Analysis of Abdolsamad's allegorical paintings in Shahnameh
Subject Areas :Effat Mohammadi 1 , Nayyer Tahori 2
1 - , Department of Research and Art,science and research branch, Islamic azad university.Tehran,Iran
2 - Assistant Professor, Department of Art, Science and Research Branch, Islamic Azad University, Tehran
Keywords: Abdolsamad Shirin Ghalam, Allegorical painting, Shahnameh,
Abstract :
Allegory is one of the most prominent rhetorical styles in Persian literature of Iran and it can be said that allegory is also considered a method of storytelling and narration that includes a non-fiction theme with a cover of narrative elements and gives it a narrative form. Abdolsamad's paintings, which in the beginning were directly used and taken from the traditions of Iranian painting and the Tabriz school, have gradually tended towards a kind of realism, and his recent works indicate a powerful realistic approach. The purpose of this study is to analyze the allegorical drawings of Abdolsamad in Shahnameh. The method of this descriptive-analytical research and a number of drawings in the style of Iran and India have been studied. The results showed that despite the presence of artists such as Abdolsamad, the Gurkhani school was invented and reached maturity and prosperity. The use of allegory has played a role and has taken into account the specific rules and traditions of painting.
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