his point of view, the appearance of the stories is not very important, but what is important the results and his impressions of the stories. Most of the imaginary images used in Molvi's poems are allegories. Each of Molavi's stories and allegories can be look More
his point of view, the appearance of the stories is not very important, but what is important the results and his impressions of the stories. Most of the imaginary images used in Molvi's poems are allegories. Each of Molavi's stories and allegories can be looked at from a special and different point of view, and one can see a wonderful and amazing sight as much as one's understanding and vision. Molavi's poems are not ordinary words in the field of literature, but rather authoritative and scholarly anecdotes and parables. He has brought the moral principles and diversity of opinions and experiences in the anecd Abstract In his works, Maulavi has used anecdotes and verses as parables to achieve new results. From otes. Maulavi's approach in allegorical stories is usually based on mystical teachings in order to explain and scientifically interpret the subjects. The author has tried to discuss the expertise and mastery of Rumi Mullah in stories and allegories in order to make clear and visible the degree of possession and initiative of Rumi in the design of stories and allegories. The method of compiling the article is library and using various sources and .analytical and descriptive method
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Iranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment&n More
Iranian Poets and writers have always been using different kinds of allegories to express the symbolicand moral concepts during ages of Persian classic literature. Allegory is one of the tools that not only creates literal enjoyment and provokes emotional feelings in the reader but also expresses emotions and poetical concepts as if they are carved on a piece of stone. Hafez and Molavi have used different kinds of allegories to induce symbolic and moral concepts. Molavi has used more allegorical tales and equation techniques but Hafez has used exemplums and equation techniques to express the inner and outer beauty .Hafez has described the inner beauty as “ Aan” and Latifeh but Molavi by using allegories has preferred the inner beauty which originates from purity of the heart and knowledge to the superficial beauty which is irrelevant to the purity of the heart.
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This article aims to study a gist of teachings related to resurrection and metemsychosis in Masnavi-e- Molavi. Masnavi-e- Molavi is an instructional poetry book and the Molavian believe that all human spirits exist in the eternal world and each of them descends to More
This article aims to study a gist of teachings related to resurrection and metemsychosis in Masnavi-e- Molavi. Masnavi-e- Molavi is an instructional poetry book and the Molavian believe that all human spirits exist in the eternal world and each of them descends to this inferior world whenever they wish , and possess their own bodies in order to take excellency and perfection then elevate again to the eternal world. Through this research I found an opportunity to review Masnavi and examine a fact that all philosophers and gnostics agreed on.
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Association is one of the mental capabilities.This category as a style in instruction, has got a particular position in literary texts, especially mystical ones. In style of educational association, the nature of education is not predetermined, fictitious.this style mak More
Association is one of the mental capabilities.This category as a style in instruction, has got a particular position in literary texts, especially mystical ones. In style of educational association, the nature of education is not predetermined, fictitious.this style makes the text produce, in other words.It produces writerly.The direction, and educational orientation is determined through the process of teaching and training. The principle and the essence of association is movement and dynamism. The topic of this rserarch is to stady the instructional of function of masnavi’s Inter and outer story based on association theory.our research shows that the association is an educational and instructional style and molavi’style in masnavi. Of the association, features in Masnavi of maanavi are speech processing, thoughtful variation, dynamism, multilayer text and unmonotonousness instruction. Molana’s creativity applied the association which is a compulsory process on the service of instruction, a voluntary one in which the instruction has been used for a change.
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The perception of social condition derived from the literature and letter can conduct the researchers to achieve an imbibition beyond the formal and prominent viewpoints of society. Being one of the most significant tools in the perception of social status, the literatu More
The perception of social condition derived from the literature and letter can conduct the researchers to achieve an imbibition beyond the formal and prominent viewpoints of society. Being one of the most significant tools in the perception of social status, the literature has been analyzed in this study to reveal the social role and status of women; accordingly, three feminine authors have been chosen, i.e. Simin Danshvar; RaziehTojjar and Fereshteh Molaviwhose their works have been studied in this contribution. Women in the works of Daneshvar are assumed to have a more socially active role in comparison to those of other authors. Contrarily, women in Tojar ‘books are believed to be the traditional women with partially persistent dissatisfaction, indicating surrendered wife without any will, power and authorization. More obviously, the independent and single-minded women can be inferred from the works by Daneshvar, having some social roles in addition to those of housekeeping and efforts to improve and modify their status and society. Several socially-oriented women are observed in the works of Molavi, indicating an interstitial social status of women in relation to those by Danashvar and Tojjrar
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