ارزیابی مولفه های زنانه در معماری بر اساس دیدگاه مکتب اسلام
محورهای موضوعی : هنر و معماریمینا مرادی 1 , سعید علی تاجر 2
1 - 1- دانشآموخته کارشناسی ارشد مهندسی معماری، گروه معماری، دانشکده هنر و معماری، دانشگاه بو علی سینا، همدان، ایران
2 - دانشیار معماری، گروه معماری، دانشکده هنر و معماری، دانشگاه بو علی سینا، همدان، ایران
کلید واژه: فرهنگ اسلامی, معماری, رویکرد روان شناختی, مؤلفه های زنانه,
چکیده مقاله :
هدف پژوهش حاضر، بررسی مؤلفه های زنانه در معماری بر اساس رویکرد روان شناختی و فرهنگ اسلامی بود. جامعه پژوهش شامل متون مرتبط با روان شناسی زن، معماری و چگونگی نگرش به زن در فرهنگ اسلامی می باشد. نمونه پژوهش مؤلفه های زنانه در معماری بر اساس رویکرد روان شناختی و فرهنگ اسلامی بود. روش پژوهش تحلیلی-توصیفی است. جهت گردآوری داده ها از روش کتابخانه ای استفاده شد. نتایج بررسی و تحلیل نشان داد که مؤلفه های زنانه مؤلفه هایی هستند که با روحیات زنانه همسوتر بوده و موجب ایجاد رضایتمندی بیشتر برای زنان می شوند. مولفه های زنانه شامل زمینه گرایی، افقی گرایی، بیمرز بودن، نفی مرکزیت، شفافیت، سیالیت، اقتصادی بودن، مقیاس انسانی، عملکردگرایی، کاربرد تزیینات، کل نگری، طراحی ارگانیک، ساختارشکنی، کاربر محوری، آرگونومیک بودن، پرداختن به جزییات خاص و درهم پیچیدگی فضایی می باشد. اما زنان معمار، بیشتر از مؤلفه های کاربر محوری ، آرگونومیک ، عملکردگرا ، منعطف ، ارگانیک و تزییناتی استفاده می کنند. هم چنین نتایج بررسی مؤلفه ها از نقطه نظر روان شناسی زنانه و فرهنگ اسلامی نشان داد که مؤلفه های زنانه در معماری با روحیات و ویژگی های زنانه ی اسلامی منطبق است و می توان با به کار گیری مؤلفه ها، فضاهایی طراحی کرد که با روان زنان سازگارتر است.
The research was purposed to study the feminine components in architecture based on psychological approach and Islamic culture. The research universe encased all the texts related to female psychology, architecture and attitude toward women in Islamic culture. The sample enfolded the feminine components in architecture based on psychological approach and Islamic culture. The research method was descriptive- analytic procedure. To collect data library resources and materials were refereed to. The results of the analysis indicated that the feminine components were those which were more ipsilateral with female spirits and caused more comfortabilities for women. The feminine components included contextualism, horizontalism, boundarieslessness, transparency, negation of centrality, indetermination, economics, humanitarian criterial, functionalist, decorations applying, holistic, organic design stylist, deconstructionist, applicant oriented, ergonomics, details elaboration and space complexity; while women more utilized applicant oriented, ergonomics, functionalist, flexible, organic and decorative components. The results also revealed that based on the psychological approach and Islamic culture the feminine components in architecture were coincided to Islamic feminine spirituals and characteristics; therefore, it could be concluded that by applying such components; spaces could be designed that are more compatible to women mentalities.
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