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        1 - The Fine Art of "Repetition" and its role in Ali Nameh
        Zahra Faraj Nezhad Farhang
        Ali Nameh is an epic religious poetry composed by an unknown poet whose pseudonym is Rabi in the fifth century AH, in imitation of Shahnameh Ferdowsi and its subject matter revolves around the virtues and battles of Ali ibn Abi Talib. One feature of epic poetry is empha More
        Ali Nameh is an epic religious poetry composed by an unknown poet whose pseudonym is Rabi in the fifth century AH, in imitation of Shahnameh Ferdowsi and its subject matter revolves around the virtues and battles of Ali ibn Abi Talib. One feature of epic poetry is emphasis upon some images and scenes which tends to incline the atmosphere of the poem more towards epic. This emphasis manifests itself at times by "repetition" of the basic structure of poetry which leads to highlight the imagery. This element of repetition contributes significantly in influencing the reader by the linguistic effect of the work. This research first puts forward the aesthetic aspects of "repetition", then inspects the structural elements of poetry and finally provides examples for each element. The most recurrent element of repetition include word, phoneme, hemistich, sentence, compound words, theme, line, and syllable. Manuscript profile
      • Open Access Article

        2 - The study of fatalism in Shahnameh and religious epics
        Zahra farajnezhad Farhang Mohmmad Navid Bazargan
        Fatalism is one of the characteristics of the traditional eastern societies according to which, the destiny of man is predetermined and all affairs take place based on this destiny hence there is no room for man’s free will. The origin of fatalism in Iran is stud More
        Fatalism is one of the characteristics of the traditional eastern societies according to which, the destiny of man is predetermined and all affairs take place based on this destiny hence there is no room for man’s free will. The origin of fatalism in Iran is studied in this article and its signs such as star worship, astrology, fortune, alms giving, belief in supernatural powers are discussed in Shahnameh and four other epic religious works including Alinameh,Haydari attack by Bazel Mashhadi and Raji Kermani and Tazian nameh, summary of Khavarannameh. It became clear that predictions made by the astronomers in Shahnameh are more frequent than in the epic religious works and on the contrary predictions made through divine and supernatural inspirations and revelations are more common in the religious works. Also, belief in fortune and chance is Shahnameh is more prominent than in the epic religious works. Among the religious epics under study, Khavaran nameh is closer to Shahnameh in terms of Mythology. Next comes, Haydari attack by Kermani and Bazel Mashhadi, and Ali nameh respectively Manuscript profile
      • Open Access Article

        3 - The study of how Ferdowsi applied prefixes to form new adjectives in Shahnameh
        Azam Ghotbizadeh
        Abstract   The subject of word formation through using prefixes and suffixes has a long history since upon their addition to create thousands of new words new concepts and meanings find new expressions.  Ferdowsi and his masterpiece, Shahnameh enjoy great na More
        Abstract   The subject of word formation through using prefixes and suffixes has a long history since upon their addition to create thousands of new words new concepts and meanings find new expressions.  Ferdowsi and his masterpiece, Shahnameh enjoy great national and international fame and their names have always been synonymous with the sweet Persian language.  Ferdowsi and Shahnameh have been studied from different aspects, yet the writer of this article looks at Shahnameh from the linguistic perspective as far as the adjectives and their structures are concerned.  What were the possibilities of forming new words in the Persian language in Shahnameh?  Was Ferdowsi familiar with adjective making prefixes and suffixes and to what extent did he apply them to create new adjectives?  The purpose of this article is to find answers for the above questions.  This study had made use of statistical, documentary, and library based methods.  The results obtained are the outcome of two years of research on all the adjectives built in Shahnameh.  Finally the author of this article came to the conclusion that Ferdowsi was well familiar with the prefix making adjectives and he had applied that knowledge to form many adjectives to convey various meanings.  Certainly it is no wonder that Shahnameh is recognized as a treasury of lexis in the Persian language. Manuscript profile