Women,s Rights in Contemporary Iran:In Struggle Between Tradition and Modernism Case Study; Comparison of the Views of Morteza Motahhari and Dariush Shayegan
Subject Areas :
پریا
اسکندری
1
(دانشجوی دکتری علوم سیاسی، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران.)
Mohammad
tohidfam
2
(Department of Political Science-Political Thought and Iran Issues, Central Tehran Branch, Islamic Azad University, Tehran, Iran)
رویا
منتظمی
3
(گروه علوم سیاسی، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران)
نساء
زاهدی
4
(گروه علوم سیاسی، واحد تهران مرکزی، دانشگاه آزاد اسلامی، تهران، ایران)
Keywords: "Modernity", "discourse", "Women's Rights", "Shaygan", "Motahhari",
Abstract :
A wide range of studies of women's demands in the contemporary history of Iran is done from the perspective of thinkers and thinkers.If this study is done as a comparison between the opinions of two thinkers with different and sometimes conflicting opinions, it creates the potential that the real face of that part of the opinions of a thinker that presented the demands of women more than Make it clear in advance.Among the most important contemporary Iranian thinkers we can mention the works of ez Motahhari and Shayegan.The main question of this research is "What was the approach of Morteza Motahhari and Dariush Shayegan's ideas about women's rights at different times?"This study, in a descriptive and analytical manner and using the analysis of Laclau and Mouffe discourse, has reached the conclusion that the central sign of Morteza Motahhari's discourse in the field of women's rights is influenced by Islam, Shia religion and Quran.And the central sign of Shaygan's discourse in the first period of his intellectual life in the field of women's rights is influenced by Eastern and Asian identities, and in the second and third periods of his intellectual life the central sign of his discourse in the field of women's rights is influenced by modernism and cultural pluralism.The findings of this study indicate that Motahhari's works are closer to the demands of the third wave of feminists and Shaygan's works are closer to the demands of the first and second waves of feminists.
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