Linguistic Study of Three Beginnings in Ferdowsi's Shahnameh

Subject Areas : Epic (with literary and artistic features)

Seyedeh Maryam Mousavi ¹ , Thurollah Nourozi Davoodkhani ² , Ali Mohammad Moazzeni ³ , Nasrullah Zirak ⁴

1 - PhD student, Department of Persian Language and Literature, Khalkhal Branch, Islamic Azad University, Khalkhal, Iran.
2 - Assistant Professor, Department of Persian Language and Literature, Payam Noor University, Tehran, Iran.
3 - Professor of the Department of Persian Language and Literature, University of Tehran, Tehran, Iran.
4 - Assistant Professor, Department of Persian Language and Literature, Rasht Branch, Islamic Azad University, Rasht, Iran.

Received: 2022-12-07 Accepted : 2022-12-12 Published : 2023-09-23

Keywords: Applied layered, discourse semantics, Critical discourse exploration, Semiotics,

Abstract :

The knowledge of modern linguistics and the collation of literary texts, which linguists refer to as "critical discourse from the point of view of semantic semiotics", is the science in which the collator of writing seeks a deep understanding of the various layers of thought and the atmosphere of composition. The texts go beyond the sentences and the context of the speech according to the artistic position and its position is linguistically explored and reveals the metatextual vision of the writer or the songwriter.Therefore, the author of the present research explores the hidden message in the linguistic layers of the three beginnings in the most precious epic masterpiece of the Persian language, Shahnameh with the  following titles: "In the name of God" , the tragic poems "Rostam and Sohrab" and "Rostam and Esfandiar" in  a descriptive-analytical method to explore the critical discourse.

References:

کتاب‌ها سید رضی (1368) نهج البلاغه، ترجمه علّامه سیّد جعفر شهیدی، تهران: انتشارات آموزش و انقلاب اسامی. شعیری، حمیدرضا و وفایی، تران (1388) راهی به نشانه-معناشناسی سیّال، تهران: علمی‌ فرهنگی. فردوسی، ابوالقاسم (1386) شاهنامه، به کوشش جلال خالقی مطلق، جلد 1 و2 و 5، تهران: مرکز دایرةالمعارف بزرگ اسلامی. فرکلاف، نورمن (1390) تحلیل انتقادی گفتمان، ترجمۀ گروه مترجمان، جلد 3، تهران: مرکز مطالعات و تحقیقات رسانه‌ها. معین، محمّد (1357) فرهنگ معین، جلد 2، تهران: انتشارات امیرکبیر. مکاریک، ایرناریماد (1393) دانش‌نامۀ نظریه‌های ادبی معاصر، ترجمه مهران مهاجر و محمّد نبوی، تهران: نشر آگه. مولانا جلال الدین (1363) مثنوی معنوی، جلد 2، تهران: انتشارات مولی سازمان انتشارات و آموزش انقلاب اسلامی. مقالات تمیم‌داری، احمد. (1382). نشانه‌شناسی و ادبیات. پژوهش نامۀ انسانی، 37 (2) 47-55. حسن‌زاده میرعلی، عبدالله، و کنعانی، ابراهیم. (1390). بررسی الگوی نشانه معناشناسی گفتمانی در شعر قیصر امین‌پور. پژوهش‌های ادب عرفانی، 5(2)، 115-136. کلانتری، صمد، عباس‌زاده، محمد، سعادتی، موسی، پورمحمد، رعنا، و محمدپور، نیر. (1388). تحلیل گفتمان: با تاکید بر گفتمان انتقادی به عنوان روش تحقیق کیفی. مطالعات جامعه‌شناسی، 2(4)، 7-28.

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