List of Articles

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  1 - Aesthetic Pathology of Modern Poetry
  Fatemeh Heidari Arash Moshfaghi
  Abstract Modern poetry has evolved in its field of content and conceptual approaches along with its form and has eventually ended in the highlight of poetry. These highlightings are innovations for some scholars and damages for the others. Without over a thousand year More

  Abstract Modern poetry has evolved in its field of content and conceptual approaches along with its form and has eventually ended in the highlight of poetry. These highlightings are innovations for some scholars and damages for the others. Without over a thousand year historical and artistic background or Persian literature, has modern poetry been affected and therefore suffers several defects that could be put into categories of form and content. The present study aims to investigate the defects of form and content in the areas of vocabulary, colloquial language, semantic, syntax, contents etc. all of which are discussed as far as possible, through examples from poems written by Nima Yooshij, Mehdi Akhavan Sales, Sohrab Sepehri, Ahmad Shamloo, Forough Farrokhzad, Tehereh Saffar Zadeh etc. So that the roots and origins of these qualitative and quantitative weaknesses from the point of view of aesthetic pathology be clarified. Manuscript profile
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  2 - The Literary Analysis of Psychiatry and Psychosomatic Disorders in Fereydoun
  Zeinab Baghery Mohammad Ali Davoodabady Ali Sarvar Ya'ghoobi
    Abstract Fereydoun's grief at the death of his son, Iraj, was more than the grief of an ordinary grief-stricken man. Depression caused by the death of his son was harder than he could tolerate it with awareness. Fereydoun suddenly lost his sight and became blin More

    Abstract Fereydoun's grief at the death of his son, Iraj, was more than the grief of an ordinary grief-stricken man. Depression caused by the death of his son was harder than he could tolerate it with awareness. Fereydoun suddenly lost his sight and became blind. This article aims at the analytical method based on scientific theories of psychiatry to explain and justify psychosomatic disorder of Fereydoun in the Shahnameh. Psychiatrists believe that after stressful experience it is possible to appear disruptions in the body system that occurs quite suddenly. And on the bases of medical science cannot be justified. Psychosomatic disorders are often seen after bitter experience without physical apparent reason which appears in the form of physical symptoms. Identifying an organic cause is difficult to express one's illness or sometimes impossible cause to be affected by a part of the body. Sometimes unpleasant condition makes that part of the body affected is no longer able to perform its normal activities and those parts of the body react with dysfunction and becomes the same thing that happened to Fereydoun in the death of Iraj. Manuscript profile
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  3 - Investigation of Archetypes of Sayeh ( shadow ) and its comparison with the Story of Bashare Parhizkar ( virtuous man ) from Nezami's Haft Peykar based on Jung's school of psychology
  Vajiheh Torkmani Barandoozi
  Abstract         Sayeh ( shadow ) is one of Jung's archetypes. In this process of individuality he introduces some archetypes that are shared by many people. He believes that man can achieve prosperity and perfection through correct u More

  Abstract         Sayeh ( shadow ) is one of Jung's archetypes. In this process of individuality he introduces some archetypes that are shared by many people. He believes that man can achieve prosperity and perfection through correct understanding of these archetypes; one of which was introduced by Jung as shadow which is the dark dimension of the human being. Sayeh is an unbecoming feature that knowingly happens in man's behavior. This research intends to investigate the third dome of this archetype in the behavior of Bashar ( human being )in the well-known Nezami's Haft Peykar 's pious character.and shows how he becomes familiar with his sayeh in the spiritual journey and achieves individuality process ( prosperity ) after death. Manuscript profile
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  4 - The Study of the Components of Worship and its Obstacles in the Poems of Qaisar Aminpour
  Karamali Akbari Akbar Sha'bani
  Abstract         One of the main tendencies of contemporary poetry is the religious approach. Meanwhile, it can be mentioned from Qaisar Aminpour that he made innovations in form and content, and gave life to this part of contemporary More

  Abstract         One of the main tendencies of contemporary poetry is the religious approach. Meanwhile, it can be mentioned from Qaisar Aminpour that he made innovations in form and content, and gave life to this part of contemporary Persian poetry. Although he does not pursue a direct line of thought in various poetry books and undergoes material of transformation, he never loses his poetry within the religious context. Love , war , martyrdom , and thoughtfulness are the most important part of Aminpour's poetry that are tied to his beliefs. In addition, the category of " bondage and servitude " is also a special reflection of his poetry. Based on this, in the present article, from the view point of the poet , a descriptive – analytic method of the components of worship and obstruction is proposed. Studies show that these components are in the order of frequency, including " romantic worship " " worship and mercy " " mystic worship " " worship and opening up in works " and " worship and manifestations of nature. " Also, from the point of view of Qaisar Aminpoue, almighty, habituation, pride and self – interest is a hindrance to worship.   Manuscript profile
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  5 - Analysis of " The Salim and Salma Poetry " based on the morphological theory of Propp
  Farhad Falahat Khah leila adlparvar
  Abstract Propp, the Russian folklorist, has presented a pattern for the analysis of fairy tales. He believes that it is applicable to the other Indo – European folkloric tales, too. The writers of this paper have decided to analyze " The Salim and Salma's Poetry More

  Abstract Propp, the Russian folklorist, has presented a pattern for the analysis of fairy tales. He believes that it is applicable to the other Indo – European folkloric tales, too. The writers of this paper have decided to analyze " The Salim and Salma's Poetry " by using the morphological theory of Propp which comprises thirty one functions.  By recounting those functions and their components we wanted to determine what applications are available and what are not according to Propp's methods. To achieve the accurate results from this study, we analyzed the story by using Propp's method as far as it was possible, by utilizing tables and charts. The dutifulness , extracted linking elements, horizontal – vertical charts and also motion charts of the tale were stated in the form of a formula. Finally tales' characters and overall structure of story were elaborated to the readers. Manuscript profile
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  6 - Priority of Content to Form in Classic Minimality of Iran from the View Point of the Marzbannameh & the Siasatnameh
  Fariba Namdari Shahin Ojaghali Zadeh
  Abstract            Through the exploration of classical works of Iran, some modern literary species can be seen completely to comply with its components and structure, a sample of which is the minimal story and inc More

  Abstract            Through the exploration of classical works of Iran, some modern literary species can be seen completely to comply with its components and structure, a sample of which is the minimal story and includes a complete story but in the shortest level it includes maintaining the nature of the story. On the other hand, in classical works of Iran including poetry and prose, due to the combination of literature with religious, mystical thoughts, usually the content takes priority to form. This is a trend in our classic poetry, its narrative poetry is so powerful that much of it looks like lay. In this condition, story with powerful content and intangible form will be more effective compared to poetry affected by content and form sides of story including preparation of characters and mixing them with themes has become stereotype and are treated like quotations. Of course this subject does not have any research record but for minimal in classic literature, some papers were published that through library research method and content analysis, it is tried to discuss the priority of content to form in three aspects to handle characterizing , lay out , and theme. Manuscript profile
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  7 - Epic in Abul ghassem Aref Qazvini's Poetry
  Ashraf Mahmud Abadi Ali Asghar Baba Safari
  Abstract           A study in the field of epic literature in the themes and within the bounds of the nation beliefs and its history in various fields is of special importance; so that it unveils the thoughts and the dominan More

  Abstract           A study in the field of epic literature in the themes and within the bounds of the nation beliefs and its history in various fields is of special importance; so that it unveils the thoughts and the dominant culture of the era. Abul Ghassem Aref Qazvini  is among the poets of contemporary literature in Iran whose themes in his political – social context can be viewed clearly. He is one of the first degree poets on the constitutional poetry known in the field of poetry and national and epic songs as the pre-eminent poet of his time. In this study, we try to check out the epic effect with descriptive – analytic methods in lyric themes and respond the question: " what are the features of epic poem the poet uses in the field of resistance?" Aref Qazvini is the most prominent mystic poet of versification in constitutional period, the epic poetry and literature as a poet and composer in plain language and sometimes in implicit one many of which are in defense of the mother land and fighting against colonialism and void divisions . It also criticized the unjust rulers, calling for awakening the Islamic tenets . Manuscript profile
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  8 - God's Essence and Attributes from Maulana's Point of View
  Rogayyeh Sepehri Some'e Sofla fatemeh Modarresi
  Abstract One of the important faith and verbal beliefs after the proof of God's existence is God's essence and attributes which is among the most monotheistic ideas of philosophy and mystic sciences. In the issue of God's essence, there are not significant differences More

  Abstract One of the important faith and verbal beliefs after the proof of God's existence is God's essence and attributes which is among the most monotheistic ideas of philosophy and mystic sciences. In the issue of God's essence, there are not significant differences between the different verbal views. What has provoked the dispute among verbal sects, is the issue of God's attributes and their relation between them and essence. In this research, we aim to state Maulana's opinion about this category in analytic – descriptive method. The research resultant indicates that in the discussion of God's essence and attributes, Maulana distinguished between them, and considered God's essence and attributes as a whole. Although, according to mystic and verbal tenets he calls God's attributes as " old ", it means that he knew God's essence as a unique one, in which there is no plurality. So, in his view, God's attributes are involved in God's essence and considered them as a description and statement. Manuscript profile
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  9 - Comparing the Allegorical Story of Fenced Lady in Nezami's Seven Beauties with Archetypes of Hero's Journey
  Raheleh Abdollah Zadeh Borzu Mohammad Reihani
  Abstract            This paper is intended to compare the allegorical story of fenced lady in the Haft Peykar of Nezami with the archetypes of the hero's journey and Campbell's theory. Campbell considers the mythologica More

  Abstract            This paper is intended to compare the allegorical story of fenced lady in the Haft Peykar of Nezami with the archetypes of the hero's journey and Campbell's theory. Campbell considers the mythological hero's journey based on the unit model consisting of three sections of departure, initiation, and return. In this study, having reported the key points and telling Campbell's story, we indicated that the journey of young prince who was going to pass the gate of the city for hunting also follows this pattern. With leaving the soul, he gets aware of the intricate path and its obstacles. With the help of an old wise man, he acquires the necessary knowledge to void the spell and find the hidden door of the castle. Then he runs for the fenced lady. Marrying the goddess in this story is a little different compared with hero's journey pattern; because marrying the goddess and obtaining the final blessing, the hero returns back to his people to accomplish his mission. Archetypes of wise man and helping elements, whisperer women etc. With the symbolic elements, the numbers of one, two and three, the ring, dough, milk, drum beat, mountain, earrings, cave, pearl etc. reinforce the archetype of hero. Manuscript profile
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  10 - The Historiographical Infra – Story Regarding the Red Symbol of Siavash Kasraee
  Ma'soumeh Sadeghi
  Abstract           This essay is concerned with historiographical infra – story which is one of the most common types of post modern stories. In infra story the writer distorts the characters and events from the histor More

  Abstract           This essay is concerned with historiographical infra – story which is one of the most common types of post modern stories. In infra story the writer distorts the characters and events from the history. However, he mingles historical events with imaginary elements and illustrates a new story . This research scrutinizes the historical infra-story characteristics in the " red symbol " which is a prose work composed by Siavash Kasraee, one of the famous contemporary poets. Kasraee is a social poet and the red symbol is considered as one of his critical social works. This is an analytical-descriptive research and holds components such as self awareness of nature, the failure of narrating trend, altering the history, myth and time. This prose work is regarded as a prominent historical infra story. Manuscript profile
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  11 - Passing Through the Elixir Highway ( purification and demolition of human nature in the thoughts of Maulana Jalaloddin )
  Akram Rahmani
  Abstract In ancient times, alchemy was the science of the conversion of low-priced metal into precious metal by the alchemist. Of course, there was a mystery and mysterious alchemy that transformed man into a perfect and transcendental creature. Yung considered alchemy More

  Abstract In ancient times, alchemy was the science of the conversion of low-priced metal into precious metal by the alchemist. Of course, there was a mystery and mysterious alchemy that transformed man into a perfect and transcendental creature. Yung considered alchemy as the father of psychology. The mystics, regardless of the material properties of the kimia, have used it to convert the copper of human being into the gold of perfection with its spiritual purpose. Rumi has the right to call the alchemy the original kimia to humans, and believes that transforming man into a perfect man is a chemical process. In his view, one of the uses of alchemy is the liberation of the soul from the earthly body, and love, as the source of unseen world, is a kimia that can bring man to the highest authority and convert disbelief into faith. This research seeks to illustrate Rumi's ideas of alchemy and its practice and their effects on human being and how it can be used by this term and its concepts. Manuscript profile
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  12 - The Genre and Aesthetic Essence in Drama and Screen Play
  Abbas Baghi Nezhad
  Abstract Both drama and screen play can be deemed either as literary genres or artistic types. Due to their linguistic structures as well as the linguistic capacity and rhetorical artifice implemented in the content by writers, drama and screen play are categorized as More

  Abstract Both drama and screen play can be deemed either as literary genres or artistic types. Due to their linguistic structures as well as the linguistic capacity and rhetorical artifice implemented in the content by writers, drama and screen play are categorized as literary types in a fashion that both of them are regarded as a literary genre and a type of prose. In effect, it is the textual dramatic capacity, dramatic diction, and the rendering of the dramatic words into objective symbols and emblems that delineate the discrepancy between works of drama and screen play and other literary genres. Although drama and screen play do not have a long history in Iran, they have gained such a stature that a great deal of contemporary competent writers have been dealing with writing them. Accordingly, despite their dramatic and artistic affiliation with the realm of theater and cinema, these literary genres, together with their specific styles of writing, maintain a highly significant status in contemporary Iranian literature. This study surveys the background of drama and screen writing in Iran in order to investigate analytically the essence of these two literary genres. Correspondingly, the confluence, similarities and dissimilarities between these two genres and other types of art and literature have been explored. Manuscript profile