-
Open Access Article
1 - Comparative Study of Beowulf and Shahnameh from the Ancient Travel Point of View
Darioush HayatiThe present article initially attempts to express a summary on the importance of the myth, its concept, and its relationship with epic and then studies two great epic works – Shahnameh & Beowulf which are the second and third famous epic ones in the world afte MoreThe present article initially attempts to express a summary on the importance of the myth, its concept, and its relationship with epic and then studies two great epic works – Shahnameh & Beowulf which are the second and third famous epic ones in the world after “The Iliad & Odyssey of Homer” from religious and woman point of view. Although the abovementioned novels are from two different nations, cultures and histories, the similarities are more obvious rather than the differences. Both stories are very similar and comparable in religious views, ancient traveling symbols and epic heroes and little similarities about women. Manuscript profile -
Open Access Article
2 - An Analysis into Homay's journey to China in Homay and Homayoun poems by Khaju Kermani based on the ancient theory of the "The Hero's journey" by Joseph Campbell
Parvane fereydooni morteza razaghpoorArt and literature have a special place in Campbell's mythology, which is one of the most important study objects. Single myth is one of the mythological methods in the field of literature and art, both in the field of creation and in the field of understanding. Critics MoreArt and literature have a special place in Campbell's mythology, which is one of the most important study objects. Single myth is one of the mythological methods in the field of literature and art, both in the field of creation and in the field of understanding. Critics turn to a single myth to understand the works created in this way. Campbell has been more involved with literature than any other art. The ancient model of Hero's Journey by Campbell is written on three general lines of narrative- separation, arrival, and return, along with seventeen sub-categories, which ultimately pave the way for the hero's psychological development.The present study is a analytic-comparative study that was conducted in the statistical population of Homay and Homayoun poems, and analyzed Homay's journey to China based on Joseph Campbell's "Hero's Journey" theory. And the result of the study indicates that at the end of the journey, the hero has reached a psychological development and self-knowledge and gained identity. Manuscript profile -
Open Access Article
3 - The Process of Individuation of Homāy in the Story of Homāy o Homāyun Based on Jungian Individuation Theory
Mortezā Bālār Hamidrezā Farzi Rostam AmāniNowadays, “archetypal criticism” or “mythical criticism” is one of the most important and the most widely used methods of contemporary literary criticism which studies the nature and characteristics of archetypes and their roles in literature. My MoreNowadays, “archetypal criticism” or “mythical criticism” is one of the most important and the most widely used methods of contemporary literary criticism which studies the nature and characteristics of archetypes and their roles in literature. Mythical criticism has originated in Jung's thoughts and generally, it is done by referring to his ideas. Based on the Jungian individuation theory, the present article tries to study the romance of Homāy o Homāyun by Khāju Kermāni. In this story, Homāy, the hero begins his journey to China to reach Homāyun (anima). The journey of the hero to China, as the base of the story, is a symbol of process of individuation and of his search for self-knowledge. By activation of anima and announcing the message of continuity and unity in the hero's conscious realm, the process of individuation of Homāy who is a young and inexperienced prince begins, and by guidance of the wise old man and eliminating difficulties and shadows and flexibility of persona, his conscious and unconscious are coordinated and finally, the process of individuation and self-knowledge achieves successfully. Manuscript profile -
Open Access Article
4 - The Mythological Motifs in a Sistani Tale: Nahang Boor va Shahzādeh
Seid Mahdi Rahimi Ali Akbar Sāmkhāniāni Ebrāhim Mohammadi mohammad Fātemi-maneshThe purpose of this article is to examine the mythological motifs in a local Sistani legend called Nahang Boor va Shahzādeh (the story of the Blond Whale and the Prince). The story has rich mythological themes and Scythian, Greek, Chinese and Indian mythical representat MoreThe purpose of this article is to examine the mythological motifs in a local Sistani legend called Nahang Boor va Shahzādeh (the story of the Blond Whale and the Prince). The story has rich mythological themes and Scythian, Greek, Chinese and Indian mythical representations can be found in it. By using descriptive-analytical method, the present study investigates the mythological themes, such as drinking blood, killing dragon, Aphrodite, the number three, crossing water with a horse, passing from fire, the desire for immortality, victory over death in the story. The richness of the mythological themes in the story suggests the need to pay more attention to the native culture and folk tales of Sistan. Manuscript profile -
Open Access Article
5 - Touba and the Meaning of Night: A Mythical Criticism
Khadijeh Bahrāmi RahnemāMythological criticism is an effective tool for examining early ideas, historical events and human ideals throughout history, and through it can be traced the actions of ancient humans. Various areas can be explored, including mythical criticism, in Touba and the Meanin MoreMythological criticism is an effective tool for examining early ideas, historical events and human ideals throughout history, and through it can be traced the actions of ancient humans. Various areas can be explored, including mythical criticism, in Touba and the Meaning of Night, a novel by Shahrnush Parsipur. The aim of the present research is to study the components of mythical criticism in Touba and the Meaning of Night by using descriptive-analytical method. The results indicate that in the novel, there is a direct and significant relationship between women and the elements of nature, which has given direction and meaning to the mythological actions of women. For example, by using the symbolic and archetypal concept of water, it is possible to explain the placement of Munesan next to the fountainhead and Leila next to the pond, who, respectively, seek to achieve fertility and the process of individuation. We can also mention the influence of the Epic of Gilgamesh on Touba and the Meaning of Night; because Touba, like Gilgamesh, uses the archetype of journey to achieve self-examination and perfection. Manuscript profile -
Open Access Article
6 - The Analysis of Characters and Mythological Concepts in Symphony of the Dead
soheyla sheykhloo Hamidreza Ardestani rostami Ismail AzarOne of the components in Persian novels is the use of mythological-archetypal elements and themes. In the present article, by using a descriptive-analytical method, an attempt has been made to study the mythological components in Symphony of the Dead of Abbas MoreOne of the components in Persian novels is the use of mythological-archetypal elements and themes. In the present article, by using a descriptive-analytical method, an attempt has been made to study the mythological components in Symphony of the Dead of Abbas Maroufi. The author has deliberately used myths which indicates his awareness of the myths and symbols of Iran and the world, and religious, national and ethnic culture. The main theme of the novel is murder and fratricide, and is nurtured by the myth of Abel and Cain, but Maroufi has used various myths that can be divided into three categories: the myths of Shahnameh (Siyāvash, Iraj, Bijan and Manijeh etc.), mythical animals (phoenix, crow, wolf, butterfly, fish) and mythological concepts (creation, dualism, catharsis, mandala, plant animism, etc.). These concepts cover a very wide range of topics, so in the present article, only the concepts that have been less addressed in other studies are considered. Manuscript profile -
Open Access Article
7 - The Genealogical Values of Vegetative Reason and the Growth of "Kin Plant" in Shānāmeh Based on Archetypal Criticism; The Case Study: The Myth of Siavash and Kei-Khosrow
pegah mahmoudi Nedā MounzaviThe approach of archetypal criticism, which has its foundation in anthropology, is interdisciplinary in nature. This method is particularly prominent in the study of epic works, such as Ferdowsi's Shānāmeh, due to the deep-rooted archetypes and mythological foundations MoreThe approach of archetypal criticism, which has its foundation in anthropology, is interdisciplinary in nature. This method is particularly prominent in the study of epic works, such as Ferdowsi's Shānāmeh, due to the deep-rooted archetypes and mythological foundations present in these texts. The collective unconscious plays a dominant role in great mythological and mystical works, as evidenced by the presence of motifs such as the repetition of cosmic processes, rituals, gods, and supernatural elements. As a result, these texts, and particularly Shānāmeh, are highly suitable for the analysis of archetypal elements. The purpose of this research is to investigate and analyze the archetypal connection between plants and humans in myths, specifically focusing on the stories of Siavash and Kei-Khosrow. This research employs a descriptive-analytical method and utilizes Jung's critique of archetypes to analyze the archetypal and genealogical aspects of the vegetative reason. The findings of this research indicate that the "Kin plant" (coral plant or Erythrina corallodendron) that grows from Siavash's blood is a symbol of the archetype of human reason and plant descent of man, which is manifested in the existence of Kei-Khosrow. Manuscript profile -
Open Access Article
8 - Psychomythology in Dramatic Literature; A Case Study: Examining Bahram Beyzai's Mythological Views Based on Gilbert Durand's Mythological Criticism
behrouz avazpour Elham EbrahimiNaqani The present research aims to apply Gilbert Durand's mythological criticism to Bahram Beyzai's dramatic works, including playwrights and screenplays, in order to uncover the underlying mythological pattern. The task was accomplished by utilizing the method of mytho More The present research aims to apply Gilbert Durand's mythological criticism to Bahram Beyzai's dramatic works, including playwrights and screenplays, in order to uncover the underlying mythological pattern. The task was accomplished by utilizing the method of mythological analysis. It involved carefully studying the author's significant work, and identifying the principal sub-myth present in his works. In addition to analyzing the text and metatext (such as exploring the sub-myth present in other works by the author, studying his personal-professional life, and assessing his personal complex), a psychometric approach was employed to uncover his personal and extra-personal myth. The findings of the research indicate that the principal sub-myth in Beyzai's works revolves around several key themes: studying the past to shape the future, battling against oppression and ignorance that hinder the growth of the homeland's fertility, and being willing to sacrifice oneself if necessary to achieve this fertility. Furthermore, the priority of life over death and femininity as the source of life are significant aspects of this sub-myth. Beyzai's personal complex, described in the language of Jacques Lacan, involves a fixated state and difficulties transitioning from the imaginary to the symbolic realm. Lastly, his personal myth can be associated with the goddess Anahita. Manuscript profile -
Open Access Article
9 - Analysis of the four seasons in Shahnameh drawings According to the theory of Mythos Northrop Fry
Sanaz Asadi Nadia Maagholi -
Open Access Article
10 - The Archetypes in the Works of Ghazaleh Alizadeh: A Critical Approach
نرگس باقری مصطفی موسوی راد The female characters in the stories of Ghazāleh Alizādeh have some common salient features that have been turned them into myths or quasi-myths. These features are as follows: having good and bad features of Satan and Angel, being simultaneously child and old, More The female characters in the stories of Ghazāleh Alizādeh have some common salient features that have been turned them into myths or quasi-myths. These features are as follows: having good and bad features of Satan and Angel, being simultaneously child and old, having magical female power as well as spiritual wisdom, and being symbol of spiritual inspiration. Since there is a close link between mythical and psychological criticism, hence both have impact on individual’s personality. On the other hand, the archetypes like instincts have an effect on human behavior and also contribute to the formation of personality. The present article, by considering these points, tries to analyze the features of female characters in Alizādeh’s works. The research shows that Alizādeh appeals to mythical symbols and creates one-sided images, exoteric and unknown characters, and shows an abnormal relation between dream and fact. Manuscript profile -
Open Access Article
11 - The Mythical Analysis of Suvashun: the 1953 Iranian Coup D ' état
Mohammad Alijāni Hoseinalī Qobadī Saeed Bozorg BigdelīDuring the history, political and social events have always influenced myths. One of the most important contemporary events which has influenced political, social, cultural and literary structures of Iran is the 1953 coup d'état in the country. After the coup d'& MoreDuring the history, political and social events have always influenced myths. One of the most important contemporary events which has influenced political, social, cultural and literary structures of Iran is the 1953 coup d'état in the country. After the coup d'état, Iranian contemporary novelists, by avoiding direct expression, used an ambiguous, symbolic and mythical language for expressing social problems and informing the masses and intellectuals. Suvashun, written by Simin Dāneshvar (1921 –2012), is one of the most prominent Persian novels which by using national and religious myths, reflects the social and intellectual state of Iranian people after the 1953 coup. Dāneshvar recreates the mythical characters, narrations and situations and combines them with Islamic and Iranian ones. By using descriptive and analytic methods, based on mythical criticism, this article tries to study the reflection of myth in Suvashun. Manuscript profile -
Open Access Article
12 - Mythic Analysis of Dard-e Siāvash; Reconsideration of 1953 Iranian Coup d’état in the Light of Myths
Hoseinali Qobādi Saeed Bozorq Beiqdeli Mohammad AlijāniIn the passage of time, the myths influence and are influenced by the social and political events occurring at the present time. In the contemporary history of Iran, 1953 Iranian coup d’état as one the most impressive contemporary events inclined Iranian wr MoreIn the passage of time, the myths influence and are influenced by the social and political events occurring at the present time. In the contemporary history of Iran, 1953 Iranian coup d’état as one the most impressive contemporary events inclined Iranian writers and novelists to notice to myths that are reflection of unconscious of Iranian people after the coup. EsmāilFasih’s Dard-e Siāvash (The Pain of Siavash), as one of the prominent novel, points to prevailing tendency to myths in those days. Employing descriptive-analytical method and mythological criticism, the present article tries to consider the themes existing in mythical literature and the resonance of the myths in the novel. The research shows that based on his personality, social situation and intellectual climate, the writer recreates characters, narrations and mythic spaces relying upon the story of Siavash in Shāhnāmeh. Esmāil Fasih designates the time of death of the hero of the story, Siavash, on 19 August 1953 (28 Mordad). By doing so, the writer identifies the hero with Mosaddegh and refers to the role of hero-killing among Iranians. In other words, he generalizes the space of the story to the whole history of Iran. Manuscript profile
Sanad
Sanad is a platform for managing Azad University publications
Links
Related Centers
Technical Support
Official pages
The rights to this website are owned by the Raimag Press Management System.
Copyright © 2021-2024