Abstract The mathnawi of Golshan Raz is the most well-known versified work of Sheikh Mahmood Shabestari which encompasses his mystical thoughts. Though not so voluminous, this book is one of the most valuable monuments of literary mystical works in which the Sufi implications have been enthusiastically talked about. Shabestari has composed this mathnawi in answer to Amir Hossein Heravi's questions. The versified story of " The Golshan Raz
Subject Areas : Abstract ArticlesHamid Adalat Far 1 , Seyyed Mohsen Sajedi Rad 2 , Mohammad Ali Atash Sowda 3
1 - PhD Student, Department of Persian Language and Literature, Fasa Branch, Islamic Azad University, Fasa, Iran.
2 - Assistant Professor, Department of Persian Language and Literature, Fasa Branch, Islamic Azad University, Fasa, Iran.
3 - Associate Professor, Department of Persian Language and Literature, Fasa Branch, Islamic Azad University, Fasa, Iran.
Keywords: Keywords: Sheikh Mahmood Shabestari, The Golshan Raz, The Qur'an and tradition, the methods of affectability,
Abstract :
Abstract The mathnawi of Golshan Raz is the most well-known versified work of Sheikh Mahmood Shabestari which encompasses his mystical thoughts. Though not so voluminous, this book is one of the most valuable monuments of literary mystical works in which the Sufi implications have been enthusiastically talked about. Shabestari has composed this mathnawi in answer to Amir Hossein Heravi's questions. The versified story of " The Golshan Raz " has the beauty of expression; it is more based on wisdom than imagery. In fact the content of this book is in short about the conquer of Mecca and some narratives from Ibn Arabi. The extension of Shabestari's familiarity in the Qur'an and traditions was so high that he uses them in the mold of allusion and simile in expressing the secrets of mysticism to prove his tenets. This article which is written in descriptive-analytic method, tries to demonstrate the impact of eloquence and its affectability in taking advantage of The Holy Qur'an and traditions. The distiches used here have been taken from the book written by Kazem Dezfulian and the numbers are applied according to the number of the page and the lines of the poems.
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