List of Articles Hadighat

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  1 - Repeat in the Masnavi Manavi and Sanaei’s Hadighat
  fereshteh yarmohammadi reza Haidari Nori Malek Mohammad Farrokhzad
  10.30495/clq.2022.1838913.1522
  One of the types of poetry music is internal music, which is more often seen as a repetitive phonetic. This type of music, along with rhymes and rows, is also semantically important in addition to helping to coordinate the phonetic verses. Scholars repeat for a variety More

  One of the types of poetry music is internal music, which is more often seen as a repetitive phonetic. This type of music, along with rhymes and rows, is also semantically important in addition to helping to coordinate the phonetic verses. Scholars repeat for a variety of reasons, such as focusing on an issue, showing its importance, and attracting audience feedback. Repetition has a variety of names that are arranged in verbal arrays: phonemes, puns, syllable repetition, word repetition, semantic network, Rad Alsdr Ala Al-Ajz, Rad Al-Ajar Ala Al-Sadr etc. In this study, with the aim of identifying the phonetic properties of Rumi’s Masnavi and Sanaei’s Hadighat, we examine the two effects in terms of the way of repetitions using the descriptive-analytical method, and we conclude that the repetition of the word is one of the important elements in these two works. The repetition of the word in the Masnavi is more purposeful and contributed to the semantic coherence and the longitudinal relations of the verses. Other types of repetitions include Repeating at the beginning of the sequence verses, repetitions from the beginning of hemistich, phonemes, semantic networks, syllable repetition, vowel repetition which also seen in Rumi’s Masnavi and Sanaei’s Hadighat, but in both of these works have been created in an artistic manner without any tricking. Manuscript profile
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  2 - Different types of similie satires in Hadigheh-e-sanaee
  masomeh mosazadeh maryam mohammadzadeh Ramin Sadeghinejad
  Regarding the fact that in mysticism literature the language of simile has been utilized as the most principal ways to represent the ideas, and dealing with stories and narrations touching the social lives of human beings could simplify the understanding of mysticism li More

  Regarding the fact that in mysticism literature the language of simile has been utilized as the most principal ways to represent the ideas, and dealing with stories and narrations touching the social lives of human beings could simplify the understanding of mysticism literature, the authors of great Persian literature works have benefited from different stories to compose their works in the form of irony. Also, Sanaee is known as the very first poet who has utilized irony to serve mysticism and has been able to represent mystic and moral thoughts using several ironies and stories and narrations. In the present research done using a descriptive-analytic method, first we have dealt with simile and irony and have investigated about different samples of similes in the poems of Sanaee. Findings showed that the titles of similes composed by Sanaee, mostly using stories and narrations, consisted of concepts such as simile, social, moral, religious, and mystic understanding and his heroes were both human and animal characters. Manuscript profile
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  3 - Epic and Mythical Elements in Shānameh and Hadighat-al-Haghigheh and Divan of Sanāi
  Abolqasem Qavām Zohreh Hāshemi
  In Persian classic literature, Sanāi is considered as one of the first innovative poets who have helped to expand poetic theme in various aspects such as panegyric, mystical and especially didactic and philosophical ones. Having mystical and ethical insights, he has had More

  In Persian classic literature, Sanāi is considered as one of the first innovative poets who have helped to expand poetic theme in various aspects such as panegyric, mystical and especially didactic and philosophical ones. Having mystical and ethical insights, he has had a new attitude to various poetic contents and elements, including lyric, epic and so forth. In this research, we are going to answer this question: how has Sanāi applied the epic and mystic elements of Shānameh in Hadighat-al-Haghigheh and his Divan; and in what way did he look at these elements? On this basis, we conclude that Sanāi has employed these elements on aesthetic, didactic, mystic and panegyric bases respectively. Manuscript profile