Reclaiming the Female Voice in Anita Diamant’s The Red Tent as a Space of Resistance
Aylin Haezi
1
(
English Department, South Tehran Branch, Islamic Azad University, Tehran, Iran
)
Roya Yaghoubi
2
(
English Department, South Tehran Branch, Islamic Azad University, Tehran, Iran
)
Vida Rahiminezhad
3
(
Research Institute for Education, Organization of Educational Research and Planning, Tehran, Iran
)
کلید واژه: performativity, gender identity, biblical woman, female voice,
چکیده مقاله :
This paper explores how Anita Diamant’s The Red Tent reclaims the female voice as a form of resistance against patriarchal oppression. By reimagining the biblical story of Dinah, Diamant shifts the focus to women’s experiences, highlighting their strength, solidarity, and resilience in a male-dominated world. The novel challenges traditional gender roles and religious narratives, offering a feminist perspective on biblical women. Using Judith Butler’s theory of gender performativity. Additionally, this paper explores how storytelling functions as a tool of empowerment within the novel, allowing women to reclaim their histories and reshape their identities. By centering female narratives that have been historically overlooked or silenced, The Red Tent not only reinterprets biblical traditions but also fosters a dialogue on the significance of women’s collective memory and oral traditions. Furthermore, the analysis considers how the novel’s depiction of sisterhood and shared rituals subverts patriarchal structures, illustrating the power of female agency in redefining cultural and religious legacies. The paper examines how women in the novel navigate societal expectations while asserting their identities. Through themes of midwifery, female bonding, and religious conflict, The Red Tent creates a space where women’s voices and stories are celebrated, challenging the marginalization of women in both historical and religious contexts.
چکیده انگلیسی :
This paper explores how Anita Diamant’s The Red Tent reclaims the female voice as a form of resistance against patriarchal oppression. By reimagining the biblical story of Dinah, Diamant shifts the focus to women’s experiences, highlighting their strength, solidarity, and resilience in a male-dominated world. The novel challenges traditional gender roles and religious narratives, offering a feminist perspective on biblical women. Using Judith Butler’s theory of gender performativity. Additionally, this paper explores how storytelling functions as a tool of empowerment within the novel, allowing women to reclaim their histories and reshape their identities. By centering female narratives that have been historically overlooked or silenced, The Red Tent not only reinterprets biblical traditions but also fosters a dialogue on the significance of women’s collective memory and oral traditions. Furthermore, the analysis considers how the novel’s depiction of sisterhood and shared rituals subverts patriarchal structures, illustrating the power of female agency in redefining cultural and religious legacies. The paper examines how women in the novel navigate societal expectations while asserting their identities. Through themes of midwifery, female bonding, and religious conflict, The Red Tent creates a space where women’s voices and stories are celebrated, challenging the marginalization of women in both historical and religious contexts.
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