زن آرمانی؛ زن فتانه در آثار: سیمین دانشور، شهرنوش پارسی‌پور،غزاله علی‌زاده، منیرو روانی‌پور و بلقیس سلیمانی
محورهای موضوعی : زن و جامعهفرح نیازکار 1 , مرتضی جعفری 2 , ساناز رجبیان 3
1 - استادیار گروه زبان و ادبیات فارسی واحد مرودشت ،دانشگاه آزاد اسلامی واحد مرودشت ، مرودشت، ایران
2 - استادیار گروه زبان و ادبیات فارسی،دانشگاه آزاد اسلامی واحد شیراز ، شیراز ، ایران
3 - دکترای زبان و ادبیات فارسی دانشگاه شیراز
کلید واژه: زن آرمانی, زن فتانه, سیمین دانشور, شهرنوش پارسی‌پور, غزاله علی‌زاده, منیرو روانی‌پور, بلقیس سلیمانی,
چکیده مقاله :
پرداختن به ادبیات داستانی که خود به نوعی سرگذشت پرفراز و نشیب زندگی جوامع بشری است، در حقیقت هویدا ساختن اندیشه‌های انسانی نویسندگانی است که برآنند تا بازتاب زندگانی اجتماعی و فردی مردمان عصر خویش را به تصویر کشند و در لابه‌لای آن، خواسته‌ها، افتخارات، اندوه‌ها و دل‌تنگی‌های بشری را به نمایش بگذارند. در این میان نگارش داستان توسط زنان نشانه‌ی بسیار مهمی از تحول اجتماعی، فرهنگی و انسانی است که در عرصه‌ی زندگی زنان در ایران رخ داده است. زنانی که می‌کوشند تا از زبان قشرهای گوناگون جامعه، به بیان آلام، آرزوها و مطالبات جامعه انسانی خویش بپردازند و تصویری را که جامعه به واسطه شرایط برای آنان خلق می‌کند، از زن فتانه تا زن آزمانی به تصویر کشند. بدین منظور در این مقاله کوشیده شده تا بر اساس شیوه تحلیلی‌ـ توصیفی به تبیین جایگاه زن در ادبیات داستانی معاصر ایران پرداخته شود.
Dealing with fiction which is somehow the story of the lives of human communities which are full of ups and downs, is in fact uncovering such human thoughts of its writers. Among these, women’s fiction writing is a prominent sign of the present revolutionized Iranian woman life in social, cultural, and humanistic aspects; the women who are trying to express the pains, desires, and demands of their own human community, as the mouthpiece of different layers of the society.In the present paper, with the approach of women’s dreams and desires in contemporary Iranian fiction, attempt has been made to investigate the works of three generations of woman writers.
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