• List of Articles Jami

      • Open Access Article

        1 - Elements of Culture and Civilization in Works of Ikhwān-al-Ṣafā
        سمانه عسکری سید عباس ذهبی
        The age of Ikhwān-al-Ṣafā, was the age of introduction to andinteraction of different cultures and civilizations with each other.Ikhwān-al-Ṣafā noticed this variety; as that in their mental systemfactors such as variety of climate conditions, difference of naturalresour More
        The age of Ikhwān-al-Ṣafā, was the age of introduction to andinteraction of different cultures and civilizations with each other.Ikhwān-al-Ṣafā noticed this variety; as that in their mental systemfactors such as variety of climate conditions, difference of naturalresources and wealth, method of exploitation of these resources, typeof food, clothing and variety tendencies toward industries, moralvariety of humans – that due to expectorant mater and health, effectsof months and stars, way of education – and also difference of varietyreligions – as a effective factor in social order and relation and moral– and too variety of political system of relative to religions anddifference of languages and words, different tendencies toward musicand finally science; Cause distinction between different societies andcreation of different cultures and civilizations. All of these factors areconnected to each other and affect each other. In the course of theseeffects what is more influential is the religious system. Manuscript profile
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        2 - A Survey of the Formation and Educational Structure of Jami'ah Al-Sayfiyah: Educational Center of Davoodi Bohras
        mohsen masumi farhad hajari
        Sayfiyah Educational Center that officially called Jami'ah Al-Sayfiyah, is the center of education and training  of Bohras, a branch of Davoodi Ismailis. This educational center, from the formation up to now, has been considered as an important institution for trai More
        Sayfiyah Educational Center that officially called Jami'ah Al-Sayfiyah, is the center of education and training  of Bohras, a branch of Davoodi Ismailis. This educational center, from the formation up to now, has been considered as an important institution for training of the members of Bohra Community across the world and responsible for training and teaching the forces required in Daavat, the an organization of this group of Ismailis. The main center of Jami'ah Al-Sayfiyah is located at Surat  a city in Gujarat state in the west of India. In addition,  three branches of this educational center are active in Mumbai, Karachi, and Nairobi. Davoodi Bohras were intended from 17th century AD to provide their traditional educational activities in the form of ordered and regular organization which was consistent with new needs. Their educational center was later, at the time of the evolutions of modern era, freshened and then new sciences were involved together with old sciences of Islamili religion in education. Du’at Mutlaqeen, (Absolute Daies) as the leaders of Davoodi Bohras, play the main role in educational changes and new pathway of Jami'ah Al-Sayfiyah. Today, those people who believe in Davoodi religion, goes into the different branches of this educational canter from all over the world, after finishing academic period and learning new and old sciences, would have important roles whether in Daavat organizational structure or in the protection of their cultural heritage. The article first investigate the history of establishment and development of Jami'ah Al-Sayfiyah, and then explain its educational structure and the role of this center in the community of Davoodi Bohras in India and other regions where Bohra lived.   References Ali Zamani Alavijah, A Survey of Ismaili Literature As Reflected In Persian and Arabic Contexts, in Asian Journal of Social Sciences & Humanities, Vol.2, No.3. Daftary, Farhad, The Ismā'īlīs: Their History and Doctrines, Cambridge, 1992. Idem, Historical Dictionary of the Ismailis, United Kingdom, 2012. EI3 2013, Vol. 2, S. V. Bohras, (by TaheraQutbuddin). Engineer, Asghar Ali, Bohra Reformists and Galiakot Struggle, Economic and Political Weekly, Vol.22, No.18, May 2, 1987, pp.782-783. Idem, DawoodiBohra Reform Movement, Economic and Political Weekly, Vol.16, No.15, Apr.11, 1981, pp.652-653. Idem, Human Rights and DawoodiBohras, Economic and Political Weekly, Vol.29, No.31, Jul. 30, 1994, pp.1998-2001. Idem, Intra-Community Violations of Rights: Case of the Bohras, Economic and Political Weekly, Vol. 32, No. 30, Jul. 26-Aug.1, 1997, pp.1881-1883. Hatim Amiji,“The Bohras of East Africa”,in Journal of Religion in Africa, Vol.7, Fasc.1, 1975. IR, S. V .Ismailism, XVI. Modern Ismaili Community, (by Azim Nanji). Jonah Blanc, Mullahs on the Mainframe, Islam and Modernity among The Daudi Bohras, The University of Chicago Press, Chicago and London, 2001. Lokhandwalla, Sh.T, The Bohras a Muslim Community of Gujaratr, StudiaIslamica, No. 3, 1955, pp.117-135.  Mehta, Makrand, Gujarati Business Communities in East African Diaspora: Major Historical Trends, Economic and Political Weekly, Vol.36, No.20, May 19-25, 2001, pp.1738-1747. Nasr, Seyyed Hossein, Islamic Life and Thought, Georg Allen Knwin (publishers) Ltd, Landon, 1981. Sharma, Kalpana, DawoodiBohras: Struggle for Control, Economic and Political Weekly, Vol.17, No.37, Sep. 11, 1982, p.1486. Schacht, Joseph, Notes on Islam in East Africa, StudiaIslamica, No.23, 1965, pp.91-136. Sikand, Yoginder, Bastions of the believers, Madrasa and Islamic Education in India, New York, 2005, August 2013, Google book. Tahera Qutbuddin,“The Da'udi BohraTayyibis: Ideology, Literature, Learning and Social Practice”, in A Modern History of the Ismailis: Continuity and Change in a Muslim Community, ed. Farhad Daftary, London and New York, I.B. Tauris, 2011. The Oxford Encyclopeadia of The Modern Islamic World,ed. Johan L.Esposito, NewYork, 1995, S. V. Jamiah al-Sayfiyah, AL-, by Mustafa Abdulhusein. Tritton, A. S, Notes on Some Ismaïli Manuscripts, Bulletin of the School of Oriental Studies, University of London, Vol.7, No.1, 1933, pp.33-39. http://jameasaifiyah.edu Manuscript profile
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        3 - Effects of Varamin Jami Mosque’s Ornamentations on the Spatial Qualities
        Mohammad Naghizadeh Sheida Khansari
        Manuscript profile
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        4 - Religious spaces in Islamic traditional Cities
        Atefeh Dehghan Touran Poshti Abbasali Tayefi Nasrabadi Mohammd Naghizade
        Manuscript profile
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        5 - A Comparative Study of Prayer in the Military Poems of Ganjavi and Jamil Sedghi Al-Zahawi
        Khaled Hefzi Abdolamir Al-Tamimi Mehrdad Aghaei
        10.30495/clq.2021.679132
        In the Persian literature, Iranian and non-Iranian poets and writers, citing the order of the Holy Prophet (PBUH) who said: "everything must be started in the name of God", have long written their poems and writings in the name of the Lord of the worlds, and praising Hi More
        In the Persian literature, Iranian and non-Iranian poets and writers, citing the order of the Holy Prophet (PBUH) who said: "everything must be started in the name of God", have long written their poems and writings in the name of the Lord of the worlds, and praising His greatness and generosity. In Arabic literature, old and new poets have prayed to the Lord of the universe in their poems. Nezami Ganjavi, one of the greatest poets of Persian literature, at the beginning of his Masnavi, has dedicated many verses to praise and supplication to God. The Iraqi poet, Jamil Sedghi al-Zahawi also mentions God in a scattered manner in the margins of his divan, but in the final part of the divan, he devotes an ode to prayer and supplication to God only. The purpose of this study is to have a comparative study of prayers and supplications and their content in the poems of Nezami Ganjavi and Jamil Sedghi Alzheimer. Manuscript profile
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        6 - A Study on Nizami’s Khosrow & Shirin and Jamil ibn Ma'mar’s Divan from Feminism School Viewpoint
        Reyhaneh Sardar Ali Ganjiyan Khonaari Ebrahim Dibaji
        Women have always had special status in various cultures and in all eras and their statuses have changed according to each era’s culture and tradition. In the history of Iran after Islam which was coincided with Umayyad civilization and culture, woman had remarkab More
        Women have always had special status in various cultures and in all eras and their statuses have changed according to each era’s culture and tradition. In the history of Iran after Islam which was coincided with Umayyad civilization and culture, woman had remarkable role and two mentioned cultures owned obvious differences and similarities in the field of women’s cultural and social status partially. Khosrow & Shirin by Nizami was an iconoclast work in spite of an ancient background. On the other hand an Arab poet (Jamil ibn Ma'mar) – in Arabic literature –lived in an era in which women had no specific value; but the abovementioned poet paid special attention to women and their values in his poetries whose works aid us to study the aforesaid subject in Nizami’s Khosrow & Shirin and Jamil ibn Ma'mar’s Divan comparatively. Manuscript profile
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        7 - A COMPARATIVE STUDY OF IMAGE OF WOMEN IN THE POETRY OF JAMIL SEDQI ZAHAWI AND MALEK AL-SHORA BAHAR
        Hedieh Ghassemifar Fatemeh ghaderi
        Women and their status is among the most important issues the poets of past and present have paid attention to. This elegant creature has been able to develop and improve in the history in the way that she deserves in spite of all the hardships and adversities More
        Women and their status is among the most important issues the poets of past and present have paid attention to. This elegant creature has been able to develop and improve in the history in the way that she deserves in spite of all the hardships and adversities. Jamil Sedqi Zahawi the Iraqi poet and Malek Al-Shora Bahar the Iranian poet have paid attention to this fact in their works and have helped women through their free and conscious way of thinking. The present article studies the role and status of women in the 19th and 29th century Iraq and during the Qajar and Pahlavi Period in Iran and brings examples of their poetry. The article finally concludes that both poets have similar points of view although there are some minor differences. Manuscript profile
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        8 - Analysis of Symbols in Political, Social and Religious Poetries by Javad Jamil
        Parviz Heidari Firouzjaei Katayoun Fallahi Leila Qasemi Haji Abadi
        Application of symbols in contemporary is one of the main characteristics of the poets who increased their poetries’ beauty by making layers in their language; it’s a method enables poets to apply it to inspiration and transferring their message. Arabic comm More
        Application of symbols in contemporary is one of the main characteristics of the poets who increased their poetries’ beauty by making layers in their language; it’s a method enables poets to apply it to inspiration and transferring their message. Arabic committed literature enjoys the mentioned feature and artistic capacity and some committed poets such as Javad Jamil – Iraqi contemporary poet – have chosen mysterious language for their religious, political – social poetries by applying symbols and creating beautiful and rhetoric images. Javad Jamil applied mysterious interpretation according to obstruct atmosphere of the society as well as avoiding outspokenness. Applied data in the present research are librarian, cited from internet, documents and the method is descriptive – analytical. Manuscript profile
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        9 - The Comparison of Islamic and Hindu Sufism in Jami's Poetry
        Roya Ahmad Amarji Ali Eshghi Sardehi
        Although Sufism itself was criticism literature origin, Jami's criticism poetry in ninth century changed the path of critical literature toward its source and mystic. The researches of the present paper and Jami's poetry show that his critical views is as the result of More
        Although Sufism itself was criticism literature origin, Jami's criticism poetry in ninth century changed the path of critical literature toward its source and mystic. The researches of the present paper and Jami's poetry show that his critical views is as the result of mystic realism conjunction and  the will of the government to mysticism  in order to acquire legitimacy. The aim of the critical literature was not to be included in Shia movement and verbal thoughts against poetic words or religious or factional prejudice; but it was to critic the Sufi who intended to enter the crown by Sufism rally in order to obtain the political power and control. Manuscript profile
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        10 - A Comparative Study of the Social Image of Women in Jami's Poems and Malek osh-Sho'arā Bahār’s Poets
        Roqiyeh Khoddami Mahnaz Ramezani Zohreh Sarmad
        10.30495/cls.2022.687764
        The Timurid period is a period in the history of Iran in which women do not have a favorable position. Jami, one of the prominent poets of this century in Haft Aurang, has a dual and often negative approach to women in referring to the women of his Masnavi; In contrast, More
        The Timurid period is a period in the history of Iran in which women do not have a favorable position. Jami, one of the prominent poets of this century in Haft Aurang, has a dual and often negative approach to women in referring to the women of his Masnavi; In contrast, the situation has changed during the constitutional period. In the Malek osh-Sho'arā Bahār’s poets, this change of attitude and improvement of the position of women can be clearly seen. This can be related both to the political and social conditions of the poet's age and to his personal view of women. Analytical-descriptive study shows that Jami in Leili and Majnoon presents a positive image of female characteristics such as beauty, loyalty, intellect, etc. introduced as a liar and lustful. This dual approach is also observed in the Malek osh-Sho'arā Bahār’s poetries, with the difference that a positive attitude towards women is more prominent. Woman is not only mentioned as a mistress, but also the rationality, personality and humanity of women In Malek osh-Sho'arā Bahār’s poems. Manuscript profile
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        11 - A Study of the Theme of Palestine in the Literature of Sustainability in the Poems of Ali Mousavi Garmaroodi, Nasrallah Mardani and Javad Jamil"
        Forouzan joolaei nahid fowzi
        10.30495/cls.2022.1945783.1350
        The literature of the Palestinian resistance is considered an important and inseparable part of contemporary literature as well as the Intifada, and because of its roots in reality, it is one of the purest examples of sustainability literature throughout history. This t More
        The literature of the Palestinian resistance is considered an important and inseparable part of contemporary literature as well as the Intifada, and because of its roots in reality, it is one of the purest examples of sustainability literature throughout history. This type of literature as a branch of committed literature in the occupied territories due to concerns as well as oppression and resistance of the people and also due to its formation in contexts such as oppression, rape, tyranny, oppression and repression from a high position. And the issue of resistance against the occupiers, due to the recording of the struggles of the peoples of the Orient due to the political commonalities and beliefs that exist between the two nations of Iran and Palestine, as one of the central themes of Islamic Revolution poetry, in the works of many committed poets And there is a revolution. In this article, with a comparative approach to the poetry of Javad Jamil, a prominent Iraqi poet, and Seyyed Ali Mousavi Garmaroodi and Nasrallah Mardani, prominent poets of the Islamic Revolution, the common themes of these poets in dealing with the issue of the occupation of Palestine are examined. The resistance and stability of the Palestinian people and the fighters of this land have been praised by poets. Anti-authoritarianism and the expulsion of the usurpers of the land of Palestine are the aspirations of all three poets. Manuscript profile
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        12 - "The manifestation of water in the thought of the Sufi dynasty and its reflection in the poems of Sohrab"
        Hossein ghasemi Roya Ahmad Amraji khorshid noroozi
        10.30495/cls.2022.691949
        Sufism in the specific sense means finding the truths of things through discovery and intuition. In fact, cognitive mysticism depends on the spiritual state and is not described, and is directly related to the Absolute Being and is manifested first in the human soul and More
        Sufism in the specific sense means finding the truths of things through discovery and intuition. In fact, cognitive mysticism depends on the spiritual state and is not described, and is directly related to the Absolute Being and is manifested first in the human soul and human essence, and secondly in human actions and behavior. The use of representations and symbols to express delicate and complex Sufi concepts was common among the Persian mystics and poets in the early periods of Islamic mysticism, in particular Maulana Abdul Rahman al-Jami, as one of the last great poets of that period. The appearance of “water” had a clear and high place in the mystical stories and tales of these great people as it was used as a symbol of “knowledge”. The influence of this issue is quite noticeable not only on the poets of his time but also on the poets of our time. We aim in this research to study the impact and reflection of this thinking on the thought and poems of the contemporary poet Sohrab Sepehri as one of the most creative Sufi poets. In the poem "The Message of the Fish", Sohrab reproduces the word "water", which is the symbol of "knowledge", in Islamic mysticism in the best possible way and beautifully. Since Sohrab's Sufi thought, in addition to Iranian Islamic mysticism, is influenced by other schools of thought, especially Buddhist mysticism, this interest will be very important and worth considering. Manuscript profile
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        13 - The signs of calling for awakening and progress in the poetry of Jamil Sidqi al-Zahawi
        javad ranjbar karim barin
        10.30495/cls.2023.1988145.1427
        Love for the homeland is in the essence of all human beings and it is an undeniable feeling so that nationalism is one of the permanent topics in poets' poetry. Jamil Sidqi al-Zahawi is a poet whose nationalism tendencies and attitudes are prominent in his poetry. In fa More
        Love for the homeland is in the essence of all human beings and it is an undeniable feeling so that nationalism is one of the permanent topics in poets' poetry. Jamil Sidqi al-Zahawi is a poet whose nationalism tendencies and attitudes are prominent in his poetry. In fact, his poetry calls for the awakening and progress of the country. In this way, he takes advantage of issues such as the fight against colonialism and aliens, as well as honoring the status of science, art, and civilization. He sarcastically refers to the progress of the West to the people of his homeland. He pays attention to the issues of the homeland and loves his country and portrays his regret for the backwardness of his homeland in the form of abstract and metaphorical images. He complains that why his compatriots neglect their homeland while he himself sacrifices his life for his country. The present study aims to state al-Zahawi’s attention to the issue of homeland and its progress with a descriptive-analytical and library method. The results show that the poet focuses on the elements of national awakening and progress, including honoring the status of science and knowledge, resistance, anti-colonialism and patriotism. Manuscript profile
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        14 - The Epic "Hell revolution" in Jamil Sidqi Azzahawi’s poem
        Samad Soleymani Rahmatollah Heydari manesh
        Saga is considered of the oldest types of poetry at the ancient nations, and of the richest world literature. And as we know contemporary Arabic literature is of the richest and the most well-known in the art of epic Literature and many of contemporary writers More
        Saga is considered of the oldest types of poetry at the ancient nations, and of the richest world literature. And as we know contemporary Arabic literature is of the richest and the most well-known in the art of epic Literature and many of contemporary writers and poets were interested in epic poetry. Jamil Sidqi Azzahawi is considered one of the greatest epic poetry poets and among the most famous contemporary poets. The study of epic poetry, which is one of the finest, and richest, and oldest arts literature is of a great importance. As we study the epic poetry, we see the story of championships and legends in it. To study the epic in the Diwan of Jamil Sidqi Azzahawi is of a great importance. And the epic "hell revolution" is of the best poetic epics in contemporary Arabic literature. Because it is an epic dealing with literary issues, as well as historical, religious, political, ethical, and mythical issues in the community. And it puts in front of the reader and listener a mythical model, and a fictitious or realistic hero. And it’s the epic that hasn’t got any attention, and from this viewpoint this article deals with its study. Manuscript profile
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        15 - A Study of the Personality Element in the Common Anecdotes of the Haft Ourgan of Jami and Attar's Mosibat-nameh
        Alireza Yavari Hadi Khadivar
        10.30495/dk.2021.686454
        The nineteenth - century mystic poet Jami used two hundred anecdotes and allegories to express ethical, educational, and mystical themes in Haft Ourang.Of these, there are eleven anecdotes in the AttarMosibat-nameh. One way of measuring the power of the poets' creativit More
        The nineteenth - century mystic poet Jami used two hundred anecdotes and allegories to express ethical, educational, and mystical themes in Haft Ourang.Of these, there are eleven anecdotes in the AttarMosibat-nameh. One way of measuring the power of the poets' creativity and style is to compare and contrast their fictional allegories. In this study, have compared and compared eleven common stories of the Haft Ourangs and the Mosibat - nameh based on personality traits. Attar sometimes criticizes Wonders, sometimes by expressing moral delicacies, from the language of the insane to the instruction of kings and tyrants ruling the people, using his personality and personality in the anecdote to explain his creativity.  He has used the intentions of his thoughts. The results show Attar's superiority, power and creativity because he has made the most use of the personality element as a fundamental tool in explaining his intentions and thoughts Manuscript profile
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        16 - A study of misogyny and feminism in Jami's perspective (Relying on Lily, Majnoon, Salaman and Absal)
        roghaye khorami mahnaz ramezani zohreh sarmad
        10.30495/dk.2021.1930203.2262
         From the past until now, the position and image of women in Persian literature has not been the same and in different historical periods, manifestations of feminism and misogyny can be seen in literary works. Jami, as one of the poets of the Timurid period, has in More
         From the past until now, the position and image of women in Persian literature has not been the same and in different historical periods, manifestations of feminism and misogyny can be seen in literary works. Jami, as one of the poets of the Timurid period, has introduced different manifestations of women in his poems. In this research, with a descriptive-analytical method, the contradictory view of Jami's view about the appearance of women in the two Masnavi of Lily and Majnoon and Salaman and Absal is investigated. The purpose of this article is to analyze femininity (Lily and Majnoon) and misogyny (Salaman and Absal) in Jami's poems. Examining the image of women in these two Masnavi shows two opposing views in Jami's works, as in Lily and Majnoon it presents a positive image of the characteristics of women such as the manifestation of the divine spirit, wisdom, loyalty, chastity, etc., and in Salaman and Absal, the woman. He has introduced a deceitful being, imperfect of intellect, a means of seeking men, unfaithful, an infidel of blessings, ill-tempered and ignorant. Although sometimes in Lily and Majnoon we rarely see misogyny from the language of slanderers against Lily; This can be both the political, social and cultural context of the Jami period and his personal views on misogyny and the glorification of storytelling and symbolism. Manuscript profile
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        17 - Comparison of the Structure of the Anecdotes of Majnat al-Nawadir Banbani and Baharestan Jami with Emphasis on their Sources
        Raana Javadi Alireza Ghojezade Zahra Soleimani
        10.30495/dk.2022.1961570.2535
        In Persian literature, there are many works with the titles of " Majma 'al -Qasas", " Majma 'al-Nawadir "and so on. Valuable and influential works that, along with popularity and acceptance, have played a significant role in the formation and consolidation of stories an More
        In Persian literature, there are many works with the titles of " Majma 'al -Qasas", " Majma 'al-Nawadir "and so on. Valuable and influential works that, along with popularity and acceptance, have played a significant role in the formation and consolidation of stories and storytelling in Persian literature. Among the anecdotes of these books, there are less anecdotes created by the author himself, perhaps most of the authors took the anecdotes from previous sources or the works of his contemporaries and translated them according to the desired theme with artistic ability and in accordance with the common style of his time.Majma 'al-Nawadir is a collection of anecdotes, narrations and parables written by Faizullah ibn Zayn al-Abidin ibn Hussam Banbani, known as Sadr Jahan (d. 907 AH) during the reign of Mahmud Shah Bigara (863-917 AH). In this work, Banbani has used his contemporary or previous sources. One of these sources is Baharestan Jami (with 28 common anecdotes and narrations). The main source of these anecdotes in Arabic and Persian texts was also found in the previous studies of these two authors. Such as books of nathr aldur fi almuhazarati, Tazkerat al-Hamduniyah, muhazarat al'udaba'. Persian sources have a smaller share of this frequency. Despite the commonalities of these two works, Banbani did not pay attention to brevity and Jami to simplification. There are many differences in the expression of the concept of anecdotes. Manuscript profile
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        18 - Among Jami′s Leili and Majnoon,Nezami′s Leili and Majnoon and Amir Khosro Dehlavi′s Majnoon and Leili
        Hadi Kadivar Fatemeh Sharifi
        Manuscript profile
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        19 - The Structure of the Allegorical tales of the Eighth Rowze Baharestan from the viewpoint of Minimalism
        Nasrin Zargarzade Dezfuli Ali mohammad Moazzeni
        In a descriptive - analytical way, this study investigates the importance of this style in ethical teachings and in the existence of minimalism, the importance of this style in ethical teachings and a form of similarity between allegorical and short short stories. Based More
        In a descriptive - analytical way, this study investigates the importance of this style in ethical teachings and in the existence of minimalism, the importance of this style in ethical teachings and a form of similarity between allegorical and short short stories. Based on the findings of this study, the structure of Baharestan's allegorical stories is according to the most important elements of minimalist stories, including: simple design, small volume, few characters and …. The main reason for the use of minimalist stories is to influence the audience. The point is the goal of every literary genre. According to the study, Persian scholars, many years before the writers of the West, have benefited from the parable and the language of animals, in addition to other initiatives, to further influence the audience. it can also be noted that despite the theories that describe the short short story as the product of the speed and industrial world of the west and most contemporary singers, .the history of minimalism refers to the plain world of the east and the rest of its thinkers.The research method is descriptive-analytical and library research Manuscript profile
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        20 - A Comparative Study of the lyrical Story of “Yusuf and Zuleika” in Jami (khatam alshoara) and Andalib’s (a Turkmen poet)
        khojehseied Seied Mohammadi Mohammad Fazeli reza ashrafzadeh
        Studying the interplay between international literature is in the field of comparative literature effect in this field and its contribution in this area includes the enrichment of national language and literature and understanding and friendship of nations. The impact o More
        Studying the interplay between international literature is in the field of comparative literature effect in this field and its contribution in this area includes the enrichment of national language and literature and understanding and friendship of nations. The impact of Iranian language, culture and ivilization on native language and literature is one of the areas of research topics in comparative literature.“Yusuf and Zulika” is a Qur'anic story which has had a great infuence on the lyrical literature.In this research,the structure of story and the processing methods of two writers with different languages and cultures have been probed and explained using a comparative-analytic approach.“Yusuf and Zuleika” by Nurmohammad Andalib,the 12th century poet,writer, and translator has been compared with Abdulrahman Jami’s“Yusuf and Zuleika”(9thcentury)so that the similarities and differences of these two works in Turkmen and Persian would be examined.The overall results of this research are as follows:we could see characters of anciant stories.unlike Jami’s narration, Andalib’s work has more metaphysical factor. the central theme of the story is the love of“Yusuf and Zulika”he tries to implicitly press his theosophicad in sight of the story. In Andalib's narrative, Yusuf is the main character of the story, and the proximity of the story is evident to what was mentioned in Sura Yusuf. Andalib trie to narrate the story. Manuscript profile
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        21 - Compare this famous story of Salaman and Absal
        Sakineh Najjarian
        One of  the  allegory  stories  of  Persian  literature  is  salaman  and  absal which  is originated  from Greek mythology. In the Persian  literature,  there  are  different  narrativ More
        One of  the  allegory  stories  of  Persian  literature  is  salaman  and  absal which  is originated  from Greek mythology. In the Persian  literature,  there  are  different  narratives  about  this  story among  them,  Honayn-ebn-Eshagh’s  narrative (third  century) and  jami’s narrative (ninth century) are more similar to each other, it  shows, that  jami  in this story has used  Honayn-Ebn-Eshagh’s narrative and  has  had some  modifications  to  approach  it  to  Islamic- Iranian  culture. Jami’s  attentuion  to Eskandar, Eskandar’s  wisdom  and  Greek  culture has  made  this  story  to  promote   after 6 centuries – from  Honayn- ebnEshagh’stranslation to Jami’sera. Manuscript profile
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        22 - On the impact of previous writers and poets on Jami and his creation of “Haft Orang”
        Hadi Khadivar Fatemeh Sharifi,
        Manuscript profile
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        23 - Literary and artistic applications of letter Alif in the area of Persian literature (by relying on poets' poetry Jami and poets' poetry with Iraqi Style(
        gholam reza heydari
        'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical More
        'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical literature, Alif represents unique God, Holy Spirit, God's mercy; Adam's the father, abstract sphere, solitude, and the single mystery and etc.Due to its special form and position and some other unique features, letter Alif is one of the most used letters in order to create the original themes and poetic areas, mot and elegant expressions and compounds in Persian literature, poetry with Iraqi Style. Alif is a leading in most of poetry by these poets meanings like consistent and firm colossal stature, handsomeness, oblong, tense and stretched. It also signifies greatness, proud and honor, slimness, uprightness, stability, resistance, persistence, staunchness, loyalty, faithfulness and standing on one's promise. Alif has fallen in love with its stature. Since Alif has accent-like sign overhead, it is rebellious. Despite having tongue, it is dumb and silent. It is regarded as one of the poorest in terms of wealth among letters. It symbolizes poverty, abjection, destitution, vacancy, pauperism, beggary, inexistence, absence, loss, and self-denial. It also suggests nakedness, nudity, embarrassment, self-evidence, preparedness, distress and confusion and adornment. It carries meanings like solitude, individualism, loneliness, uniqueness, detachment, freedom, honesty, frankness, and innocence. Alif is motionless and stagnant. Its creation begins with points and dots. All letters and numbers then are founded upon this letter. Alif is the first letter of creation. It also indicates minuteness, brevity and tininess. Alif is the most common simile in Persian literature and the poetry's and prose's images or contents used in Persian literature are described. It was compared to needles, thorn, moon crescent, sticks, pens and plumes, fingers, arrows, bolts, cedars, gallows and scaffolds, newly grown whiskers or beard,  half or full moon, and etc. In this article, we try to study the literary, artistic, and video applications of letter Alif in poets' poetry with Iraqi Style. Manuscript profile
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        24 - Investigation of the love concept in the poems of Jamil bin Muammar based on the Plato's Symposium
        Reyhane Sardar Ali Ganjian Khenari Seyed Ebrahim Dibaji
        Plato is one of the three great philosopher in classical Greece. The human being and his problems are the main concerns in his works. Then, the major efforts in his philosophical essays is paying attention to the human issues like ethics, justice, love etc. . . . Since More
        Plato is one of the three great philosopher in classical Greece. The human being and his problems are the main concerns in his works. Then, the major efforts in his philosophical essays is paying attention to the human issues like ethics, justice, love etc. . . . Since past, Plato’s written works, due to their ethical and idealistic point of view, has drawn the attention of western and eastern philosophers and his ideas has been welcomed by Muslim philosophers and even Islamic mysticism has been influenced by Plato’s ideas. One of the concepts he has addressed is love. Plato has paid attention to the concept of love in three works called Phaedrus, the Republic, and in Special Way of Symposium. The Symposium is a narrative of the six Athenian’s dialect (including Socrates) about love that Plato is narrating. In the present study, we tried to investigate the concept of love in the Ozri love-seeker poet's book, Jamil bin Muammar, with an analytical and comparative approach based on the opinions expressed in Symposium and in a Particular Way according to Socrates opinions. In other words this study is a comparative investigation between viewpoint of Plato as a cultured philosopher and Jamil bin Muammar as a poet who has been lived in an Islamic society and has been purified by Islamic morality. Therefor, the study aims to discovering the common points and ideas in the Symposium and poems of Jamil. What has come out of this investigation is that some aspects of the opinions presented in Symposium, especially Socrates opinions are seen in the lyrics of Jamil Bin Muammar and his view of love. We see these aspects in the cores of the love’s interstitial nature of love, seeking half-lost (or alter ego), characteristic of immortality of love, and love and courage. Manuscript profile
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        25 - A Critical Deliberation on the Works of the Iranian Poet Jami
        Ali Ganjian Fatemeh Nasrollahi
        In the ninth century (A H) an adept poet and perfect mystic emerged  in Iran which left various poetic and prose  works behind him, providing  scientific references for literature and mysticism seekers up to now. He is Abdurrahman Jami who was born in 817 More
        In the ninth century (A H) an adept poet and perfect mystic emerged  in Iran which left various poetic and prose  works behind him, providing  scientific references for literature and mysticism seekers up to now. He is Abdurrahman Jami who was born in 817 in Jam at a knowledgeable and pious atmosphere, starting his studies from childhood with his father. He entered scientific assemblies then and was apprenticed to great masters and learned various sciences such as religious jurisprudence, philosophy, wisdom and others. He enjoyed a good command of composing poetry which elevated him to the highest literary ranks among Persian speaking poets. Because of his interest in Sufism, he joined a famous and important sect among other mystical sects, where well known Sheikhs of Sufism attended there. Jami carried on their path to become a Sheikh of  Sheikhs and a  disciple of  followers of God’s pathway during his old age. He has numerous poetic and prose works, denoting his literal capability and implying his mystical tendencies as well. Among these works we can mention collection of poems including  lyrics, quatrains, odes and couplets. These poems are abundant in advice, wisdom and pure love to life origin and destination (God). Jami lived 81 years and passed away in Herat in 898, and was buried there. Manuscript profile
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        26 - Sufi-lyrics of Ibne Farez and Jamie ; conceptual comparative criticism
        Mohammad Hadi Moradi Fatemeh Nasrollahi
        Comparative literature is one of the major branches of literature, in which the researcher surveys on the works of two poets who enjoy different literature and after identifying of the differences and similarities between both of them, their poems and proses are compare More
        Comparative literature is one of the major branches of literature, in which the researcher surveys on the works of two poets who enjoy different literature and after identifying of the differences and similarities between both of them, their poems and proses are compared. This leads to unity of culture between two nations and also the great literary men are mostly recognized. In this research, sufi-lyrics of two eminent poets, Ibne Farez and Jami, have conceptually been investigated since both are considered the pioneers of sufi verse between Arab and Persian. This research first deal with the biography of two poets and then their poems are conceptually surveyed based on the most significant symbols of sufi verse such as wine and woman that is used as the mystery of verse by poet in order to express his spiritual goal and mystical purpose. Manuscript profile
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        27 - Characterization in the allegorical stories of the Al-Silsilah al-Dhahab, Abdulrahman Jami
        nafiseh gamoori Hosein aghahoseini مریم محمودی
        10.30495/jpll.2023.1983044.1300
        Many of the stories of the Masnavi of the Al-Silsilah al-Dhahab, are human allegories, and Jami has used them to explain general and deep meanings. These stories have moral and religious purposes and are written for the reader's pleasure. Factors such as limited space, More
        Many of the stories of the Masnavi of the Al-Silsilah al-Dhahab, are human allegories, and Jami has used them to explain general and deep meanings. These stories have moral and religious purposes and are written for the reader's pleasure. Factors such as limited space, short time, and few fictional characters make the allegorical stories of this book fall under the category of short stories. In this research, which was carried out using a descriptive-analytical method, the character and characterization in the allegorical stories of this Masnavi were investigated in order to answer the following questions: What are the types of characters in the allegorical stories of Al-Zahb? What methods has Jami used in characterizing allegorical stories? Because characterization is one of the components that shows the artistic power of the poet or writer and is an important factor in revealing the characteristics, moods, attributes and thoughts of the character; Therefore, it is necessary to explain the way of attitude and processing of the characters in the allegorical masnavi of the the Al-Silsilah al-Dhahab in order to be effective in understanding its deep meanings. In this article, an attempt has been made to examine the types of characters and methods of characterizing in this Masnavi. The results of the research show that most of the characters in this allegorical system are static and simple, and in the methods of characterization, dialogue and direct description have the highest frequency. Manuscript profile
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        28 - Examining allegorical-didactic teachings in Tohfa-ul-Ahrar Jami
        شعاعی SHOAEI
        10.30495/jpll.2023.1972277.1284
        Nuruddin Abdulrahman Jami is the most famous poet and mystic of the 9th century. Among the 45 works left by him, the Masnavi of Tuhfah-al-Ahrar is distinguished by having allegorical-didactic themes This book is a manifesto containing the moral instructions and advice o More
        Nuruddin Abdulrahman Jami is the most famous poet and mystic of the 9th century. Among the 45 works left by him, the Masnavi of Tuhfah-al-Ahrar is distinguished by having allegorical-didactic themes This book is a manifesto containing the moral instructions and advice of a father for his young son. The main question is what issues Jami has expressed in this area and to what extent? Therefore, the purpose of this research is to explain and examine educational themes such as: emphasis on knowledge, paying attention to the principles and branches of religion, contentment, fighting against lust, discrediting the world, remembering death, condemning temptation, avoiding criticism, avoiding the company of lowly people, paying attention to Justice and fairness, following the elders and Isکه It has been viewed less from the point of view of allegory. Among the various allegorical-didactic bases, attention to religion, avoiding drunkenness, and remembrance of death have a higher frequency. The current research investigates these teachings with descriptive and analytical method, the method of collecting information is documentary and library . The statistical community includes verses of Tohfa-ul-Ahrar Jami. Statistical examples are verses from Tohfa-ul-Ahrar, which, in addition to educational principles, are based on the art of allegory, according to the books of literary techniques and industries. Manuscript profile
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        29 - Allegory Fish in search of sea
        mozhgan zamani ahmadreza yalameha Ebrahim Irajpour
        The main purpose of using allegory is to illustrate the subject to the audience. An allegory that has not been investigated so far is the allegory of fish searching for the sea, which is important in terms of the analogy of the travel of birds to find the king. The alle More
        The main purpose of using allegory is to illustrate the subject to the audience. An allegory that has not been investigated so far is the allegory of fish searching for the sea, which is important in terms of the analogy of the travel of birds to find the king. The allegory of fish is in search of the sea in a romantic masnavi named Ferdowsi Imam. This is Masnavi's self-portrait of a poet named Razi. At present, the authors of this speech tried to correct this allegory in other Persian works. The results of the study showed that the allegory of fish in search of the sea has been used repeatedly in various works and the aim of most authors is to insert this allegory into mystical concepts, in particular the unity of existence. Most of these authors are from the students of Ibn Arabi's school. This allegory is also used by the Sacred Sect to express their religious beliefs. The phrase, which was at the end of the Safavid era, narrates this parable in a romantic narrative. Manuscript profile
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        30 - Literary, allegorical, and artistic of letter Alif in two raconteurs' poetry in lyrical verses of Nezami and Jami
        gholamreza heidary
        'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical More
        'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical literature, Alif represents unique God, Holy Spirit, God's mercy; Adam's the father, abstract sphere, solitude, and the single mystery and etc.  Due to its special form and position and some other unique features, letter Alif is one of the most used letters in order to create the original themes and poetic areas, mot and elegant expressions and compounds in Persian literature, two distinguished story-teller lyrical poets that are Nezami as a pioneer in lyrical verses and Jami as a laureate in this field. Alif is a leading in most of poetry by these poets meanings like consistent and firm colossal stature, handsomeness, oblong, tense and stretched. It also signifies greatness, proud and honor, slimness, uprightness, stability, resistance, persistence, staunchness, loyalty, faithfulness and standing on one's promise. Alif has fallen in love with its stature. Since Alif has accent-like sign overhead, it is rebellious. Despite having tongue, it is dumb and silent. It is regarded as one of the poorest in terms of wealth among letters. It symbolizes poverty, abjection, destitution, vacancy, pauperism, beggary, inexistence, absence, loss, and self-denial.  It also suggests nakedness, nudity, embarrassment, self-evidence, preparedness, distress and confusion and adornment. It carries meanings like solitude, individualism, loneliness, uniqueness, detachment, freedom, honesty, frankness, and innocence. Alif is motionless and stagnant. Its creation begins with points and dots. All letters and numbers then are founded upon this letter. Alif is the first letter of creation. It also indicates minuteness, brevity and tininess. Alif is the most common simile in Persian literature and the poetry's and prose's images or contents used in Persian literature are described. It was compared to needles, thorn, moon crescent, sticks, pens and plumes, fingers, arrows, bolts, cedars, gallows and scaffolds, newly grown whiskers or beard,  half or full moon, and etc. This article tries to study the literary, artistic and video applications of letter Alif in Nezami and Jami poetry. Manuscript profile
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        31 - Allegory in salaman and absal Jami
        Fateme Heydari Zinab Nouri Sorkhani
        allegory is one of the most important literary forms that has a high status in Persian literature. By examining the parables of each nation, one can be aware of the way of life and the level of civilization and education of that community. The allegory, on the one hand, More
        allegory is one of the most important literary forms that has a high status in Persian literature. By examining the parables of each nation, one can be aware of the way of life and the level of civilization and education of that community. The allegory, on the one hand, depends on the speaker's motives and, on the other hand, depends on the amount of knowledge, purpose, and awareness of the listener or receiver. An allegory attempts to make a certain part of the knowledge meaningful, An analogy is used to explain and explain the meaning and serves the teaching of literature. In this descriptive-analytic study, the narrative allegory and its instruments and its elements in Salaman and Abbsal Jami were studied and the graph of the frequency of the types of fables, parables and the content of the analogies ... is depicted. The result of this study has shown that Parambul is the most popular type of fictional parable, and has benefited from national mythology, historical and religious illustrations, and animals to express their allegories. Manuscript profile
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        32 - Love in seven Orang relying on Yousef and Zoleykha of Jami and her Layla and Majnun
        Mandana Alimi Seyed Ahmad Hosseini Kazerooni
        love and affection for the most basic theoretical and practical discussions mysticism. In fact is the manifestation of love that all of creation and to create and to be in the path to His creatures the same right to love that is motion and the perfection of and times a More
        love and affection for the most basic theoretical and practical discussions mysticism. In fact is the manifestation of love that all of creation and to create and to be in the path to His creatures the same right to love that is motion and the perfection of and times a To, to the right. Love discussion in Persian literature has the scope of the. Love the story and Majnun including the lyric poem in the Persian text of a long welcomed by writers and poets and Persian language Persian language is also the story of the Yousef and Zoleykha of the story in which Persian literatureimpact wide. contemplation and meditation in every one of these stories is the story of love and Majnun "and" Yousef and Zoleykha "every one life and spiritual bodies to man again and mirror the blight has been polished to within the. A Jami in defining love has reached the conclusion that it is love and it lands a heart which is the love of the body of life. He believes that the world and everything in it from the whiff of love. love has been created as a gem elixir He knows that it is joy and freshness men and love to encourage. Manuscript profile
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        33 - Jami, Divine Love and Spiritual Wine
        Mahboubeh Moslemizadeh
        Love is the most important theme which has entered into the mystical poetry from the early poems and with an unusual concept, became one of the most significant terms. Along with this word, many other words relevant to it – by which the beloved is described – and also s More
        Love is the most important theme which has entered into the mystical poetry from the early poems and with an unusual concept, became one of the most significant terms. Along with this word, many other words relevant to it – by which the beloved is described – and also such words as wine, pot-house, etc. with the metaphorical and figurative meaning entered into the mystical poetry. The comparison of Love and Wine is the first phase of formation of the mystical meaning of wine, and this comparison motivated such poets as 'Abd- al Rahman Jami to apply "wine" for the expression of themes like cosmic and eternal love. Many treaties and papers are written on the theme of Love and its phases and also about the viewpoints of the poets of different eras, but because the image of spiritual wine in Jami's works is not so much noticed, this article is to review this theme depend on his Divan, Ashe'at al- Lama'at, Lawame' and Lawayeh. The words related to the above mentioned theme in Jami's Ghazals and his other works are excellently and wonderfully applied and indicate his perception of mystical and divine love Manuscript profile
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        34 - Features of pantheism theory in Jami’s Haft Awrang
        Akbar SayyadKuh Mohammad Anvar Bejarzehi
        Norodin Abdorahman Jami is the greatest cultural and literary figure of 9th century that in his blessing life he has pervaded on all literary and social currents of 9th century. He is one of the greatest commentator of pantheism by Ebn Arabi and one of his true disciple More
        Norodin Abdorahman Jami is the greatest cultural and literary figure of 9th century that in his blessing life he has pervaded on all literary and social currents of 9th century. He is one of the greatest commentator of pantheism by Ebn Arabi and one of his true disciple and is also well known among others such as Fakhrodin Araghi and Sheikh Mahmoud Shabestari. Jami removed the charges of incarnation from the thoughts of Molana Jalolodin Balkhi by true comprehension and correct delineation of Ebn Arabi’s pantheism and closed the doors of vulgarity and misuse from the mystical theory of pantheism. He is the one poet and mystic with much compilation and many works have remained that Haft Awrang with mystic theme is the most prominent one. Jami starts Haft Awrang with an implicit interpretation of pantheism and thereafter presents explicitly two worlds as God’s manifestation that its comprehension is done by thoroughbred not by novice. Mohammad , the Arab (pbuh) is the prophet and a perfect guide for true followers . The important tools of Jami in Haft Awrang to reach the pantheism are hierarchies of protector namely closeness to duties and practices. In this article, features of pantheism have been studied from the point of Jami’s Haft Arangh. Manuscript profile
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        35 - Investigation of Hypocritical Sufis in Jami's Haft Owrang using Functional Attitude Theory in Social Psychology
        Faranak Jahanbakhsh Masroureh Mokhtari Askar Salahi
        Attitudes are relatively stable assessments of various phenomena in the social world in people's minds. Functional Attitude Theory examines the inner motivations of human beings, the cause of attitudes and their role and function in creating social behaviors. In Haft Ow More
        Attitudes are relatively stable assessments of various phenomena in the social world in people's minds. Functional Attitude Theory examines the inner motivations of human beings, the cause of attitudes and their role and function in creating social behaviors. In Haft Owrang poetry, the poet's use of allegory and the narrative format, in most cases, has contributed greatly to the emergence of Jami's views on individual, interpersonal and social issues. The present article has studied the subject of "Hypocritical Sufis" from the perspective of analyzing their personality and behavior based on Functional Attitude Theory using analytical-descriptive method. The result of the research shows that the attitude of different social classes towards the phenomenon of hypocrisy and its manifestation in the Jami’s age as "Hypocritical Sufis" can be classified into two "profit-seeking" and "value-seeking" functions. Also, the role of political and cultural conditions, traditions and customs of society, as well as the function of mysticism can be considered in this field. Despite the relative stability of Jami's view, the study of the contradiction in attitude as "cognitive inconsistency" is also important in Jami's Haft Owrang, where the poet has implemented the two approaches of "attitude justification" and "following destinism" in this component. Manuscript profile
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        36 - Tracing Jami’s Ontological Thoughts in Fayz Kashani’s Mentality
        Qodratolah Khaiatian Rahele Mirakhorli
        Nurdin Abdul Rahman Jamy- famous ninth-century Sufi poet Islamic calendar by the writings and commentaries of Ibn Arabic school in explaining a significant impact on the spread and persistence of schools in Iran. He thought in the works of Ibn Arabic, as one of the top More
        Nurdin Abdul Rahman Jamy- famous ninth-century Sufi poet Islamic calendar by the writings and commentaries of Ibn Arabic school in explaining a significant impact on the spread and persistence of schools in Iran. He thought in the works of Ibn Arabic, as one of the top exponents of this school is an important issue. As described in the Nqdalnsvs Hekam as per description Alfsvs role and also wrote a commentary on Hekam. But the influence of the teachings of the cup on the Iranian thinkers, the question comes to mind whether the unity of existence - as the most important teachings of Ibn Arabic thought in theoretical Sufism as the goblet as follows, in the writings of Faiz Kashani Reflective or not? This descriptive comparative study plans, the possibility that the teachings of the cup thinking about ontology reached Faiz Kashani criticized by relying on texts and words Almknvnh examine and analyze  the comparison between the ideas of Heroes and grace Kashani, trace Jami ideas about ontology can be seen in the writings of Faiz Kashani. Manuscript profile
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        37 - Artistic and alphabetic description Besmelal in Jami's poems
        Habibollah Dahmarde Ghaleno Maryam Shabanzadeh Abbas Nikbakht
        Poet use different methods for creation new and deep themes and decoration speech. And speech criticisms named for any of invention ways and decoration utterance, but artistic, sweet and many applied types of poetic strategies that has a record as long as literature and More
        Poet use different methods for creation new and deep themes and decoration speech. And speech criticisms named for any of invention ways and decoration utterance, but artistic, sweet and many applied types of poetic strategies that has a record as long as literature and from beginning is seeing in any Rodaki’s poem, it less noticed literary critics. This way is applied alphabet letters in creation themes such as artistic, beauty and exciting way. Jami is one of the people that blow with benefit of art magic on body of alphabet letters and give them new life. In this writing we decide to revelation how applied alphabet letters for creation themes in his poems and we point to inventions that Jami reaches in way. In this opportunity will present with expression invented themes, beauties and artistic applied of alphabet letters too. Research method was description and it happens from library and electronic studies. Manuscript profile
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        38 - Woman's Face in Sufis Poem (Sanaie, Attar and Jami)
        یدالله Bahmani Motlagh علی Sharbati
        The woman as a half of the human society has a special place in the new studies. Viewing the great development in attitudes to the main social elements that exist in present time, it is necessary to study the views of different classes of society about woman for knowing More
        The woman as a half of the human society has a special place in the new studies. Viewing the great development in attitudes to the main social elements that exist in present time, it is necessary to study the views of different classes of society about woman for knowing her more generally and accurately. Sufis (mystics) for the high and positive position that they have among the various classes of society, their views has a special importance. In this essay it is tried to analyze the face of woman from the view of greets Sufis like sanaie, attar and Jami. What is understood from the first view is that they receive most of their thoughts from the high education of Quran and the prophet's tradition. In the second stage, we understand from the result of this essay that their positive and probably negative view about women is not personal and emotional. But as we see some examples of them in Quran and the speech of the greats of religion, is often reaction against negative and in appropriate individual behavior and the roles that some women have played. The criticism of in correct human behavior, not themselves, is confirmed today from the psychological view. The negative impact with inappropriate behavior and negative character of individuals is something that does not allocate to woman kind. There are many people that we had a bad memory of them in Quran like Abojahl and Abolahab. Our great mystics, according to the conditions of time and the speech position, sometimes introduce women as a model and pattern that men should learn from them the lesson of manliness, reliance and devotion. Manuscript profile
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        39 - Women from Jami Point Of View Via a look to leily va Majnoun
        مهسا Hajsardar A. A. Afrasiab pour فریدون Tahmasbi
        Reviewing the woman poison in Iranian literature would be possible by reading prominent poetryand prose works. One of the salient works that most concerned about woman was Jami Haft OrangMasnavi and love story of it , Liely va Mjnoun. In the mentioned love story Leily a More
        Reviewing the woman poison in Iranian literature would be possible by reading prominent poetryand prose works. One of the salient works that most concerned about woman was Jami Haft OrangMasnavi and love story of it , Liely va Mjnoun. In the mentioned love story Leily as woman was abeloved sweetheart that possessed features alike beauty, wisdom, self esteem, fidelity, tenderness,delightfulness and so on. Jami narration of woman differed from Nezami, Maktabi and Dehlaviones regarding his positive look toward woman. The word woman was more frequent in his workscomparing to the word man. Manuscript profile
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        40 - Comparing the cognitive style of Jami and Ghazali's letters in the political context of critical discourse analysis
        susan fotouhi tekantape
        Abstract : The main topic of this research is a combination between stylistic of letters of Jami and Ghazzali with the approach of critical discourse analysis. The letters of mystics and great scientists are major historical sources which, in addition to enclosing a lot More
        Abstract : The main topic of this research is a combination between stylistic of letters of Jami and Ghazzali with the approach of critical discourse analysis. The letters of mystics and great scientists are major historical sources which, in addition to enclosing a lot of political, social and cultural information of the past, they show the relationships between the writers and authorities and different social classes. In this research we are trying to investigate the stylistic features of Jami and Ghazzali in three levels of description, annotation and explanation based on 3_dimentional model of Norman Fairclough in order to answer this questions that each one used which discourse and language strategy to communicate with others in political subjects? Which common and different points are exist in stylistic and language features of their letters? What role does discourse play in letters? The metod of this study is analytical-descriptive and our results showed that the ruling discourse on the letters of Jami is gnostic which, centered on divine love and ruling discourse on the letters of Ghazzali are ascetic which, centered on futurism. Each of them manipulate a discriminate discourse in letters to save authority against government ; but in fact the relationship of Jami's authority is via alignment with power of governors, on the other hand Ghazzalis's authority is via standing against the government apparatus and by this method could control the authority and invited them to adminstrative of justice and supporting people. Manuscript profile
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        41 - A Study of Jami's Opinions on "Special Prophecy" in the Divan of Poetry with an Approach to the Basics of Islamic Theology
        hashem bahraminia Dr.farzad abbasi Dr.mahdi nowrooz Dr.Mahboobeh zia
          Nooruddin Abdul Rahman Jami is one of the prominent figures in the field of Islamic sciences in Greater Khorasan. He has left various works in various fields of literature, mysticism, religion, etc., which shows the extent of his awareness. Among these works is t More
          Nooruddin Abdul Rahman Jami is one of the prominent figures in the field of Islamic sciences in Greater Khorasan. He has left various works in various fields of literature, mysticism, religion, etc., which shows the extent of his awareness. Among these works is the Divan of Poetry, which can be read and analyzed from various dimensions, especially the reflection of theological issues. In this paper, relying on the descriptive-analytical method and library resources, Jami's theological views on the category of "special prophecy" in this work are examined. The results of the research show that Jami did not have a special commitment to any theological school and often used the theoretical foundations of Shia (more) and Ash'ari and Mu'tazilite (less) theology in explaining his views. The closeness of Jami's views to the standards of Shia theology can be justified by his inclinations toward Shafei jurisprudence, which is the closest Sunni group to Shiism. His most important views on the subject of "special prophecy" are: the relationship between the resurrection of the Prophet and the guidance and happiness of human beings; the superiority of Muhammad over all creatures; Muhammad, the main purpose of creation; Being a divine grace, being a trustworthy person; miracles (the Qur'an and other miracles); being the seal of the prophets and being in the forefront of creation. Manuscript profile
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        42 - Studying, analyzing and comparing ethical teachings in the sonnets of Abdul Rahman Jami and Mollamohsen Feiz Kashani
        gholamhosein khammar habib jadid mostafa salari
          Ethics is a human concept, and since literature is a means of representing categories related to humanity, we have witnessed widespread reflection in literary texts. Islamic mysticism is one of the intellectual and cognitive styles that describe and define the et More
          Ethics is a human concept, and since literature is a means of representing categories related to humanity, we have witnessed widespread reflection in literary texts. Islamic mysticism is one of the intellectual and cognitive styles that describe and define the ethics for which it is defined. The Sufis, using a variety of tools, especially poetry, have expressed their most important ethical thoughts and teachings, including Jami and Feiz Kashani. These two students of Ibn Arabi school of mysticism have discussed ethical humanistic attributes in the Sonnets that will be examined and compared in this study, using a descriptive-analytical approach. The results of the study show that two poets have spoken about "abandonment of selfishness, desirable love, altruism, worldliness, blasphemy, hypocrisy, silence and blasphemy and worldly blasphemy." It also turned out that Jami'ah had mentioned cases of "repentance and avoidance of persecuted people", and Feiz Kashani had spoken of "the necessity of performing rituals, the welfare of a good friend and the neglect of blasphemy." In sum, the ethical recommendations of the poets are rooted in two sources of Islam and Islamic mysticism and are thus defined in one respect. Manuscript profile
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        43 - Virtual Restoration of Paperwork: Case Study of a Page from Khamse Jami
        Ali Tarvijee Bita Sodaei
        10.30495/jaa.2022.694798
        Manuscript profile
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        44 - Application of Numerical Iterative Methods for Solving Benjamin-Bona-Mahony Equation
        Shadan Sadigh behzadi
        Manuscript profile
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        45 - A Comparative Study of the Types of Mystical Love from the Viewpoint of Ibn Arabi and Jami in Baharestan
        Fatemeh Gasemian Pooran Yosefipoor Asieh Zabihnia Emran
        Baharestan Jami (817-898 AH) is a book of ethics and moral advice with simple prose mixed with peotry written in 892 AH. Jami has written this instructions and allegorical work in imitation of Saadi's Gulestan. The fourth vow of Jami’s Baharestan is about love and More
        Baharestan Jami (817-898 AH) is a book of ethics and moral advice with simple prose mixed with peotry written in 892 AH. Jami has written this instructions and allegorical work in imitation of Saadi's Gulestan. The fourth vow of Jami’s Baharestan is about love and lovers. Muhiuddin ibn Arabi (638-660 AH) is a great Andalusian mystic whose mysticism is based on love. Love is considered by Jami and Ibn Arabi to have many similarities. This paper is a descriptive-analytic and library research that aims to answer the question of what love is to Ibn al-Arabi and Jami. Based on the research findings, Jami seems to have been influenced by Ibn Arabi in explaining love, and both consider love to be innate and the basis of creation. For Ibn al-Arabi and Jami, the principle of mysticism, love, and unity of existence is that the centrality of the being and the truth of existence is the right of transcendence, and there is no other truth apart form that. Manuscript profile
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        46 - Location of the Kufa Mosque in Islamic Civilization
        Abbas Ali farahati Mahboubeh sater
        Comprehensive mosques of some cities, since the early days of Islam and beyond, have been very active not only in the field of worship but in all aspects of educational, cultural, political, social and economic dimensions. All these dimensions and functions led to the e More
        Comprehensive mosques of some cities, since the early days of Islam and beyond, have been very active not only in the field of worship but in all aspects of educational, cultural, political, social and economic dimensions. All these dimensions and functions led to the emergence of Islamic civilization in Muslim mosques, and mosques, especially comprehensive mosques, were the first base for the growth and development of this universal civilization. The most important function of the mosque is its scientific and educational function as the most important pillar of the birth and uplift of a genuine civilization, and this article deals with it more than other functions. The mosque is the most elementary and most important center for the dissemination of various sciences and has played an important role in the formation of Islamic civilization. Meanwhile, the Grand Mosque of Kufa is also due to its scientific comprehensiveness and the perception of the presence of such professorsAmir al-Mu'minin Imam Ali-Uq, Imam Baqer-e-Um and Imam Sadeq-u and their followers and students of these Imams Hemam, the center for the dissemination of science and education, have played an unquestionable role in the flourishing of the sciences and the flourishing of Islamic civilization. And its significance, it's enough to bring the city of Kufa, after Mecca and Medina, to the third scientific-Islamic centerThe present study seeks to prove the position of the Kufa mosque and its key role in Islamic civilization Manuscript profile
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        47 - بهبود جواب معادله غیرخطی تعمیم یافته بنجامین بااستفاده از یک روش بدون شبکه توابع پایه ای شعاعی
        مهران نعمتی سیده فائزه تیموری
        در این مقاله براساس روش توابع پایه ای شعاعی ، معادله دیفرانسیل غیرخطی تعمیم یافته بنجامین حل شده است.برای گسسته سازی قسمت زمانی از تفاضل متناهی و کرانک نیکلسون استفاده کردیم. و قسمت فضایی با استفاده از درونیابی توابع پایه ای شعاعی تقریب زده شده است. در نتیجه یک دستگاه م More
        در این مقاله براساس روش توابع پایه ای شعاعی ، معادله دیفرانسیل غیرخطی تعمیم یافته بنجامین حل شده است.برای گسسته سازی قسمت زمانی از تفاضل متناهی و کرانک نیکلسون استفاده کردیم. و قسمت فضایی با استفاده از درونیابی توابع پایه ای شعاعی تقریب زده شده است. در نتیجه یک دستگاه معادلات جبری خطی حاصل می شود که باحل این دستگاه جواب های تقریبی بدست می ایند.در ادامه باحل مثال عددی نشان داده می شود که روش پیشنهادی کارا هست واینکه خطا بهبود یافته است. Manuscript profile
      • Open Access Article

        48 - Ethical and educational views of jami in Mathnavi of Haft Orang
        Maryam Mahmoodi
        Education and its different dimensions and methods are topics that are under special consideration in Persian literature. Jami, the Famous poet of the ninth century, addressed this topic in a particular way and most of his educational views are in the form of advice to More
        Education and its different dimensions and methods are topics that are under special consideration in Persian literature. Jami, the Famous poet of the ninth century, addressed this topic in a particular way and most of his educational views are in the form of advice to his son. However, Jami wrote his Baharestan for teaching; most of his educational views have been proposed inMathnavi of Haft Orang. Jami on educational issues have been influenced by the Islamic culture, therefore, with respect to all aspects of human existence, he offers education solutions. His advice is that education should reflect the physical, religious, intellectual, emotional and social attention. Simple living and being away from politics, science, literacy and reading books, learning art, good companionship, adherence to important principles of ethics and compliance training in various aspects of human existence in law of the Prophet can be considered. Manuscript profile
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        49 - Influence of Substitution of Peat with Iranian Zeolite(Clinoptilolite) In Peat Medium on Ficus Benjamina Growth
        A. Mahboub Khomami
        This experiment was designed to characterize the effects of size and concentration of an Iranian clinoptilolite zeolite on the growth ofFicus benjamina (starlight) in peat base media. Ficus benjamina was stock rooted and grown in a peat consisting perlite (2: 1 v/v) (P: More
        This experiment was designed to characterize the effects of size and concentration of an Iranian clinoptilolite zeolite on the growth ofFicus benjamina (starlight) in peat base media. Ficus benjamina was stock rooted and grown in a peat consisting perlite (2: 1 v/v) (P: Pe), zeolite (10, 20, 30 and 40 v/v %, two sizes 0.5-3 mm and 3-8 mm) instead of peat in P: Pe (2: 1 v/v) media. Ficus benjaminawas grown in the substituted media for 10 month under fiberglass cover greenhouse, with 4 pots for each treatment. The control consisted of P: Pe alone without zeolite. The results showed that the substitution of 10-30 v/v % zeolites in control did not result in significant difference (p £ 0.05) in shoot and leaf fresh weight, shoot and leaf dry weight, shoot dry weight, leaf dry weight in comparison to control. Instead, substitution of 10-40 v/v % zeolites instead of peat significantly increased media electrical conductivity (EC). There were no positive correlations betweenFicus benjamina growth and the amounts of mineral-N in potting mixtures or concentration of nitrogen in leaves of plant. Zeolite particle size significantly increased the pH in comparison with the control. With Regard to the high relative price of peat with respect to natural zeolite, zeolite substitution in an amount of 10-30 vol. % is economically preferred. Manuscript profile
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        50 - Ficus Benjamina L., Iba, Media, Rooting
        Maryam Shirzad Shahram Sedaghathoor Davood Hashemabadi
        Ficus benjaminais a very popular and resistant indoor plant in temperate areas. Cutting is the easiest propagation method of this plant and it requires special treatments such as auxin and appropriate rooting medium. In order to test the suitable auxin (IBA) concentrati More
        Ficus benjaminais a very popular and resistant indoor plant in temperate areas. Cutting is the easiest propagation method of this plant and it requires special treatments such as auxin and appropriate rooting medium. In order to test the suitable auxin (IBA) concentration and rooting media, a factorial experiment carried out based on randomized complete block design with three replications. Experimental two factors were different concentrations of IBA (0, 2000, 4000 and 6000 ppm) and rooting media (sand, perlite and sand+perlite mixture). Rooting percentage, root number and longest root length was evaluated. Based on the results both rooting percent and longest root length were gained under 4000 ppm IBA. Rooting percent was maximized in combined treatment of "4000 ppm IBA+perlite" and "6000 ppm IBA+ sand". The high number of roots was gained in "6000 ppm IBA+sand". Manuscript profile
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        51 - Propagation of Ficus benjamina var. Starlight by Stenting Technique under Different Concentration of IBA in Various Time of Taking Cutting
        Hamed Babaie Hossein Zarei Khodayar Hemmati
        Ficus benjamina L. is indoor plant in temperate areas that is a tree species belongs to Moraceae family. Propagation of this plant is down by vegetative method. This study was conducted to evaluate the effect of IBA concentration and time of taking cutting on propagatio More
        Ficus benjamina L. is indoor plant in temperate areas that is a tree species belongs to Moraceae family. Propagation of this plant is down by vegetative method. This study was conducted to evaluate the effect of IBA concentration and time of taking cutting on propagation of Ficus benjamina via stenting technique in Gorgan University of Agricultural Sciences and Natural Resources, in 2012. Treatments were consisted of auxin concentrations in four levels (0, 2000, 4000 and 6000 mg/l) and the cutting time (late June and early September). The experiment was performed as factorial in a completely randomized design with four replications so that ten samples were used at each replication. Percentage of graft success, rooting percentage, root number, longest root length and root dry weight were evaluated. Based on the results, largest percentage of graft success obtained in all the treatments that the hormone was used (2000, 4000, 6000 mg/l) and lowest was achieved in the control treatment. Highest rooting percentage and maximum of root number were gained in 4000 mg/l and 6000 mg/l. Longest root length and maximum of root dry weight were recorded in cuttings treated with 4000 mg/l IBA. In treatment of cutting time, all traits were the highest in early September. The results showed that IBA and time taking cutting had a large impact on the success of graft and rooting. Manuscript profile
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        52 - Jami and Music
        Yadollah Bahmani Motlagh Mohammad Reza Sam Khaniani
        Jami is a poet whose poems musician with many musical idioms and passwords secret and colorful. This has caused a lot of poetry, regardless of musical meanings of words and phrases, it seems problematic, especially when changing positions consist that today it is called More
        Jami is a poet whose poems musician with many musical idioms and passwords secret and colorful. This has caused a lot of poetry, regardless of musical meanings of words and phrases, it seems problematic, especially when changing positions consist that today it is called modulation or when reading or writing shuffle speaks the song and how must fit with the song and its issues, including reading, singing stud, modulate reading, ups and downs, and so we picked back or return. Otherwise it is not art and will enjoy a nice cup of entrepreneurship rather than concepts and their implications will Bhrmndh.etc, to explain musical terms used in Jami’s poetry have been to better understand the poem. Jami's poetry reading and musical review them and take his music  thesis shows, in addition to cup scientific and practical acquaintance with the instruments and components and how to build them, the secret of Song Ciphers are knew songs in authorities cases, especially when singing and writing shuffle speaks the song's current views with views of teachers are close. The Court of Jami's always music in terms of its technical sense, but then went to work for the beauty of creation were literal. Manuscript profile
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        53 - The impact of Tohfat al-Morshedin Men Hekayat al-Salehin on Nafahat al-Ons Men Hazarat al-Qods
        Mehdi Tadayon Maryam Parhiskari
        The most important Persian mystical book in the 9th century Hijri is Nafahat al-Ons Men Hazarat al-Qods written by Abdol al-Rahman Jami.  Since the specialists at the time were not aware of the existence of the unpublished Persian manuscript, Tohfat al-Morshedin Me More
        The most important Persian mystical book in the 9th century Hijri is Nafahat al-Ons Men Hazarat al-Qods written by Abdol al-Rahman Jami.  Since the specialists at the time were not aware of the existence of the unpublished Persian manuscript, Tohfat al-Morshedin Men Hekayat al-Salehin or due to the inconsistencies that existed in the content of this copy with that of Nafahat al-Ons, they have not acknowledged the significant part this manuscript played in Nafahat al-Ons and instead they have given its share to Rozat al-Riyahin Fi Hekayat al-Salehin. Tohfat al-Morshedin written by Jalal al-Din Mohammad Ebadi Kazerooni is in fact the translation of the well-known Arabic mystical book Rozat al-Riyahin Fi Hekayat al-Salehin written by the distinguished Sufi in the 8th century Hijri, namely Abdollah al-Yafee al-Yamani and the two Persian manuscript copies of this work, one found in Lahoor in 818 Hijri and the other found in the city of Ayasufieh in 838 Hijri are at present at the disposal of the writers of this article. This article attempts to provide evidence by comparative approach.  Evidence such as Jami’s reference to Tohfat al-Morshedin in the manuscripts of Nafahat al-Ons, identical selection of some anecdotes both in Nafahat al-Ons and Tohfat al-Morshedin, Jami and Ebadi, both have taken common pieces from the text of Rozat al-Riahin, Jami’s interest to use Persian sources and how he could find access to Tohfat al-Morshedin, is cited to acknowledge the significance of this work. Manuscript profile
      • Open Access Article

        54 - Introducing The book of Tamor Nameh, an historical epic in imitation of Ferdowsi's Shahnameh and Nezami's Eskandar Nameh
        Mohammad Mostafa Resalat Panahi Seyyed Mohammad Rastgoofar
        Abstract Hatefi Jami, a nephew  of Abdor-Rahman Jami is one of the qualified poets in the Timurid era  master in all genres of poetry particularly in narrative Masnavi.  In imitation of Nezami, he has produced many such Masnavis such as Laily and Majnun, More
        Abstract Hatefi Jami, a nephew  of Abdor-Rahman Jami is one of the qualified poets in the Timurid era  master in all genres of poetry particularly in narrative Masnavi.  In imitation of Nezami, he has produced many such Masnavis such as Laily and Majnun, Shirin and Khosrow, Haft Manzar, and Tamor Nameh.  Towards the end of his life he composed an epic in the name of Shahnameh on victories of Shah Esmaeil Safavi which remained unfinished.  Apart from the aforementioned Masnavis Hatefi composed a book of poetry which exists today.  Tamor Nameh,  his best major work is an historical epic giving the account of Timour's life, combats, braveries, conquests, and the destruction and bloodshed he brought about.  Modelled after Sharaf- al Din Ali Yasdi's Zafar Nameh, Hatefi composed Tamor Nameh and according to his own admission and as far as the comparison of the texts are concerned, he had remained  quite true to Zafar Nameh and except for certain poetic devices indespensible to verse, he had not added anything to the text but at times eliminated few minor parts. Hatefi in composition of this epic work emulated Ferdowsi's Shahnameh on one hand and Nezami's Eskandar Nameh on the other hand.  Eloquent techniques utilized in Tamor Nameh were mostly inspired by Shahnameh whereas the general structure of the work was inspired by Nezami.  Besides its literary merit, Tamor Nameh is worthy of attention in terms of history since it is a reliable source for Timour's biography and conquests. Manuscript profile

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