List of Articles Colors

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  1 - Comparative Study on Decoding of Colors in “The Blind Owl” and “The Body of Farhad” Novels
  Fatemeh Elhami Fatemeh Qarlaqi
  The element of color is a widespread component of our tangible world and is known as common language of people of the world as the music does. Colors almost own symbolic concepts and their representation in literary works is undeniable.  Literary works creators hav More

  The element of color is a widespread component of our tangible world and is known as common language of people of the world as the music does. Colors almost own symbolic concepts and their representation in literary works is undeniable.  Literary works creators have enjoyed colors according to their lives environments, believes and interests; hereby many mysteries and secrecies and even social conditions of author’s era as well as their spiritual and mental status could be discovered. In contemporary fictional literature specifically in “The Blind Owl” by Hedayat and “The Body of Farhad” by Ma’roufi colors have distinctive position because of theme, structure and complicated language which is between dream and reality. The present article intends to prevail better understanding of intricate and ambiguous content by comparative study of colors in the abovementioned works. Sadeq Hedayat and Abbas Ma’roufi stayed away from superficial readers by applying colors’ symbolic language. Authors’ mental and conceptual could be discovered and understood by studying the frequency of colors in their works. Hidden meanings of more and less frequent colors in the mentioned works include both negative and positive concepts and meanings. Manuscript profile
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  2 - The place of the crown and hat in the symbolism of mystical texts
  Behzad Bahmani Mutlaq Ali Akbar Afrasiabpour
  10.30495/dk.2022.697624
  Symbols and symbols are part of the mystical language and the status of the emergence of eschigas and esoteric truths that have changed over time and space, which their study is essential for proper knowledge of mysticism. The covers of mystics and Sufis in various shap More

  Symbols and symbols are part of the mystical language and the status of the emergence of eschigas and esoteric truths that have changed over time and space, which their study is essential for proper knowledge of mysticism. The covers of mystics and Sufis in various shapes and colors have been a perfect example of these mystical symbols, calling it "the crown of poverty," and in white, sacred, and in black, depreciating poverty, in the red color, power and testimony, and in the color of color, they have seen the merging of nature. In a hat, each craze is a sign of leaving one of the vices and seeking one of the virtues. Mysticism and Sufi often used the simplest capsules made of felt, wool or cobbled to show their disregard for the world and kick back to material glitter. This paper deals with the interpretation and analysis of data through a descriptive-analytical method based on primary sources and authentic mystical texts. Manuscript profile
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  3 - Color Signification in Yahia Alsamawy ’s Poems
  Marziyeh Abad Rasoul Balavi
  Color displays the aesthetic aspects of a work of art ,considered as one of its vital elements in artistic structure having a direct implications of the poet's artistic vision, and in most cases, refers to the poet's feelings, being a source of vitality and activity, co More

  Color displays the aesthetic aspects of a work of art ,considered as one of its vital elements in artistic structure having a direct implications of the poet's artistic vision, and in most cases, refers to the poet's feelings, being a source of vitality and activity, comfort and reliability, symbolic of the different feelings of sadness and joy. Due to its  artistic, psychological, social, and symbolic implications, colors are deemed as  the most beautiful phenomena of nature, art and poetry as well as a  constituent elements of the poetic image. color should be studied in the context of the poem since the poetic texture  determines their effectiveness. This paper is based on descriptive, and statistical analysis, the study of color and its implications in the poetry of Iraqi poet Yahia Alsamawy. The purpose of the census is to paint and show off their poetry. Alsamawy is amongst the greatest poets who has abundantly investigated the symbolic function of colors in his writings. The results of this study has shown that most frequently applied colors   in his poems are respectively: green, white, black, red, yellow, and blue.   Manuscript profile
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  4 - A Semiotic Touch upon AbuTammam's Poetic Colors
  Ali Salemi Shaker Amery Sadeq Askari Sayyed Reza Mirahmadi
  This research deals with Abutamaam’s look at colors and what is related to them. This paper divides colors into light and dark colors including white, black, red, pink, green, mixed colors and secondary colors in the poems of his odes(Qasidahs) to indicate their s More

  This research deals with Abutamaam’s look at colors and what is related to them. This paper divides colors into light and dark colors including white, black, red, pink, green, mixed colors and secondary colors in the poems of his odes(Qasidahs) to indicate their significations. It is clear that Abutammaam used colors to show his feelings and to color his poems with various verbal indicators. He usescolors in his poems for a lot of purposes like pun, metaphor, and other kinds of figurative language. Colors are used for verbal beauty and to add new meanings. Moreover, all three types of semiotic signifiers including intellectual, natural andpositional, can be found in his poems so that they play an important role in revealing secondary and hidden meanings; and showing the complex and ambiguous significations. Finally, it became known that Abutamaam is a creative poet and artist who has been able to mix various colors to achieve new colors which include new semantic indications. This mixture displays the state of the mind of the poem too. This artistic process is presented in a dignified style.  Manuscript profile
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  5 - Study 0f Light Hierarchies and Its Colors in Mysitical views 
  Fatemeh Heydari Soheila Zeinali
  A mystic passes through the twisting and turning paths of mysticism in order to attain the appreciation of God and reach the nearness to Him as wellas monotheism.there For ,he transcends the world of matter and  travels in another world. In each stage of mystical hierar More

  A mystic passes through the twisting and turning paths of mysticism in order to attain the appreciation of God and reach the nearness to Him as wellas monotheism.there For ,he transcends the world of matter and  travels in another world. In each stage of mystical hierarchies ,the mystic  receives some revelations form unseen world so that  he can envision his  beloved as  light or in different colors.Mystics believe that light in means God, who is the creator of heavens and earth , and all the universies  have benefited from His light. Based on their own mystical procedures ,mystics like Eynolghozate Hamedani , Najmed din Kobra,Najmed din Razi, Molavi and  Sheikh Mahmode Shabestari describe their mystical experiences about the reception of light and diverse colors of a world suprior to the material world. This article investigates the viewpoints these mystics. Manuscript profile
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  6 - Providing Design Solutions of Urban Facades Based On the Aesthetics Principles of Colors Case Study: Afifabad Street, Shiraz
  Sahar Salahi Hamed Moztarzadeh
  10.22094/soij.2023.1976584.1526
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  7 - Bandpass Biomedical Color Filter Based on 1-D Photonic Crystal Structure
  Hamed Alipour-Banaei Navvab Khorrammaslack
  10.30495/ijbbo.2021.689701
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  8 - Chromotherapy in the Field of Advanced Pranic Healing: A case of Persian to English
  Zahra Derafshi Gholam-Reza Abbasian
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  9 - Recognizing the Behaviors of the Sālek in Musibat-Nāmeh of Attār; Based on Max Lüscher's Psychology of Colors
  Fereshteh Nāsseri
  The poems of a poet reflect his/her various moods, so the colors used in his/her poems can lead the way in identifying the reactions and behaviors of the poet. The visionary experience of poet-mystics which is based on a symbolic language can be better expressed by More

  The poems of a poet reflect his/her various moods, so the colors used in his/her poems can lead the way in identifying the reactions and behaviors of the poet. The visionary experience of poet-mystics which is based on a symbolic language can be better expressed by using colors and its related terms. By using descriptive-analytical method and based on the Max Lüscher's psychology of colors, the present article attempts to re-read Musibat-Nāmeh, written by Attār of Nishapur. The results show that categorization of colors in Musibat-Nāmeh, from left to right, is as follows in order of preference:  (7+3+4×2×1=5=0-6-). According to Lüscher, such prioritization by the sālek (the holy traveler) implies that he/she suffers from separation from the Divine world (7+3+); but he/she hopes to achieve a better situation and to overcome many of the limitations of the material world (4×2×). In this way, he/she doesn't find any tranquilizing environment and hides his/her thoughts from strangers and shares them with close people (1=5=). According to Musibat-Nāmeh, the sālek looks for an opportunity to improve his/her spiritual states by purification of the soul. By this way, he/she can obtain his/her pervious dignity in the Divine world (0-6- ).   Manuscript profile