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  1 - The signification and its allegorical effects in literary texts
  Askari Ebrahimi Jouibari
  The person in his surroundings deals with the names of people, places, animals, plants, objects, etc. The reason for naming many of these names is on him. One of the issues that engages the curious minds of men is to find The true connection between the name and the wor More

  The person in his surroundings deals with the names of people, places, animals, plants, objects, etc. The reason for naming many of these names is on him. One of the issues that engages the curious minds of men is to find The true connection between the name and the word from which it is interpreted as a sign The signification of literary texts reflects a great deal and can be examined in various aspects, including allegory. Undoubtedly, allegory, as a powerful and influential tool, has always led to the creation of fantasy and riches in the literary and especially mystical texts, and the works of art that are worthwhile and exquisite.In this article, the author is expanding the arts and creativity of poets and writers of Persian literature using the instrument of signification in developing parables and symbols. Roman","serif"'>In this article, the author is expanding the arts and creativity of poets and writers of Persian literature using the instrument of signification in developing parables and symbols. Manuscript profile
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  2 - The relation of Persian allegorical poem with religion and lifestyle
  Sakineh Azari AliReza Soleymani Masomeh Azari
  Religion, as one of the main properties of society, makes it possible for the affected individuals to distinguish their attitudes, behaviors and ultimately their lifestyle from others. The lifestyle reflects a variety of patterns of consumption, chivalry and tolerance, More

  Religion, as one of the main properties of society, makes it possible for the affected individuals to distinguish their attitudes, behaviors and ultimately their lifestyle from others. The lifestyle reflects a variety of patterns of consumption, chivalry and tolerance, the way of interaction, and even the hidden cultural transformations in a society. Based on the theories of many sociologists such as Weber, Simmel, Giddens, Bourdieu, etc. today, the only economic factor, as Marx said, can not determine the way of life of individuals. In this article, firstly, by studying religious and ceremonial lyrics with the aim of extracting the patterns of Islamic lifestyle in religious and moral dimensions, based on the poetic review of Persian poets and their attitude towards this phenomenon, religion has been considered as an effective factor on students' life styles and while presenting examples of religious poetry and parables of poets, the effect of religion on students' lifestyles has been studied. The present study uses a library research method to investigate the two-way interaction between lifestyle and Persian poetry. Then, using descriptive-correlational studies, the collected statistical data are analyzed descriptively, which shows that there is a strong and meaningful relationship between these two elements. Also, the lifestyles of students who have been exposed to both modernity and the religious community have been considered. Findings of the research show that the lower the level of religiosity, the more modern the lifestyle, and the more religious people, the more traditional and non-modern they are. Also, among the five main components of the lifestyle studied in this study, body management and attention to fashion and brand phenomena among students are more than other elements of lifestyle influenced by modernity. Manuscript profile
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  3 - An Analytical – Research look into allegory from the viewpoint of Ghondozi and the eloquence writers before and after him
  Haleh Ajdarnejad ahmad reza Yalameha Mehrdad Chatrai
  An allegory is a kind of literary genre with a long-standing application; and the eloquence writers since the far pasts have presented a variety of different opinions about it. One of these eloquence writersis Mahmood-ibn-e- Mohammad-ibn-e Ahmad Ghondozi – an Iran More

  An allegory is a kind of literary genre with a long-standing application; and the eloquence writers since the far pasts have presented a variety of different opinions about it. One of these eloquence writersis Mahmood-ibn-e- Mohammad-ibn-e Ahmad Ghondozi – an Iranian scholarin in the 9th Hijri century and he is also the writer of a work called “eloquence”. Therefore, the present research tries to study and compare the allegory from the viewpoints of Ghondozi and other contemporary and classic eloquence writers of before and after he himself. To achieve this, after introducing the Ghondozi and his work, allegory was studied from the viewpoints of Ghondozi and was compared with the opinions of eloquence writers of before and after him; and their differentiation and common moods were determined in the table. The result of the present study that has been carried out using the documentary-analytical method indicates that Ghondozi’s views are closer to those of the past eloquence writers; and  the basis of Ghondoizi’s ideas and his subsequent writers is based on the basis of the believes of past ones. Manuscript profile
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  4 - Literary, allegorical, and artistic of letter Alif in two raconteurs' poetry in lyrical verses of Nezami and Jami
  gholamreza heidary
  'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical More

  'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical literature, Alif represents unique God, Holy Spirit, God's mercy; Adam's the father, abstract sphere, solitude, and the single mystery and etc.  Due to its special form and position and some other unique features, letter Alif is one of the most used letters in order to create the original themes and poetic areas, mot and elegant expressions and compounds in Persian literature, two distinguished story-teller lyrical poets that are Nezami as a pioneer in lyrical verses and Jami as a laureate in this field. Alif is a leading in most of poetry by these poets meanings like consistent and firm colossal stature, handsomeness, oblong, tense and stretched. It also signifies greatness, proud and honor, slimness, uprightness, stability, resistance, persistence, staunchness, loyalty, faithfulness and standing on one's promise. Alif has fallen in love with its stature. Since Alif has accent-like sign overhead, it is rebellious. Despite having tongue, it is dumb and silent. It is regarded as one of the poorest in terms of wealth among letters. It symbolizes poverty, abjection, destitution, vacancy, pauperism, beggary, inexistence, absence, loss, and self-denial.  It also suggests nakedness, nudity, embarrassment, self-evidence, preparedness, distress and confusion and adornment. It carries meanings like solitude, individualism, loneliness, uniqueness, detachment, freedom, honesty, frankness, and innocence. Alif is motionless and stagnant. Its creation begins with points and dots. All letters and numbers then are founded upon this letter. Alif is the first letter of creation. It also indicates minuteness, brevity and tininess. Alif is the most common simile in Persian literature and the poetry's and prose's images or contents used in Persian literature are described. It was compared to needles, thorn, moon crescent, sticks, pens and plumes, fingers, arrows, bolts, cedars, gallows and scaffolds, newly grown whiskers or beard,  half or full moon, and etc. This article tries to study the literary, artistic and video applications of letter Alif in Nezami and Jami poetry. Manuscript profile
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  5 - The study of the inner and outer beauty of allegories for Hafez and Molavi’s viewpoint
  Kazem Dehghanian Fard Seyed Ahmad Hosseini Kazerooni Seyyed Jafar Hamidi Maryam Parhizgar
  Iranian Poets and writers have always been using different kinds of allegories  to express the symbolicand moral concepts  during ages of Persian classic literature. Allegory is one of the tools  that  not only   creates literal enjoyment&n More

  Iranian Poets and writers have always been using different kinds of allegories  to express the symbolicand moral concepts  during ages of Persian classic literature. Allegory is one of the tools  that  not only   creates literal enjoyment  and provokes  emotional  feelings  in the reader  but also expresses emotions and  poetical concepts as if they are  carved on  a piece of stone. Hafez and Molavi  have used different kinds of allegories to induce symbolic and moral concepts. Molavi  has used more allegorical tales and equation  techniques but Hafez has used exemplums and equation techniques to express the inner and outer beauty .Hafez  has described the inner beauty as “ Aan” and  Latifeh  but  Molavi by using  allegories  has preferred the inner beauty which originates from purity of the heart and knowledge  to the superficial beauty which is irrelevant to the purity of the heart. Manuscript profile
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  6 - Allegory and Cnomic verse in Jahan Malek Khatoon’s Divan
  Raviye Kord Afshari Ahmad Khatemi
  Allegory entails comparing one object with another one. In allegory, the poets increase their clarity through providing more extensive examples; contrarily, in Cnomic verse, the speaker merely presents a famous quote. Proverbs are the major spice of the Cnomic verse. Ho More

  Allegory entails comparing one object with another one. In allegory, the poets increase their clarity through providing more extensive examples; contrarily, in Cnomic verse, the speaker merely presents a famous quote. Proverbs are the major spice of the Cnomic verse. However, in allegory, it is not the case. With regard to three types of allegory including simile, allegory, and allegorical metaphor and allegorical story, Jahan Malek Khatoon’s (8th century) allegories were Cnomic verse and close to the allegorical metaphors. Indeed, her Cnomic verse have continued the traditional Cnomic verse in the classic school of Persian literature. Manuscript profile
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  7 - Gnostic Allegory in Contemporary Folklore Poetry: Based on Froogh Farokhzad’s “one day Ali Said to his Mama”
  Leila Galavi Ahmad Reza Keykhayefarzaneh Mostafa Salari
  from the very late, and according to different reasons, poets have preferred to express their views, specifically in Gnosticism, indirectly or even symbolically. One of the methods of indirect expressing of these ideas is using the allegorical tales. In this kind of poe More

  from the very late, and according to different reasons, poets have preferred to express their views, specifically in Gnosticism, indirectly or even symbolically. One of the methods of indirect expressing of these ideas is using the allegorical tales. In this kind of poetry, which is usually narrative, exploring the initial meaning of the poem is provided to decoding the story. In the late Persian literature the allegorical tales are ample. Yet, in the contemporary poetry they are sometime observed. Also, late allegorical tales are narrated in a very excellent language, while an example of allegorical tale in Farokhzad’s poetry: “one day Ali Said to his Mama” has folklore features. In this survey, a gnostic approach of the poem helps to decode the story. Although the poem is usually read according to a social approach even by the poet herself, based on the results, it has been cleared that it is possible to have a gnostic approach toward it, which is compatible with the poem’s structure and meaning. Ideas like worthlessness of this world, importance of desire, bravery, and gnostic love are concepts which are obtained through the gnostic approach. �ل‌های عرفانی قدیم با زبان رسمی و فاخر بیان شده‌اند، حال آنکه نمونه‌ای از این گونه حکایات، شعر فروغ فرخزاد، «روزی به علی گفت به مادرش» است که دارای ویژگی‌های فولکلور است. در این تحقیق خوانشی عرفانی از شعر مذکور ارائه و تلاش شده است تا اثر مزبور بر مبنای چنین نگرشی رمزگشایی شود. بر مبنای یافته‌های پژوهش حاضر معلوم شد که به رغم خوانش رایج اجتماعی از شعر مورد نظر و نیز، افشای نیت مؤلف توسط خود او، مبنی بر طرح مسائل اجتماعی در این اثر، می‌توان مبتنی بر نظریات هرمنوتیک، خوانشی عرفانی از حکایت تمثیلی شعر مزبور به ‌دست داد که با مؤلفه‌های ساختاری و محتوایی اثر سازگار باشد. اندیشه‌ها و مفاهیمی همچون بی ارزشی دنیا، اهمیت طلب، شجاعت و عشق عرفانی از جمله مسائلی است که از طریق تأویل خاص در این شعر ملاحظه می‌شود.   Manuscript profile