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        1 - Epistemological Foundations of the Indefinability of Good and Bad Morals in Ibn Sina and Moore views
        leili heydarian enshaallah rahmati jamshid jalali sheyjani
        In this article, by analyzing the opinions of Avicenna and Moore, about the indefinability of good and bad morals, their attitude is explained from the epistemological point of view, The main problem of the research is Avicenna and Moore's attitude about criticizing the More
        In this article, by analyzing the opinions of Avicenna and Moore, about the indefinability of good and bad morals, their attitude is explained from the epistemological point of view, The main problem of the research is Avicenna and Moore's attitude about criticizing the naturalistic criterion and criteria for carrying moral characteristics such as good and bad in moral issues. Avicenna states in his opinions that moderation as a metaphysical and natural matter cannot be a criterion for the good or badness of moral issues in all fields, and Moore, by analyzing the naturalistic fallacy, considers pleasure or harmony with nature as the criterion and criterion for carrying good and bad. He does not know moral issues. The results of the research show that the approach of these two thinkers to prove their claim is to pay attention to the logical problem that occurs in the comparison of knowing good and bad with things such as moderation, pleasure, and harmony with nature. To answer the problem, Avicenna and Moore defend the non-naturalistic realism of moral propositions, in the meantime, emphasizing the intuition of the characteristics in the intellectual intuition of the people to find criteria and criteria for the truth and falsity of moral propositions makes it possible to discuss the opinions of these two thinkers. The research method is to analyze the content of the opinions of these two philosophers in order to create a dialogue to compare their opinions.  Manuscript profile
      • Open Access Article

        2 - A study of the epistemological foundations of illuminative “estrangement of consciousness” and explanation of its aesthetic requirements
        Nariman Khalili ensha'Allah Ramati Mohammad Aref
        In this article the epistemological foundations of estrangement of consciousness in Sohrewardi's thought are analyzed by asking the question of what is the origin of these foundations. Illuminative knowledge is knowledge in presence and is the opposite of acquired knowl More
        In this article the epistemological foundations of estrangement of consciousness in Sohrewardi's thought are analyzed by asking the question of what is the origin of these foundations. Illuminative knowledge is knowledge in presence and is the opposite of acquired knowledge. Sheikh Ishraq considers that the inference and opening of what science is? What its foundation is? And how it is understood? By referring to the knowledge in presence. The present study shows that the guide and common point of aesthetics of agent of species and the epistemology of "return to me" by the earthly self will be in the meta-historical process. Sohrevardi's anthropology has led to one of the most basic themes of Corbin, namely the estrangement of consciousness. In this article, based on the origin and function of "fall down", the existence focused on the other side of death has been interpreted in the movies with the theme of estrangement of consciousness. In the narratology of films with the theme of stranger consciousness it was found that in the three - dimensional unity of story (narrator, narration and the object of narration) the narrator is the subject and also the theme and object of epic. To analyze these epistemological foundations and aesthetic accessories, Henry Corbin’s phenomenological method has been used Manuscript profile