Review of different types of Ferdowsi tones in Shahnameh

Subject Areas : Persian language and literature texts

arefe  dehghani ¹ (PhD Student, Department of Persian Language and Literature (Epic Literature), University of Tehran, Tehran, Iran.)
manuchehr  akbari ² (Professor, Department of Persian Language and Literature, University of Tehran, Tehran, Iran.)

Received: 2021-05-24 Accepted : 2021-05-24 Published : 2021-03-21

Keywords: شاهنامه, گفتار, Shahnameh, speech, انواع لحن, ابزارهای ایجاد لحن, هنر فردوسی, types of tone, tone creation tools, Ferdowsi art,

Abstract :

In this paper, we examine the tone and tools of creating tone in the Shahnameh. These are distinct in various times, situations and places and in the face of different audiences and in different positions. In this review, we got into a variety of tone, usually two-tone, at the same time used together, and sometimes we are more than two tone in a speech. Sometimes a character, although it was long, was accompanied with only one or two tune. Sometimes the speech was short, but the tone changed, for example, the beginning of speech was aggressive, but in the continuation, he spoke, and the countless variations of the tone and its various types in the Shahnameh, caused that the long-being of this great feat would not be, and with the art of Ferdowsi, even sometimes the audience This is so influenced by the speech tone, which unconsciously changes the face mode and the type of reading, and with that character is also a essence.

References:

کتاب‌ها

احمدی،بابک (1370) ساختار و تاویل متن، چاپ اول، تهران: نشر مرکز.

حمیدیان،سعید (1383) درآمدی بر اندیشه و هنر فردوسی،چاپ دوم، تهران: ناهید.

رستگار فسایی، منصور (1380) انواع شعر فارسی، چاپ دوم، شیراز: نوید شیراز.

شفیعی کدکنی، محمدرضا (1370) موسیقی شعر، چاپ سوم، تهران: آگاه.

فردوسی، ابوالقاسم (1391) شاهنامه، به کوشش جلال خالقی مطلق، دفتر 1-8، چاپ چهارم، تهران: مرکز دائره المعارف بزرگ اسلامی.

معین، محمد (1386) فرهنگ فارسی معین، چاپ سوم، تهران: زرین.  

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