Audience-centric views provide new approaches to the study of literary texts, especially old ones. Horizon and circumstances of a contemporary reader are different from those of an old text author. A reader will be able to study an old text well when considering differe More
Audience-centric views provide new approaches to the study of literary texts, especially old ones. Horizon and circumstances of a contemporary reader are different from those of an old text author. A reader will be able to study an old text well when considering different interpretations of it. The main question of the present research is whether contextuality and individuality can influence one's perception of a subject. Affection and emotion are two major elements of wine-poems (khamriyyat) of Ibn al-Fārid. Abd ar-Rahmān Jāmi has addressed these two issues in Ibn al-Fārid's poetry and has revived his poetry. By using descriptive-analytical method, the essay tries to examine Jāmi's views on Ibn al-Fārid's poetry. Coherence is a characteristic of Ibn al-Fārid's poems. In his poems, we move from wine-drinking to eternal intoxication. To understand the concept of wine, one must study all of his poems. But in Jāmi's poetry, we cannot find this consistency, and every single bit of his poetry can be studied alone.
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