List of Articles مرگ مؤلف

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  1 - The Logic of Situation and its Appliance to Literary Criticism and Theories
  رهبر اشنوئی محمودزاده
  Much has been said in discussions concerning literary criticism fromthe position of the writer and the reader deciding the type of theexisting readings and claims in criticisms. But the problem is that theidentity of the writers and readers of various texts are not prec More

  Much has been said in discussions concerning literary criticism fromthe position of the writer and the reader deciding the type of theexisting readings and claims in criticisms. But the problem is that theidentity of the writers and readers of various texts are not preciselydefinite and determined in a way we could be able to establish ourcritic claims. How could we deal with such a problem and what mightbe the solution to it? The concepts such as “the real individual”,“typical individual” and the broader concept of “the logic of situation”have been applied here to find a solution to this problem and all thesediscussions have become an introduction to Roland Barth's “the deathof the writer” theory. And here Roland Barth's viewpoints can bechallenged. A study of Barth's theory according to the concept of “thelogic of situation” can lead us to results contradictory with those ofBarth's. In fact, the work done here in this article is that the theory of 'the death of the writer' has been applied to that theory itself; that is, theconsequences of Barth's theory have been studied independent from hisown intentions. Manuscript profile
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  2 - Post-Structuralism and the Mysticism of Hāfez
  مهری تلخابی
    According to the post-structuralist approach to textual analysis, any literary text has multiple meanings, and that the author is not the prime source of the work's semantic content. It rejects the idea of a literary text having a single purpose, a single meanin More

    According to the post-structuralist approach to textual analysis, any literary text has multiple meanings, and that the author is not the prime source of the work's semantic content. It rejects the idea of a literary text having a single purpose, a single meaning, or one singular existence. Instead, every individual reader creates a new and individual purpose, meaning, and existence for a given text. In the present article, attempt is made to show it is a viable possibility to explain Hafez's poetry in post-structuraist context.       Manuscript profile