List of Articles چندصدایی

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  1 - A comparative study of the "polyphonic" component in contemporary Arabic and Persian novels with emphasis on Bakhtin's theories (Sooshun Simin Daneshvar- Miramar Najib Mahfouz)
  Zohreh Dastpak saeid hamidian Farhad Tahmasebi
  10.30495/clq.2023.1990688.2582
  The present research, using the opinions of Mikhail Bakhtin and especially the theory of polyphony, tries to comparatively analyze the discourses in the novels "Sushon" by Simin Daneshvar and "Miramar" by Najib Mahfouz and by using the descriptive-an More

  The present research, using the opinions of Mikhail Bakhtin and especially the theory of polyphony, tries to comparatively analyze the discourses in the novels "Sushon" by Simin Daneshvar and "Miramar" by Najib Mahfouz and by using the descriptive-analytical method to reflect the polyphony in Pay these novels. The author evaluates these novels based on Bakhtin's conversational logic and the components in it, and in the meantime, the research has answered the question of how polyphony is represented in the selected novels. The results of the research show that in the above stories we witness polyphony, but the form and manner of expression of this polyphony are different and in each story factors such as: gender, social and economic structure, intellectual currents in the form of two poles of self-awareness and cultural alienation are involved. The results of polyphony are represented in the form of components more than other factors. Women often have the role of following the thought that is issued from the moral reference of the story, and they generally strengthen the polyphony in the story with a partial style. The social and economic structure, class conflict, and intellectual currents in the stories, each of them create the field of discourse diversity by creating two opposite poles as the other. Manuscript profile
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  2 - An Analysis of the Concept of the ‘Other’ in Attar’s The Conference of the Birds
  narges salehi mohammad reza haji aqa babaei
  Mantiq Al-Tayr (The Conference of the Birds) is among the seminal irfanic (mystic) works which can be analyzed based on Bakhtin’s theory of dialogism and the concept of the ‘other’. Attar seeks to establish the position of the birds as the ‘self& More

  Mantiq Al-Tayr (The Conference of the Birds) is among the seminal irfanic (mystic) works which can be analyzed based on Bakhtin’s theory of dialogism and the concept of the ‘other’. Attar seeks to establish the position of the birds as the ‘self’ and that of Simorgh or the divine nature as the ‘other’. The journey of the birds toward the Simorgh is a progress toward realizing the value of their existence, and after their spiritual progress, the birds gain a proper understanding of their identity and position. From an irfanic point of view, the world is nothing but divine nature; therefore, considering the binary distinction of the ‘self’ and the ‘other’ is invalid in irfanic thought. According to such a viewpoint, there is no ‘self’, and if man holds such a notion, it is because of his belongings and dependencies in the material world, and what is considered as spiritual progress is the journey toward gaining a new sense of the ‘self’, and realizing that there is no self, and that whatever there is, is Him. Therefore, there is never a conversation between the ‘self’ and ‘other’, and the irfanic viewpoint is essentially non-polyphonic (monologic). What is recognized in irfan (mysticism) and what the aref (holder of true knowledge) seeks to attain through his spiritual progress is denial of the self and manifesting the divine. That is what is known as tawhid (oneness) in irfan. Manuscript profile
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  3 - Intertextual analysis in the stories of Azadaran Bil and Tatar Khandan by Gholamhossein Saedi with an emphasis on Bakhtin's dialogue and polyphony
  nemat mansoori Badrieh Ghavami Reza Borzoiy Jamal Adhami
  10.30495/farsij.2022.1963241.1636
  The present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intert More

  The present study investigates the intertextuality in the stories of Azadaran Beil and Tatar Khandan by Gholam Hossein Saedi based on the theory of Mikhail Bakhtin. What is referred to as intertextuality today is a term that can be called discourse between texts. Intertextuality is the study of the discourse of texts in literary and cultural works of the world. Before Ferdinand de Saussure's theories, everyone believed in the independence of texts, but Saussure's theories lack the validity of these theories. Based on this theory, Bakhtin believes that texts and their speakers consciously or unconsciously benefit from each other's intellectual and literary sources. The authors of this article intend to analyze these two works with the method of content analysis and with the aim of knowing more about the works of this author based on Bakhtin's theory and with the library method; The findings of the research show that the author was influenced by the Quran and Islamic beliefs and also mentioned some popular beliefs during the stories. The expression of proverbs and myths, irony and bringing part of prayers and supplications are other indicators of these works. Saedi has sometimes mentioned other stories in his works, and in terms of content and theme, he has been influenced by Sadiq Hedayat's Buf Kor and Kafka's Metamorphosis. Manuscript profile
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  4 - the carnivalization of iranian society in the era of constitutionalism (a case study of the works of dehkhoda, mirzadeh eshghi and nasim shomal)
  Fahimeh Shahriari seyed mahmood seyed sadeghi ali ashoori
  10.30495/farsij.2023.1916879.1418
  The term carnival was used by the great Russian critic and philosopher Mikhail Bakhtin in the 20th century to criticize and analyze literary works. This word was presented to him as a culture; A culture that was brash and open, free and unrestrained, played jokes and ga More

  The term carnival was used by the great Russian critic and philosopher Mikhail Bakhtin in the 20th century to criticize and analyze literary works. This word was presented to him as a culture; A culture that was brash and open, free and unrestrained, played jokes and games against the domination of everything powerful and holy and imposed beliefs. According to Bakhtin's theory, the components of carnival in the works of Dehkhoda, Mirzadeh Eshghi, and Nasim Shamal are grotesque realism, laughter of death, non-religiousness, relativity and the juxtaposition of opposite concepts and the promotion of polyphonic space. According to the nature of the topic and research objectives, this research is in the field of descriptive, library-documentary research, which has an applied nature, and in its example, two works by Dehkhoda, one by Mirzadeh Eshghi, and one by Nasim Shamal are examined. The sampling method is selective and the data collection method is documentary. By using a descriptive-analytical method, after introducing the carnival and its components in Persian literature, the analysis of the carnival process in the considered works is done by citing examples. Manuscript profile
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  5 - .
  ali taslimi fateme edraki
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  6 - A Comparative study of dialogue in Saadi's Golestan and Onsorol-mali's Qaboosnameh based on Mikhail Bakhtin’s Logic of dialogue
  حسین حسن پور آلاشتی مرضیه حقیقی
  The theory of the logic of dialogue or the logic of conversation in the twentieth century was proposed in contrast to Saussure's structural linguistics and cognitive style. On the one hand, Mikhail Bakhtin in the protest of single voice of Stalin’s regime and on t More

  The theory of the logic of dialogue or the logic of conversation in the twentieth century was proposed in contrast to Saussure's structural linguistics and cognitive style. On the one hand, Mikhail Bakhtin in the protest of single voice of Stalin’s regime and on the other hand, the   opposition of the theory of individualism and non- socialism of language that was dominant before him in the criticism domain, he  proposed the  theory of multiple voices and dialogue-centerd language of literature and art. Since Bakhtin considersthe dialogue-centered approach in the essence of art, this theory is used in reading of different works literature and art at present time. Given that the logic of conversation coming from the mono-voice, anti-dogmatic, and anti-happiness community, in this study one of the darkest periods of social and literary life in Iran after the Mongol invasions has been considered.in order to demonstrate the effectiveness of the social structure dialogue-centered method of   authors, two prose works of Golestan and Qaboosnamh have been concidered that one of them relates to the pre-Mongol period and the other one belongs to  Mongol conquest, are selected. In spite of the facts that both works are equal with respect to contents and didactic points Onsorolmali’s approach is different from Saadi‘s apporoch  from dialogue components point of view. Therefore, this paper aims to study the logic of conversation in theses two written works of Persian literature.  Manuscript profile
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  faezeh Arabyousefabadi
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  8 - Quietism and Effort in Two Story of Masnavi: A Review Based on Heteroglossia and the Theory of Polyglossia
  Leila Mirzaee abodolhosein farzad mahmod tavoosi amirhosein mahozi
  Numerous dialogues between quietism and effort in Masnavi show the importance of these concepts in (Mawlavi) Rumi's thoughts. Bakhtin's theory of polyglossia is based on dialogue. According to him, polyglossiais examination of pro and con ideas in various linguistics ty More

  Numerous dialogues between quietism and effort in Masnavi show the importance of these concepts in (Mawlavi) Rumi's thoughts. Bakhtin's theory of polyglossia is based on dialogue. According to him, polyglossiais examination of pro and con ideas in various linguistics types where one voice is not predominate one. This can be a proper theory for considering Rumi’s view about quietism and effort. Based on Bakhtin’s theory of polyglossia, in the present article, ideology, outlook and kind of language of characters in two stories of Masnavi are analyzed. The results show that heteroglossia is prominent in the dialogues referring to the ideology and outlook, but in the dialogues where ideology is lacking it is not so prominent. Yet the narrator gets involved in the dialogues and obtains same results for both kinds of narrations. When the story gains distance from heteroglossia, the narrator is the prevailing voice.   Manuscript profile
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  9 - ساختار پسامدرن به مثابه‌ی الگوی اصلی جامعه شناختی در آثار فیلیپ سولرس
  Samaneh Sadat MirAbedi shirani Karim Hayati Ashtiyani
  به‌منظور تعیین جایگاه سولرس در  جامعه و ادبیات معاصر فرانسه و تاثیر پسامدرنیسم به مثابه‌ی یکی از اصلی‌ترین الگوهای جامعه شناختی بر ساختار نوشتار او چه درزمینه‌ی رمانی و چه درزمینه‌ی جستاری، شناخت ویژگی‌های بارز آثارش ضروری است که مهم‌ترینِ آن‌ها عبارت‌اند از حضور م More

  به‌منظور تعیین جایگاه سولرس در  جامعه و ادبیات معاصر فرانسه و تاثیر پسامدرنیسم به مثابه‌ی یکی از اصلی‌ترین الگوهای جامعه شناختی بر ساختار نوشتار او چه درزمینه‌ی رمانی و چه درزمینه‌ی جستاری، شناخت ویژگی‌های بارز آثارش ضروری است که مهم‌ترینِ آن‌ها عبارت‌اند از حضور مؤلفه‌های ساختاری پسامدرن همچون نقل‌قول، انواع بینامتنیت و سرعت‌بالای روایت داستان‌؛ همچنین پرهیز از هرگونه اضافه گویی و درنتیجه ریتم بسیار سریع روایت‌، رفت‌وآمد پرسوناژ بین رُمان و جستار، وام‌گیری از ادبیات اجتماعی، وفور مولفه‌های جامعه شناختی و درنهایت نوع لحن و زبان پرسوناژهای داستان از طبقات اجتماعی مختلف . این مؤلفه‌ها را می‌توان تعیین‌کننده‌ی سبک نوشتاری فیلیپ سولرس دانست. در مقاله‌ی پیشِ رو، سعی خواهیم کرد این مؤلفه‌های ساختاری پسامدرن را به‌صورت موردی و با به‌کارگیری مثال‌های ملموس بررسی کنیم تا درنهایت به این نکته‌ی بسیار مهم دست پیدا کنیم که اگر جهانِ  آثار ارزشمند سولرس، که بازنمای منبعی غنی از الهام و الگوهای زیبایی‌شناختی و جامعه شناختی است، در جایگاه بالایی قرار دارد، به دلیل وجود ساختارهای اصلی تشکیل‌دهنده‌ی پسامدرنیسم موجود در جامعه‌ی معاصری است که او در جستارها و رمان‌هایش به تصویر کشیده است. Manuscript profile