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Open Access Article
1 - Conceptual Analysis of of Samad Ghorbanzadeh Photographs based on Freud's opinions
Firoozeh Sheibani RezvaniThis research tries to analyze and scrutinize four selected works of photography by Samad Ghorbanzadeh, a contemporary Iranian photographer, based on the concepts and opinions derived from Freud's psychology. The method of this research qualitatively describes and analy MoreThis research tries to analyze and scrutinize four selected works of photography by Samad Ghorbanzadeh, a contemporary Iranian photographer, based on the concepts and opinions derived from Freud's psychology. The method of this research qualitatively describes and analyzes the case of the artwork based on data obtained from library and internet information. The reason for choosing Samad Ghorbanzadeh's works is his surrealism approach in photography, which is able to be read and analyzed by relying on concepts such as unconscious mind, dream, and defense mechanism in Freud's psychological approach. Although psychological analysis reduces the problems to the individual and his characteristics, but ultimately this understanding seeks to explain social constructions. These works are inspired by topics such as loneliness, absence of identity, loss of faith and ultimately death, which somehow involve humans and societies and challenge the nature of human existence in today's world system. In the psychological reading of the works in question, the audience, while having a new experience of encountering the work of art, gets to understand and recognize the content of the work and the symbolic connection of artistic elements with individual and collective injuries. Manuscript profile -
Open Access Article
2 - A Comparative Study of Myth and Mysticism in the Attar's Seven Cities of Love with Bidel Dehlavi's Lyric Poems
Masoumeh Pazoki Khodabakhsh Asadollahi Alireza Nikouei Tawfiq Hashempour SobhaniFrom the first periods of gradual growth and intellectual maturity of human beings, human beings have always been in search of the foundations and resources of some sciences in various fields, especially in the field of humanities. In the same process, he may have thoug MoreFrom the first periods of gradual growth and intellectual maturity of human beings, human beings have always been in search of the foundations and resources of some sciences in various fields, especially in the field of humanities. In the same process, he may have thought of discovering the mysteries related to the convergence of these sciences. Undoubtedly, the origins of most of the humanities have commonalities, but in order to expand their scope, it seems that the origin of their formation must be different. Categories such as myth and mysticism, although seemingly different in approach, but both are prominent manifestations of Iranian identity in various positions, especially in the symbolic dimension of language, interpretability, narrative, artistic approach, closeness to religious texts, they have convergence and harmony and this commonality and convergence shows itself more in the field of poetry and literature. Therefore, many poets, including Hafez, have not been unaware of this point. Manuscript profile -
Open Access Article
3 - Comparative Study on Decoding of Colors in “The Blind Owl” and “The Body of Farhad” Novels
Fatemeh Elhami Fatemeh QarlaqiThe element of color is a widespread component of our tangible world and is known as common language of people of the world as the music does. Colors almost own symbolic concepts and their representation in literary works is undeniable. Literary works creators hav MoreThe element of color is a widespread component of our tangible world and is known as common language of people of the world as the music does. Colors almost own symbolic concepts and their representation in literary works is undeniable. Literary works creators have enjoyed colors according to their lives environments, believes and interests; hereby many mysteries and secrecies and even social conditions of author’s era as well as their spiritual and mental status could be discovered. In contemporary fictional literature specifically in “The Blind Owl” by Hedayat and “The Body of Farhad” by Ma’roufi colors have distinctive position because of theme, structure and complicated language which is between dream and reality. The present article intends to prevail better understanding of intricate and ambiguous content by comparative study of colors in the abovementioned works. Sadeq Hedayat and Abbas Ma’roufi stayed away from superficial readers by applying colors’ symbolic language. Authors’ mental and conceptual could be discovered and understood by studying the frequency of colors in their works. Hidden meanings of more and less frequent colors in the mentioned works include both negative and positive concepts and meanings. Manuscript profile -
Open Access Article
4 - A Study on Surrealism School and its Manifestations in Qeysar Aminpour’s Poetry
Asgar Babazadeh Aqdam Yaqoub NorouziSurrealists believe in "automatic writing" and think that the poet must disturb his senses and recite poetry in a state of ecstasy and unconsciousness. They care about dreams and a work of art should be a dream from their viewpoint. They attribute surrealism charac MoreSurrealists believe in "automatic writing" and think that the poet must disturb his senses and recite poetry in a state of ecstasy and unconsciousness. They care about dreams and a work of art should be a dream from their viewpoint. They attribute surrealism characteristics to objects and phenomena. In the contemporary period, Persian literature was also influenced by this school by European literature and the poets of the poetic currents "New Wave" and "Spacementalism" were influenced by the opinions of the poets of this school. In addition to these two currents, independent poets such as Sepehri have been influenced by this school and have introduced the special tricks and in their poetry and have written poetry in accordance with the accepted theories of this school. In Qeysar's poetry, there are some splendors of the influence of this school, and in the present article, examples of this influence have been mentioned, studied and analyzed. Although Qeysar is not a surrealist poet, the influence of this school on some of his poems is undeniable. Manuscript profile -
Open Access Article
5 - The Reverberation of Eastern Mysticism and the Reverberation of Western Surrealism in the Poetry of Sohrab Sepehri
Mehrdad Aghaei Fazel Abbaszadeh Susan GhayebzadehModern poetry is considered as a remarkable source for the imaginary and hyperreality world or what is called surrealism. Surrealism, with all its doubts and confusions, has influenced literature in such a way that it has turned the East like the West like a devastating MoreModern poetry is considered as a remarkable source for the imaginary and hyperreality world or what is called surrealism. Surrealism, with all its doubts and confusions, has influenced literature in such a way that it has turned the East like the West like a devastating flood and influenced whole world. Sohrab Sepehri, an Iranian poet, painter, and naturalist, during his travels to the East and the West, as well as his acquaintance with Eastern mysticism and the schools of Western literature caused surrealistic inspirations appear in his poetry. This article while introducing the school of surrealism examines its features in Sepehri's poem "Sedaye Paye Ab". According to the evidence in this famous poem, it was concluded that Sepehri in his poetic style in " Sedaye Paye Ab" has influenced many surrealist principles and foundations and entered the realm of hyperrealities that even Westerners themselves have not acquired it. The purpose of this research is to draw the real world with hyperreality language and to reach the supreme truth through mental and spiritual affairs, using the school of surrealism in this work of the mentioned poet. Manuscript profile -
Open Access Article
6 - Comparing the Life of Sadegh Hedayat and the Works of Sohrab Sepehri
Farhad TahmasebiDDOODDOO Manuscript profile -
Open Access Article
7 - The Comparative Comparing of the Presence of Love in the Poems of Shams Langeroudi and Ghadat Al-Saman
Marjan Rezataji -
Open Access Article
8 - Analyzing the Surrealist Components of mantegholteyr of Attar Neishabouri
hassan soltani kouhbanani sara hosseiniSurrealism emerged as a school of protest against the terrible and devastating consequences of World War It was, in fact, a reaction to the contemporary contemporary desperation of the rationalism and modern materialism of the modern age. Hence, a man drowned in the suf MoreSurrealism emerged as a school of protest against the terrible and devastating consequences of World War It was, in fact, a reaction to the contemporary contemporary desperation of the rationalism and modern materialism of the modern age. Hence, a man drowned in the sufferings of these years, seeing the best way to escape into the unconscious world, seeks to explore the unconscious and originality It gives rise to surrealism. Islamic mysticism is also a kind of intellectual and epistemological school that, in the path of the discovery of truth, trusts over the taste and illumination more than anything else, and defines the relationship between the Creator and the Creator through the passage from the same to the mind and from the sensible world to the transcendent world. mantegholteyr as one of the representatives of this method of thinking in his subcategories has signs and components of surrealism, which confirms the connection and solidarity of the two schools of thought, surrealism and mysticism, at least in their formal structure. The most important findings of this research are the shared aspects of this mystical work with surrealistic works that can be referred to as: Lamakani and Lazzmani, love, freedom, dreams and imagination, wonder and magic, madness and madness. Manuscript profile -
Open Access Article
9 - Surrealism and Iraqi’s Mysticism
yadolah bahmani ali akbar afrasiabpourSurrealism has principles similar to the principles of mysticism, which have become more prominent in the minds of some mystics, and Fakhreddin al-Iraqi, a great seventh-century Iranian poet and mystic, has never seen his poetry and prose from this perspective. And has MoreSurrealism has principles similar to the principles of mysticism, which have become more prominent in the minds of some mystics, and Fakhreddin al-Iraqi, a great seventh-century Iranian poet and mystic, has never seen his poetry and prose from this perspective. And has not been studied and compared in the form of new literary criticism. In this article, which is a library and descriptive-analytical method, after a new reading of the relationship between mysticism and surrealism, their commonalities in Iraqi works are drawn and followed. He had a school of beauty is beauty and love originality and cross-border element of imagination to reality and beauty entrepreneur knows, The escape from reason to intuition turns and speaks to the unconscious inner world like Shat'h and inspiration from the world of fantasy with interest that, in fact, offers a surrealistic images and in this study is comparable to the school ofFakher Iraqi al-Din Mysticism teachings is shown. Manuscript profile -
Open Access Article
10 - Critical Study and Analysis of the principles of Surrealism in Comparison With Anecdotes Junaid Baghdadi withEmphasis on the Memoirs of Attar's Tazkereh al-Awliya
Nasser Amir Mohammadi Nemat Esfahani Omran Hamid Tabasi Surrealism is a school founded by Andre Burton and his associates in the early twentieth century after World War I, causing murder, chaos, destruction and absurdism. Looking at the school of Surrealism and Islamic-Iranian mysticism, we find that the surrealist asp More Surrealism is a school founded by Andre Burton and his associates in the early twentieth century after World War I, causing murder, chaos, destruction and absurdism. Looking at the school of Surrealism and Islamic-Iranian mysticism, we find that the surrealist aspects and aspects did not appear after the founding of this school, but had a history in the oldest religious and mythological texts and in Iranian mysticism, especially Sufi and especially mystical literature. , But with fundamental differences, has existed. In mystical texts, especially memoirs, anecdotes have a narrative, imaginative and mental format; In such a way that they present surprising and astonishing events in a realistic context. For this reason, these anecdotes, due to their subconscious and dreamy form, correspond to the principles and foundations of surrealism, and also the surrealists emphasize the liberation from reason to reach the highest point of existence with the aim of the mystical path of mystics in which all multiplicities are united. Become, mistakenly considered one; Therefore, in the present descriptive-analytical method, an attempt is made to briefly apply the various surrealist elements and components in Junaid Baghdadi's anecdotes with emphasis on Attar's memoirs, and at the end, a brief critique and analysis of surreal metamaterial thinking And Farangar's thinking in Iranian mysticism should be presented. Manuscript profile -
Open Access Article
11 - Comparative study of magic from »Araf, Shoara, Taha» verses’ points of view by focusing on surrealism
Houra Habibi Dr.mohammadmahdi naderi ِDr,abolfazl ebrahimiozineh In this study, we conducted a comparative study of magic from »Quran«: »Araf , Shoara , Taha» verses’ points of view by focusing on surrealism and Although magic is the basis of all divine religions, »Quran« highlig More In this study, we conducted a comparative study of magic from »Quran«: »Araf , Shoara , Taha» verses’ points of view by focusing on surrealism and Although magic is the basis of all divine religions, »Quran« highlights its importance and possess specific perspective. In mystic literature, magic is an obvious consequence of austerity and hard work on mysticism and concentrating on surrealistic subconscious. This study used analytical-descriptive method along with mentioning to some samples from »Quran« and their resembalance to surrealism. Results showe's that: 1- magics, in both »Quran« and Surrealist, are considered as context that fosters people to some allegations, 2- culture of magic has an interweaving relationship with oracular and internal worlds. This study aimed at comparing both approaches and also providing systematic plan for implication of magic from »Quran« and surrealistic points of view. Manuscript profile -
Open Access Article
12 - Reasons for using and finding surrealistic expressions in five rewritten fantasy stories for children of age group "A".
Sepideh Rajabi The use of imagination in fiction narratives is the main theme of fantasy. Fantasy is an artistic type that uses magic along with supernatural tools in literary works; But over ti More The use of imagination in fiction narratives is the main theme of fantasy. Fantasy is an artistic type that uses magic along with supernatural tools in literary works; But over time, the human mind no longer accepts its traditional and repetitive content; For this reason, fantasy in the story has evolved to adapt to the conditions and surprise the audience, and has become a form of pristine and new imagination. Although fantasy imaginations and its lane patterns are predetermined and clear, along with the evolution of literary schools, surrealist manifestations that lead to imagination with rebellion, breakdowns, and liberation from the law of nature, and their purpose is to repeat, fresh freshness. And reference to the inner dimension and apply the subconscious; It is seen in fantasy stories. The present study, Manuscript profile -
Open Access Article
13 - Comparison of a Ghazal of Rumi with a Ghazal of Sanai Based on Components of Surrealism
Mohammad Behnāmfar Mostafā QaribThe source of many of Rumi’s literary methods and principles of thought should be found in Sanai’s poetry. The existence of some surrealistic elements in Rumi's poems can also be analyzed as impact of Sanai. It can be said that surrealistic or pseudo-surreal MoreThe source of many of Rumi’s literary methods and principles of thought should be found in Sanai’s poetry. The existence of some surrealistic elements in Rumi's poems can also be analyzed as impact of Sanai. It can be said that surrealistic or pseudo-surrealist thoughts exist, more or less, in the poetry of both poets. In the present article, by using descriptive-analytic method, two surrealistic ghazals from Sanai and Rumi are considered and differences and similarities between two ghazals are shown. The results of the research show that both ghazals have common surrealistic features such as absolute mentality, the elimination of time and place, the expression of wonderful things, automatic writing, mystical drunkenness, imagination and dream, spiritual manifestation, belief in incompleteness of language, love and freedom. But, we can point out the differences as follows: Rumi uses more automatic writing; his mystical drunkenness is more than Sanai; and his language is more visual and exciting than him, as if the flame of Rumi's language is like fire and the flame of the Sanai’s is like a candle. Manuscript profile -
Open Access Article
14 - The Components of Surrealism in Masnavī-ye Ma’navī; A Comparative Study
Fātemeh Koolivand Gholamreza Salemian Fatemeh KolahchianSurrealism is a school that appeared in France in the twentieth century. It has the principles that most important of them are as follows: dream and imagination, automatic writing, juxtaposition, insanity and magic. Although surrealism was introduced in Europe, its feat MoreSurrealism is a school that appeared in France in the twentieth century. It has the principles that most important of them are as follows: dream and imagination, automatic writing, juxtaposition, insanity and magic. Although surrealism was introduced in Europe, its features have been seen in other cultures, especially in Iranian mysticism. It can be said that before the emergence of surrealism in Europe, Iranian Sufis have created valuable works with surrealist themes. There are deep differences between these works and western ones that indicate the originality of Iranian surrealism. Masnavī-ye Ma’navī of Jalāl ad-Dīn Muhammad Rūmī has proposed surrealistic themes but they have remarkable differences with Western surrealist ones. The present article attempts to show these differences and similarities. The differences show the primacy and superiority of the Iranian version of surrealism. These differences include Divine grace (Karāmat), magic, the Truth, reality and Divine intoxication. Manuscript profile -
Open Access Article
15 - The unconscious from surrealistic and mystical points of view
رحمان مشتاق مهر ویدا دستمالچیM) The unconscious is a means of understanding truths as it is in direct contact with the human nature; but the human reason and rationality is an obstacle to reaching the truth through unconscious. In some areas of human life, like sleep and dream, the unconsc MoreM) The unconscious is a means of understanding truths as it is in direct contact with the human nature; but the human reason and rationality is an obstacle to reaching the truth through unconscious. In some areas of human life, like sleep and dream, the unconscious manifests itself in a much better way than reason. Surrealists, like mystics, use the unconscious and believe that it is a means for discovering the truths. In spite of the differences, comparing surrealism and mysticism and showing how the surrealists and mystics regard the unconscious and use its possibilities for the knowing of the world is revealing. Manuscript profile -
Open Access Article
16 - Satire: Medium of Protest in Mysticism and Surrealism
Nāser Alizādeh Vidā DastmālchīSatire is a reaction against imbalance and dissatisfactions. It offers an artistic way for objection and reform. Satire literature, like cartoon and comedy, behind its amusing cover, criticizes social inadequacies adopting less harsh methods. Humorous language of some m MoreSatire is a reaction against imbalance and dissatisfactions. It offers an artistic way for objection and reform. Satire literature, like cartoon and comedy, behind its amusing cover, criticizes social inadequacies adopting less harsh methods. Humorous language of some mystical texts reflects their social and cultural circumstances. These works are literary media for objecting and criticizing false beliefs. In the same way, surrealists mock the European man and European Christian society by adopting humorous ironies in the disturbed years of the World War I. The influence of Islamic mysticism on surrealism leads to a number of similarities, among them humorous language. The present article, by confessing to the differences between surrealism and Islamic mysticism, tries to compare satire and humorous language through employing a comparative method. Manuscript profile -
Open Access Article
17 - Manifestations of Surrealism in Maulana's Mathnavi of Ma'navi
Zahra Vahidi Shahin Ojagh AlizadehAbstract Exploration in classical Persian texts with a fresh look can have profound accomplishment for literary criticism and bring the real understanding in both domains. Surrealism is one of the most influential schools in t MoreAbstract Exploration in classical Persian texts with a fresh look can have profound accomplishment for literary criticism and bring the real understanding in both domains. Surrealism is one of the most influential schools in the West, which tries to reduce the role of reason and logic; instead with its own methods such as automatic writing, sleep and dream, etc. to achieve its goal in reaching an upright point. This school has not been unprecedented in Persian literature with all its effects in the world of literature. Many of its features can be seen in Rumi's Mathnavi of Ma'navi. In this article, based on first three branches of Mathnavi, a plan is presented in which the surrealistic features of this striking effect on two axes of stories and abstractions are considerable. At the same time, despite some apparent similarities, it cannot be regarded as mere surrealistic effect. In this essay, the power of Rumi's poetry and the relationship of the literary school that was formed in the twentieth century is shown with the poetry of this competent poet. These two experiences have many common points, but the position of the approach of each one is different. Manuscript profile
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