A study of the stylistic features of language and thought in the poetry of Houshang Ebtehaj and Mohammad Zohri

Subject Areas : Interpretive (with literary and artistic features)

Samaeh Delirkoohi ¹ , Mah Nazari ² , Ali Mohammad Moazzeni ³

1 - PhD Student, Department of Persian Language and Literature, Karaj Branch, Islamic Azad University, Karaj, Iran
2 - Associate Professor, Department of Persian Language and Literature, Karaj Branch, Islamic Azad University, Karaj, Iran
3 - Professor, Department of Persian Language and Literature, University of Tehran, Tehran, Iran.

Received: 2021-11-02 Accepted : 2022-07-27 Published : 2024-06-21

Keywords: style, language level, intellectual level, initiative, poison,

Abstract :

Poetry, as the most prominent verbal art, is the link between emotion and imagination formed in rhythmic language. Examining and recognizing the most significant features of the linguistic and intellectual style of poetry in recent decades is a way to introduce the horizons of contemporary poetry. It is obvious that due to the structural changes that take place in the body of society, the flow of thought and views of the dominant poet also goes up and down.The increasing expansion of cyberspace in this decade has caused to increase poetry among different masses of people and the relationship between artists.Meanwhile, Houshang Ebtehaj and Mohammad Zohri, as the most brilliant figures of contemporary poetry, has been influenced by these crises, and  changed the way of reciting poetry and turned to Nimai poetry with a load of classical literature.The purpose of this study was to identify, extract and categorize the stylistic features of the language and thought of the sonnets of Amir Hoshang Ebtehaj and Mohammad Zohri by descriptive-analytical method. The introduction of social and political themes, attention to new psychology, the influence of philosophical theories and humanistic schools were the most important intellectual components Also, both poets, especially Ebtehaj, shouted the existing anomalies in the most difficult conditions, using various poetic formats as well as appealing to symbols and metaphors and other literary symbolic tools.

References:

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