List of Articles Ra&rsquo

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  1 - Evaluation Residents Think about the Use of Infill Development Approaches (Case Study: New Buildings Jouybara of Isfahan)
  Elham Aminoroaya Meghedy khodabakhshian
  10.30495/hoviatshahr.2021.17040
  Interventions in historical contexts are taking place with different approaches throughout Iran and the world. The present study was designed to answer the question of what approaches should be taken in relation to residents’ viewpoints in the Jobebara neighborhoo More

  Interventions in historical contexts are taking place with different approaches throughout Iran and the world. The present study was designed to answer the question of what approaches should be taken in relation to residents’ viewpoints in the Jobebara neighborhood of Isfahan, which is a historical context. For this reason, after reviewing a variety of strategies, the residents’ opinion and their democratic intervention and social participation were selected as the appropriate research strategies, which was tested through a questionnaire of residents’ opinions on the subject under investigation. The method of the present study is a combination of qualitative and quantitative methods so that the interpretation and analysis of various books and articles related to the field of interfacial development are placed alongside the quantitative method (questionnaire) in the field of analysis, and evaluation of interfacial structures and also for the purpose of the application. The data collection methods in this study are library and field research, because the researcher first studied library resources and then field studies, interviewed specialists in the field and residents in the context by drawing visual questionnaires on the subject of research. To identify infill buildings, all approaches to infill buildings include ten methods including, maximal contrast, and stylistic approach, stylistic maximum likelihood and new synergy approach, facade approach, ornamental approach, deductive approach, and line design, neutral or zero degrees, unstable architecture coexistence, style and fantasy, subtle or mirrored building approach, contextual architecture with continuity approach, hybrid approach were analyzed and then co-integration and integration approaches were analyzed. Finally, integrated approaches were decreased to 5 approaches, the approach of conflict and contrast maximum and candid style, approach parallels maximum style and synergy between the new and old approach, preservation of the facade approach, neutral or degree zero architectural approaches, and creating subtle or mirror new buildings, respectively. In developing the questionnaire, a growing number of images related to the architecture of infill buildings in historical contexts of different parts of Iran and the world, especially the city of Isfahan, including Jouyebra, were tested by the Delphi method and based on five selected approaches in this field. The scores on both questionnaires were scored on a Likert scale (score scale), in which each image was scored from very low to very high (1-5). Then, the highest-rated images and their questions were surveyed by 360 residents, and finally, 340 people were accepted and analyzed by the IBM SPSS Statistics 25 software. Investigating the reliability of the variables under examination in the historical texture of the river. It was found that the inhabitants of the neighborhood generally wanted a completely new and modern construction in their texture, compared to being in harmony with the existing texture. This means that most residents were unenthusiastic in the texture of their neighborhood and were looking for modernity. For this reason, the findings showed that residents’ views of reflective and mirrored approaches to new buildings to the neutral or zero degree architecture approaches ranged from highest to lowest, respectively. Manuscript profile
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  2 - The Study of the Semantic Aspects of Togh in the Contemporary Visual Arts of Iran (Case study of painting - visual communication - drawing)
  Tila Asgharzadeh Mansoury Mohammad Aref Parnaz Goodarzparvari
  10.30495/jss.2021.1909034.1237
  The aim of the present study is to discover the relationship between the Alamat (as an example of Iranian-Islamic metal handicrafts) and the religious visual arts in recent years. The Toogh (collar) has long been one of the special tools for mourning the Seyyed al-shoha More

  The aim of the present study is to discover the relationship between the Alamat (as an example of Iranian-Islamic metal handicrafts) and the religious visual arts in recent years. The Toogh (collar) has long been one of the special tools for mourning the Seyyed al-shohada in Iranian Islamic culture and civilization. In the ninth and tenth centuries AH, we can see the Toogh in Iranian paintings. Later in the Pahlavi era, it was so prominent in the paintings of the Saqakhaneh school as an element of the folkloric art of the Iranian people. But after the Islamic Revolution of Iran, especially in recent years, we can see the Alamat in the drawings of various sub-branches of visual communication (such as posters, illustration, logos, etc.), paintings, decoration, jewelry designs and fashion and clothing.The present study tries to answer questions such as how the Alamat is presented in these art works and the semantics of the different forms of these symbols in combination with other works of visual arts.The data is collected through library and field research method and the result shows that in recent years, Ashura symbols have had some changes, in addition to their main uses (mourning tools), and have taken on new functions and are more prominent in religious graphics than other items. In addition, it has been one of the main elements in designing religious jewelry called "religious plaque" and is generally considered as one of the main symbols of Shiite art in the world. Manuscript profile
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  3 - Attributed Qira’at to Ahl al-Bayt (Peace be upon them) and Rasm al-Mushaf
  Hamid Reza Mostafid Shabnam Rajabzadeh Maryam Haji Abdolbaghi
  Qira’at and Rasm al-Mushaf are one of the factors of understanding, researching and reading the Holy Quran, that affect and effect on each other. They have always been considered as challenging subjects of Quranic sciences. Although, the Quran attributed to the Ah More

  Qira’at and Rasm al-Mushaf are one of the factors of understanding, researching and reading the Holy Quran, that affect and effect on each other. They have always been considered as challenging subjects of Quranic sciences. Although, the Quran attributed to the Ahl al-Bayt (P.B.U.Th) are among Shawadhdh Qira’at, but because of their attribution to the Ahl al-Bayt(P.B.U.Th) and interpretive aspects are of particular importance. From the perspective of Ibn al-Jazari, one of the conditions of the authenticity of the Qira’at is the conformity of Rasm al-Mushaf with at least one of the Masahef al-Amsar, even if possible. The question is that how much the Qira’at attributed to the Ahl al-Bayt (P.B.U.Th) corresponds to this condition.The research method of this paper is descriptive-analytical- case study using written sources of these sciences. This study focuses on 500 Qira’at attributed to Ahl al-Bayt (P.B.U.Th) . At the first glance, among these Qira’at, 312 are completely in accordance with the Rasm al-Mushaf and 188 are considered as opposed to the Rasm . However, in re-examining through seven methods of achievement of this paper, 55 other Qira’at, according to the Ibn al-Jazari's viewpoint are considered in accordance with the Rasm al-Mushaf. Manuscript profile
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  4 - National and Patriotic functions in Ra’di Azarakhshi’s poetry using epic approach
  Faramarz Ahmadi Mehdi Mahoozi Mahmoud Tavoosi
  In every society there exists a kind of collective consciousness known as national awareness and it is expressed in Persian literature as national patriotic theme.  The purpose of this article is to discuss and evaluate Gholam Ali Ra’di Azarakhshi’s vie More

  In every society there exists a kind of collective consciousness known as national awareness and it is expressed in Persian literature as national patriotic theme.  The purpose of this article is to discuss and evaluate Gholam Ali Ra’di Azarakhshi’s viewpoints regarding Persian language, culture, civilization, and social values of Iran and to study and analyze national and patriotic themes in his compositions. Furthermore, the application of contemporary epic literature in his compositions is studied.  Using descriptive analytic and library approach the attempt is made in this article to study themes such as patriotism, antagonism towards enemy, also to study national and historical characters.  The results obtained show that Ra’di paid special attention towards contemporary epic functions such as anti-colonialism, national identity and language, preservation of independence and territorial integrity.  His attitude towards the concept of homeland and patriotism is to a large extent different from that of other poets.  The vastness of his thoughts in celebrating national and historical figures spans past till present characters. Manuscript profile