A review of the position of Hafez poetry in Hegel's aesthetic structure

Subject Areas : مطالعات نقد ادبی

nooshafarin shahsavan ¹ , mohamad javad safian esfahani ² , gholamali hatam ³

1 - phd student of philosophy of art, philodophy of art, ,Central Tehran Branch, Tehran,Iran
2 - Associate Professor, Department of Philosophy, Faculty of Literature and Humanities, University of Isfahan, Isfahan, Iran
3 - Professor, Department of Art, Faculty of Arts, University of Tehran, Tehran, Iran

Received: 2020-08-10 Accepted : 2020-10-04 Published : 2021-08-23

Keywords: poetry, aesthetics, Hafez, Great Art,

Abstract :

From the Hegel’s viewpoint, the noble poetry is an art which encompasses all aspects of life of an ethnic group and brings the spirit to awareness and freedom. But today art does not play such a role anymore. Hafez poetry collection has always been considered a great art and includes poems with the content of divine and humane freedom. The purpose of this research is to deal with the position of Hafez poetry in Hegel’s thought. The question is that according to the Hegel’s perception of art, despite his claim can we consider the Hafez poetry as a great art in modern ages? In this qualitative research which has been conducted in descriptive- analytic method , it was specified that as in Hafez poetry we are facing with a general worldview in which the deep and universal concepts of human soul are put forth , so the Hafez poetry collection is not limited to any time and place and its content is extendable to each period. Thus , despite the Hegel’s view , the Hafez poetry is considered a great art in modern ages too.

References:

آشوری، داریوش.(1384). عرفان و رندی در شعر حافظ، بازنگریسته هستی شناسی حافظ، چاپ پنجم، تهران،نشر مرکز

استیس، والتر ترنس.(1393). فلسفه هگل. ترجمه حمید عنایت، جلد دوم، چاپ یازدهم، تهران، موسسه انتشارات امیرکبیر

اسلامی ندوشن، محمدعلی.(1370). ماجرای پایان ناپذیر حافظ. درباره حافظ، برگزیده مقاله های نشر دانش، چاپ دوم، تهران، انتشارات مرکز نشر دانشگاهی

بیزر، فردریک.(1391). هگل. ترجمه سید مسعود حسینی، تهران، نشر ققنوس

شفر، ژان-ماری.(1390). هنر دوران مدرن، ترجمه ایرج قانونی،تهران، آگه

عبادیان، محمود.(1390). گزیده زیباشناسی هگل، چاپ سوم، تهران، انتشارات فرهنگستان هنر

غلامحسین زاده، غریب رضا.(1387)."حضور دو دنیای تک صدا و چند صدا در اشعار حافظ: خوانشی در پرتو منطق مکالمه میخاییل باختین"، پژوهشنامه علوم انسانی، شماره 57،صص235-256

کانت، ایمانوئل.(1377). نقد قوه کانت. ترجمه عبدالکریم رشیدیان، چاپ هشتم، تهران، نشر نی

هولگیت، استیون.(1393). زیباشناسی هگل. ترجمه گلنار نریمانی، تهران، نشر ققنوس

Desmond, William .(2000)." Art and The Absolute Revisited". Edited By William Maker, in Hegel and Aesthetics, Albany: sunny Press,p.p1-13

Etter, Brian K .(2000)." Hegel's Aesthetic and the Possibility of Art Criticism". Edited By William Maker, in Hegel and Aesthetics. Albany, sunny Press,p.p31-45

James, David .(2009) ART, myth, and society in Hegel's aesthetics. New York, British Library Press

Hegel, G. W. F .(1975). Aesthetic: Lectures on Fine Arts. V.1-2, Translated

T .M, Knox, New York: Oxford University Press                                             By  

Pipin,Robert .(2002)." Whats The Abstract Art?" (from the point of Hegel),Evanston, In Critical Inquiry, Northwestern University Press.No3,p.p244-70

Wick,R .(2013)." Hegel on the Modern Art". The British Journal of A es the tics ,No 53 ,p .p250-256