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        1 - Oral narratives regarding the story of Goshtasb in Shahnameh
        Pegah Khadish
        The story of Goshtasb’s journey to the Roman Empire and his marriage with Katayun, a Byzantine princess in Shahnameh is one of the stories that is strongly continued its literary life in the oral culture of Iranians. What has been Ferdowsi’s source to narrat More
        The story of Goshtasb’s journey to the Roman Empire and his marriage with Katayun, a Byzantine princess in Shahnameh is one of the stories that is strongly continued its literary life in the oral culture of Iranians. What has been Ferdowsi’s source to narrate this story is not clearly known however in nearly all general history books written in Farsi after shahnameh this story is present. In this regard what exists today with variety of narrations among the Iranian ethnic groups is a story called Seapony and in the international tale-type index it is classified under type 314. Although there are minor differences with the Shahnameh narrative, this story has kept many of its structural and semantic characteristics. Since the most ancient international written narratives dates back to the twelfth century, Ferdowsi’s narrative takes precedence over them. Manuscript profile
      • Open Access Article

        2 - Investigating musical devices in Saadi’s lyrics
        Pegah Khadish
        Saadi’s poetic language, described as simple but impossible is formed by juxtaposing numerous elements the most significant of which is musical rhythm.  This musical quality has many known devices such as rhythm, internal and external rhyme, harmonious cadenc More
        Saadi’s poetic language, described as simple but impossible is formed by juxtaposing numerous elements the most significant of which is musical rhythm.  This musical quality has many known devices such as rhythm, internal and external rhyme, harmonious cadence (synonymy, homophony, oxymoron), and some rhetorical figures such as pun, cadence, and contrast are effective in its formation.  Recognizing these devices, will assist researchers to unravel the mysteries hidden in his poetic language and diction, and to appreciate the relationship between sound and sense in his poetry.  In this article an attempt is made to illustrate how the musical quality is achieved through the various devices used in 200 selected lyrics of Saadi. Manuscript profile