati (1338 -1365) committed one of the poets of the contemporary style of literature in the field of Islamic Revolution and is stable. Salman poetic language is the language of poetry, simple and insignificant. Salman plain language and strong, able to create beautiful images be. Is intended to present a descriptive - analytical imaging and align it with the emotion in the poems of Salman Harati to discuss and scrutinize. Outcome research suggests that the link between the poet's creative emotion, image and imagination. And logic-based interactive communication, which implies that the referential function, making out, and the poetic function is restored. Salman singing poems in various arts of poetic imagery, including metaphor, personification, metonymy, simile, synaethesia, irony, and the paradox …Has used. In the arts of Image, such as simile, metaphor, personification and synaethesia more with the emotion and sense of fun and irony and paradox of religious belief with social affection Salman Harati are consistent Manuscript profile -
Open Access Article
8 - A stylistic study of Baluchi love poems
Maryam davari Dr.mahmoud sadeghzadeh Dr. Hadi Heydariniya Heydariniya Dr,Musa Mahmoud ZehiLyrical poetry is one of the most important literary genres in the history of literary criticism. In the history of literature of any land, there are poems that were composed with or to accompany music, and on the other hand, there are simple, emotional and musical poem MoreLyrical poetry is one of the most important literary genres in the history of literary criticism. In the history of literature of any land, there are poems that were composed with or to accompany music, and on the other hand, there are simple, emotional and musical poems that have emerged from the heart of the general public and have become the official source of lyrical poems. Influenced by the romantic definition of lyrical poetry, Iranian scholars have often considered this type of poetry as poems that express personal feelings and emotions and the personal "I" of the speaker. In lyrical poetry, romantic themes are presented with a cover of arrays and based on the poet's personal feeling. Poetic images are the result of linking the poet's emotional experiences with the phenomena and events around him. In this literary genre, the structure of poetic images is particularly similar to the definition of image in literary language. This research has tried to recount in a descriptive-analytical way the original manifestations of lyrical literature in Baluchi love poems. Ancient Baluchi poetry is more narrative, and the surviving works are epic and love stories or important historical events that poets have written in short and semi-long poems. Manuscript profile -
Open Access Article
9 - Analyzing and Comparing the Prominent Elements Including Nature, Imagination and Freedom in Literary Works by Lord Byron and Simin Behbahani with a Focus on the Relationship between and among These Elements
Farzad Rostami Morteza RashidiRomanticism is an important move in the history of art and global thinking. In the present study, nature, imagination, and freedom have been selected from among the significant elements of romanticism based on the high frequency in the poems by Lord Byron and Simin Behb MoreRomanticism is an important move in the history of art and global thinking. In the present study, nature, imagination, and freedom have been selected from among the significant elements of romanticism based on the high frequency in the poems by Lord Byron and Simin Behbahani. Taking the relationship between and among these elements into account, it could be seen that the tendency towards nature, imagination and freedom play basic roles compared with the other elements of romanticism. The results of a comparative analysis of the aforementioned elements show that, although different in terms of geography, history, culture, and gender, these two poets have some things in common which stem from a common understanding of the nature of romanticism. The results of the present descriptive-analytic study indicated that imagination is a basic issue linked with other poetic elements. Unlike Byron who cannot literarily configure freedom as a specific issue despite his great efforts, freedom could be found in Behbahani’s poems admiring woman as a gender. However, the relationship between these elements in the poem of both poets similarly show that nature is an eternal source for imagination while showing freedom whereas the very imagination represents the freedom of soul and thought in romanticism. Manuscript profile -
Open Access Article
10 - انواع استعاره از دیدگاه عبدالقاهر و بلاغت دانان برجستۀ بعد از او: زمخشری،خطیب قزوینی و تفتازانی
سید علی اکبر عباسپور -
Open Access Article
11 - The Components of Surrealism in Masnavī-ye Ma’navī; A Comparative Study
Fātemeh Koolivand Gholamreza Salemian Fatemeh KolahchianSurrealism is a school that appeared in France in the twentieth century. It has the principles that most important of them are as follows: dream and imagination, automatic writing, juxtaposition, insanity and magic. Although surrealism was introduced in Europe, its feat MoreSurrealism is a school that appeared in France in the twentieth century. It has the principles that most important of them are as follows: dream and imagination, automatic writing, juxtaposition, insanity and magic. Although surrealism was introduced in Europe, its features have been seen in other cultures, especially in Iranian mysticism. It can be said that before the emergence of surrealism in Europe, Iranian Sufis have created valuable works with surrealist themes. There are deep differences between these works and western ones that indicate the originality of Iranian surrealism. Masnavī-ye Ma’navī of Jalāl ad-Dīn Muhammad Rūmī has proposed surrealistic themes but they have remarkable differences with Western surrealist ones. The present article attempts to show these differences and similarities. The differences show the primacy and superiority of the Iranian version of surrealism. These differences include Divine grace (Karāmat), magic, the Truth, reality and Divine intoxication. Manuscript profile -
Open Access Article
12 - Negative Manifestations of Anima in Literature and Myths
Asgar Salāhi Jafar EshqīAccording to the theory of Carl Gustav Jung, every man has an eternal image of woman in his unconscious that, in his psychological heritage, is sediment of all his experiences about woman in all ages. Jung calls this image anima. Learning about symbolic type is the only MoreAccording to the theory of Carl Gustav Jung, every man has an eternal image of woman in his unconscious that, in his psychological heritage, is sediment of all his experiences about woman in all ages. Jung calls this image anima. Learning about symbolic type is the only way to understand the archetype, for the archetype of anima is revealed in human conscious in a symbolic way. With decreasing level of consciousness, anima, as a universal symbol and like other archetypes, enters conscious by dreams, imaginative inventions, myths, literature then it is revealed. Literary texts are full of archetypal images and anima. ‘Murder of lovers’, ‘sensual imaginations’, ‘sensitivity of men’ as three negative manifestations of anima in Jung’s theory have been presented in Iranian cultural elements like literature and myths. The present article tries to analyze these manifestations by using analytic-descriptive method and library sources. Manuscript profile -
Open Access Article
13 - رنگ و حسّ آمیزی در شعر معاصر
علی سرور یعقوبی -
Open Access Article
14 - The Reflection of Magic – Realism in the " Haft Khan" of Rostam
Zahra Ghodsi Batool Fakhre Islam Mahdi Nowrooz Akbar Sha'baniAbstract Although the magic realism is considered a modern style in story-writing, it has one thousand years of background and has well-established in our literary works. There is no doubt that the extensive treasure of mythol MoreAbstract Although the magic realism is considered a modern style in story-writing, it has one thousand years of background and has well-established in our literary works. There is no doubt that the extensive treasure of mythology that is reflected in magic-evasive content of the Shahnameh can have a great share in proving this matter. Ferdowsi is a realist who by taking advantage of this magic realistic themes has created the fables such as Haft Khan. He includes the reality of his present day in an ultra logic bed of the accidents to open a door of knowledge to his readers. We are to deal with the themes of magic realism in a descriptive-analytical method, and conclude that magic reflects a vast spectrum of ancient beliefs in the fables of the Haft Khan. At the same time it talks about the facts that is called insurgence in the hard trials of life. So, we try, by exploring the magic realistic themes, in the Haft Khan to find how this tie is taking place , what seems clear, is that the Haft khan has its roots in the seven ceremonies of Mehr. Therefore, utilizing the elements of fantasy, this epic work seems fabulous, and this specific quality focuses on its magical realism. The whole fables of the Haft Khan are the reflection of Jung's thoughts. The last point, in the process of the story, emphasizes on the political wisdom of ancient Iran in which the king is a basic column in people's lives. Manuscript profile -
Open Access Article
15 - The imagery of Lion in Ferdowsi's battle and Nezami's festivity
Maryam Saidi Amir Hossein Mahoozi Shahin Ojagh Alizadeh One comes across the story of "Removing the crown in between two lions" as a symbolic narrative in two eternal works of Hakim Ferdowsi and Nezami with striking similarities and slight differences. This research studies the function of Lion's imagery in Shahnameh F More One comes across the story of "Removing the crown in between two lions" as a symbolic narrative in two eternal works of Hakim Ferdowsi and Nezami with striking similarities and slight differences. This research studies the function of Lion's imagery in Shahnameh Ferdowsi and Haft Paykar Nezami based on Gilbert Durand's theory. Durand's view towards myth is a particular one and has a different function. According to him myths are the most significant manifestation of imagination, and imagination is also composed of symbolic imagery. Applying the structures delineated by this great contemporary theoretician to this story in both Shahnameh and Haft Paykar, the symbolic imagery of the story is described and also how the imagination led to the creation of these imageries in the mind of their composers is accounted on. Manuscript profile
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