قصیده

Open Access Article

1 - Criticism of Two Odes from Persian and Arabic Poets-farrokhi Sisitani & Mutenabbi
Gholamali Sadeghi

Dynamicity and creativity of the imagination of mankind is unlimited. The pearl of imagination becomes most beautiful when it finds its way out of the clams of time and space. The secret to the success of the worldly known works of literature is the same. Criticizi More

Dynamicity and creativity of the imagination of mankind is unlimited. The pearl of imagination becomes most beautiful when it finds its way out of the clams of time and space. The secret to the success of the worldly known works of literature is the same. Criticizing and comparison of literary works based on scientific and standard criteria for reaching at unbiased results is a valuable activity. The present article attempts to compare the viewpoints of two poets FarrokhiSisitani&Mutenabbi through two of their odes. Manuscript profile

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2 - Manuchehri and Arabic Poetry
Hossein Khosravi

    Manuchehri Damghani (?-1040 A.D.), like his contemporary poets of that era, has paid especial attention to Arab poets and their poems. But the impression of Arab poems in his style is so prominent that distinguishes him from other poets who used Khorasan More

    Manuchehri Damghani (?-1040 A.D.), like his contemporary poets of that era, has paid especial attention to Arab poets and their poems. But the impression of Arab poems in his style is so prominent that distinguishes him from other poets who used Khorasani's style of poetry. The impressions of Arab poems in Manuchehri's style have shown themselves in different ways: writing several odes based on the patterns of pre-Islamic odes; Imitating those poets who wrote about wine such as Emra-ol-Ghays and Abu Novas; translation or adoption of some poetic themes; the use of Arabic sentences without any second motive or eloquence; and finally, mentioning Arab poets, myths and poetic beloved.Following the style of Arabic poetry is in sharp contrast with Manuchehri's innovations and creativity. Perhaps one of his motives was to follow the style of that time, self-glorification and other personal motivations and above all drawing the attention of those eulogists who were infatuated by Arabic poetry.   Keywords: Arab poem, Khorasani's style of poetry, Manuchehri's style, pre-Islamic odes, style of Arabic poetry.  Manuscript profile

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3 - Describing the immoral and spiritual areas of the beloved in the lyric poems of Hakim Sanaei
Hosein Salimi Bashir Alavi

10.30495/dk.2022.694828

The Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasiona More

The Ghaznavid divan of Hakim Sanai, with more than thirteen thousand verses, consists of poems in the form of ode, composition, preference, mesmat, lyric, piece and quatrain. Composing a lyric and tending to romantic controversies and its attractions, the poet occasionally preoccupies himself. Introduction to Sanai's hymns which describe the beloved, although not uniform in number of verses and is often between 7 and 29 verses, but has a place in his hymns. In this article, while briefly introducing various aspects of the description of the beloved, such as; The field of immorality and spirituality or the reporter of the face and sensory and intellectual similes, etc, the image of the beloved Sanai with emphasis on the poet's intellectual evolution, should be examined and analyzed; Therefore, first, the most important and special approaches of Sanai in drawing the image of the beloved have been extracted and classified into eight groups. Then, by studying and finding the frequency of words and presenting diagrams, their importance, how they are used, their place and the way of intellectual development in Sanai's depiction of the beloved's image are analyzed in the lyric poems of his praise poems. The presence of characteristics of Khorasani style and traces of change that later become the beacon of poets in the field of dealing with the beloved, is one of the highlights of the lyric poems of Sanai praise that are addressed in this study. The research method is descriptive and analytical with statistical charts. Manuscript profile

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4 - Functional analysis of epic and historical Myths in Odes Shahryar
mahdi nowrooz reza JALILI

One of the most important literary elements explain the intellectual system, a poet, is a myth. Poets are often myth-maker and help this element can identify many of your thoughts and your mental seepage, stability and special Stability forgiven. The presence of myth an More

One of the most important literary elements explain the intellectual system, a poet, is a myth. Poets are often myth-maker and help this element can identify many of your thoughts and your mental seepage, stability and special Stability forgiven. The presence of myth and poetry in Persian language has a long history, which, given the rich history of Iran are obvious. In the meantime, there's a lot to consider this functional element. So, what is explored in the present research is a descriptive study - functional analysis of historical myths and epic odes's mirror will be. The most important myths are: Alexander, Jamshid, Khosrow and Shirin mainly functional teaching, praise and descriptive, historical, and ultimately, their aesthetic. Operating mysticism, and in only one case was seen of Alexander the Great, which, according to reflect considerable intellectual system's mystical ideas, strange Manuscript profile

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5 - Transformation of the role of education of the Ode form in the poem of Revolution
Seyed Ahmad Hosseini Kazerouni Mohammad Reza Kamali Baniani

Although the poem is mostly known in the field of classical and modern form has moved but the new space and a theme rooted in their differing backgrounds created.. Look into the human world and the realm of ideas and religious themes as seen in the poem, The breadth and More

Although the poem is mostly known in the field of classical and modern form has moved but the new space and a theme rooted in their differing backgrounds created.. Look into the human world and the realm of ideas and religious themes as seen in the poem, The breadth and depth that has never sung before the Revolution, and even the distant history of our literature has not Link with history, allegorical and historical compliance and respect even beyond the geographical boundaries of the revolution, the most radical modernization of the templates are Modernism in poetry, revolution, and the subsequent changes in the language and form of expression and maintaining the freshness of themes and ideas.Sense of continuity and coherence in the old public order just after the revolution and the turmoil has stolen bits from Sonnet.Number of innovators in the years before the revolution had grown dramatically, poets have tried the "new lyric" throw fuel and range of innovative ways to broaden the arena format.Ideological foundations of the revolution, in terms of common terminology, common causes of religious culture and their way of solving the many innovations in the realm of interpretation and communication of the words. Manuscript profile

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6 - A comparative study Of two odes by Aviccina and Nasib Arizah
Mohsen seifi Fatemeh Lotfi mofrad Niasari

The belief that the soul originates from the celestial world and is imprisoned in the material world as a result of neglect is a fundamental belief in mysticism. The sophis try to purify the soul through knowledge and wisdom before it unites with the God in the afterw More

The belief that the soul originates from the celestial world and is imprisoned in the material world as a result of neglect is a fundamental belief in mysticism. The sophis try to purify the soul through knowledge and wisdom before it unites with the God in the afterworld. Aviccina focuses on this purification in his Ode (Einieh) and the contemporary Arab poet,Nasib Arizeh,does the same in his long piece of poetry(Ala-Tarighe-Eram) and follows the example of Einieh. This paper comparatively explores the theme in these works. Manuscript profile

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7 - Literary and artistic applications of letter Alif in the area of Persian literature (by relying on poets' poetry anvari and poets' poetry with Khorasani style. (
Golamreza Heidari

'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical More

'A' or 'Alif' the first letter of Persian alphabet, is a prominent vowel in Farsi language. It is the first letter of Abjad numeral system which represents number one in this system. Alif signifies the Taurus astrological sign. In mystical, philosophical, and rhetorical literature, Alif represents unique God, Holy Spirit, God's mercy; Adam's the father, abstract sphere, solitude, and the single mystery and etc.  Due to its special form and position and some other unique features, letter Alif is one of the most used letters in order to create the original themes and poetic areas, mot and elegant expressions and compounds in Persian literature, poetry with Khorasani style.Alif is a leading in most of poetry by these poets meanings like consistent and firm colossal stature, handsomeness, oblong, tense and stretched. It also signifies greatness, proud and honor, slimness, uprightness, stability, resistance, persistence, staunchness, loyalty, faithfulness and standing on one's promise. Alif has fallen in love with its stature. Since Alif has accent-like sign overhead, it is rebellious. Despite having tongue, it is dumb and silent. It is regarded as one of the poorest in terms of wealth among letters. It symbolizes poverty, abjection, destitution, vacancy, pauperism, beggary, inexistence, absence, loss, and self-denial.  It also suggests nakedness, nudity, embarrassment, self-evidence, preparedness, distress and confusion and adornment. It carries meanings like solitude, individualism, loneliness, uniqueness, detachment, freedom, honesty, frankness, and innocence. Alif is motionless and stagnant. Its creation begins with points and dots. All letters and numbers then are founded upon this letter. Alif is the first letter of creation. It also indicates minuteness, brevity and tininess. Alif is the most common simile in Persian literature and the poetry's and prose's images or contents used in Persian literature are described. It was compared to needles, thorn, moon crescent, sticks, pens and plumes, fingers, arrows, bolts, cedars, gallows and scaffolds, newly grown whiskers or beard,  half or full moon, and etc. In this article, we try to study the literary, artistic, and video applications of letter Alif in poets' poetry with Khorasani style. Manuscript profile

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8 - Structuralist approach to the pilgrims ode Naser khosrow
reza ashraf zadeh amir allah shamaghdari

The purpose of this article the structural and analytical approach to Naser khosrow  is an ode pilgrims. The author of this study, an ode Naser pilgrims on three levels: language, literature and thought put analyzed. It also most frequent words, places, figures of More

The purpose of this article the structural and analytical approach to Naser khosrow  is an ode pilgrims. The author of this study, an ode Naser pilgrims on three levels: language, literature and thought put analyzed. It also most frequent words, places, figures of the industry in question and answer Naser Khosrow's poetry. Manuscript profile

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9 - سبک‌شناسی لایه‌ای قصاید عنصری
فرزانه غفاری

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10 - بررسی زبان و لحن حماسی در قصاید انوری
علی درویشی رضا صادقی شهپر

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11 - A Comparison between the two odes related to Khaqani of Shervan and Mulla Mahmood Bikhod
Sayyed Ahmad Parsa

The  burlesque ,  adaptation ,  and  imitation  of  poets  of  one  another dated back to the One  of   the  poets  whose  poetry  has  been  imitated and adapted past times  More

The  burlesque ,  adaptation ,  and  imitation  of  poets  of  one  another dated back to the One  of   the  poets  whose  poetry  has  been  imitated and adapted past times  by  succeeding  poets  was  Khaqani  of  Shervan  (A.D.1199-1121).  The  aim  of  this  article ode  is  to  study  the  influence  of  Khaqani's  ode  on  another  ode  composed  by  Mohmood  Bikhod , a  mystic  Kurdish  poet  of  Iraq , in  praise of  prophet Mohammed (pbuh) . In this study, while a comparison is made between two odes, the effect of Khaqani's ode on that of  Bikhod  is also considered in two domains namely form and content . The results of the study give us a better understanding of how Khaqani's poetry has influenced other poets in different lands. Manuscript profile

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12 - Self Criticism Analysis of Anvari ode in Reproach of Poetry
Hosein Khosravi Hosein Yazdani

This article has been review the 184th ode poetry of complete work of Anvari. In the first part, a short and compact report of concepts was given and appropriateness of the form and content has been studied briefly.Then the Anvari motivation in reproach of poetry, poetr More

This article has been review the 184th ode poetry of complete work of Anvari. In the first part, a short and compact report of concepts was given and appropriateness of the form and content has been studied briefly.Then the Anvari motivation in reproach of poetry, poetry from the perspective of culture and society in the era of Anvari was investigated and the possibility of taking influence from other poets including Kasaii, Naserkhosro and Sanaii has been considerated. After reviewing the form and content, it became clear that this ode poem is set as reality (true) and truly poems. At the final part of the article, after several hypotheses proposed for the main motive of Anvari poetry reproach, it was proved that because of advantage of Benefit from the grace and perfection, he detracted the poetry and because of the financial need he forced to do panegyric to the chorus. After years of poetry he was not satisfied with his records and critiqued them. Manuscript profile

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13 - شکل‌شناسی شریطه و تشریح برخی از مسائل زیبایی‌شناسی آن در قصاید انوری
رضا نکویی

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14 - تنوع مشبه به در قصاید خاقانی و انوری
مهدی ماحوزی ابوالقاسم رضائیان

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15 - The stylistics of Zahir Faryabi's qasayed
Parvin Bekhradi Siroos Shamisa Abdolreza Modarreszadeh

. Zahir Faryabi, was a sixth century A.H. poet born in Faryab(near Balkh) who immigrated to Neishabour and several other cities before his death in 598 AH in Tabriz. The beginning of Zahir's life coincided with the sedition of Ghoz that attacked Balkh and other cities More

. Zahir Faryabi, was a sixth century A.H. poet born in Faryab(near Balkh) who immigrated to Neishabour and several other cities before his death in 598 AH in Tabriz. The beginning of Zahir's life coincided with the sedition of Ghoz that attacked Balkh and other cities in Khorasan. Thus Faryabi's immigration was not only due to a desire to seek literary knowledge but also for safety. That time there was families of Kharazmshahian, Iraqi Salajeghe and Atabakan who were not at all as powerful and glory as Ghaznavian and 1st Saljoughian, and poets had no honor and no reception. This was a matter which overshadowed poem’s of Zahir. Zahir ’s collection of poems consists of 3790 couplets of which 2292 couplets appear as 81 qaside (odes) and the remaining 1498 in other poetic forms. This article examines the texts from three perspectives: linguistic, literary, and intellectual by way of descriptive-analytical method. Manuscript profile

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16 - .
fariba gharedaghi

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17 - Analysis of Intertextual Links between Parvin Etesami's Poems and Hafez's Lyric Poems Based on Genet Transtextual Approach
Parvin Golizadeh Mokhtar Ebrahimi Maryam Ashkani

10.30495/pars.2022.699223

The purpose in this research is to show the influences of Hafez on Parvin Etesami in terms of thought and language. The method of research is based on Gérard Genette’s rather descriptive and analytical, but actually intertextual approach. Intertextuality re More

The purpose in this research is to show the influences of Hafez on Parvin Etesami in terms of thought and language. The method of research is based on Gérard Genette’s rather descriptive and analytical, but actually intertextual approach. Intertextuality relies on discovering influences and effects of texts upon other texts. Based on this approach there are no unique, pure, or all- inclusive texts. All texts are influenced by texts that existed before and will influence other texts in the future and such relation is present in the conversations that exist among texts (Genette). The terminology of intertextuality was first introduced in the late 1960s by Julia Kristeva. Gérard Genette is among theorists that utilized intertextuality in a practical manner and called it transtextuality. Our reading of Parvin’s Qasidahs and Hafez’s Ghazals reveals to us the presence of metatextuality and paratextuality from Genette’s five categories of Intertextuality, Paratextuality, Metatextuality, Hypertextuality, and Architextuality. The relations of metatextuality in some of the poetry by Parvin & Hafez are telling of Parvin’s adherence to cultural and intellectual principles of Persian classical poetry and Hafez’s critical positions on these matters.  Manuscript profile

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18 - A glance at the eulogy poems of Masoud Saad- Salman
aliasghar Baba Safari elaheh shabani

Eulogy is the most important goal of Persian poem. This literary type through its evolutionary trend has had an effective role on the poetry of poets from the past till now. Although the main reputation of Masoud Saad- Salman, the poet of 5th and 6th Centuries A. H., is More

Eulogy is the most important goal of Persian poem. This literary type through its evolutionary trend has had an effective role on the poetry of poets from the past till now. Although the main reputation of Masoud Saad- Salman, the poet of 5th and 6th Centuries A. H., is based on Habsieh poetry but the vast majority of his Divan is allocated to eulogy odes. He has praised not only only the authorities and his contemporary poets, but he also worshiped them according to his criteria because of their real excellences and with the intention of persude them to natty and avoid of unappealing. This study has tried to explain and describe eulogy poems of Masoud Saad by representing an introduction to eulogy and showing the historical and literary concepts of the poet with the aim of expressing some points of his work. Manuscript profile

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19 - Investigating the Religious and Moral Functions of interrogative and Imperative Sentences in Sanāi's Odes
hosein salimi Bashir Alavi

Abolmajd Majdood Ibn Adam Sanāi Ghaznavi also called Hakim Sanāi (473-545 AH), is one of the greatest poets of Persian language who wrote in ode and Masnavi form. Praise, guidance and admonition are among the frequent themes of his odes. Sanāi well understands language More

Abolmajd Majdood Ibn Adam Sanāi Ghaznavi also called Hakim Sanāi (473-545 AH), is one of the greatest poets of Persian language who wrote in ode and Masnavi form. Praise, guidance and admonition are among the frequent themes of his odes. Sanāi well understands language and is fully acquainted with its features and capabilities. Description, praise, wisdom and advice, admonition, story of the soul, blame, and reproach exist in Sanāi's odes. Many instances of compositional sentences (interrogative, imperative, exclamatory, and prohibitive) exist in Sanai's odes used in their indirect (or secondary) meanings. He has been successful in choosing the expressing methods, grammatical patterns (according to the type of message and communication), and in selecting words by considering their harmony, rhythm, and subject. The secondary meanings of the compositional sentences, in fact, express Sanāi's inner thoughts and they can be understood by analyzing the poet's thoughts. This research deals with interrogative and imperative based upon grammatical and semantic categories in Sanāi's odes in order to determine the relationship between the poet's moral thoughts and the meanings of sentences. clarifying and explaining Sanāi's aim in using such kinds of sentences analytically, the researchers use diagrams.   Manuscript profile

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20 - A study on the position of didactic literature in the Persian odes
naser Mohseninia mohammadreza B. Khaleghi vahideh N.Chegini

Didactic literature is one of the most important genres in culture and literature of every country. This literary type tries to develop moral forces and good qualities in the human beings. This genre can be found in the most works of Iranian poets. They in different way More

Didactic literature is one of the most important genres in culture and literature of every country. This literary type tries to develop moral forces and good qualities in the human beings. This genre can be found in the most works of Iranian poets. They in different ways refer to the teaching of ethical doctrine to people. These poets through different figures of speech have tried to give moral lessons. This article that investigate the position of didactic in the Persian odes show the evolution of this literary genre and religious teaching, ethical teaching, mystical teaching, political and social teaching in the great poets of the Persian literature. Manuscript profile

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21 - ردیف و نسبت آن با تصویرگری (پژوهشی در شعر کمال‌الدین اسماعیل اصفهانی)
محمد حکیم آذر

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22 - Ode's death (An archaeological approchment to Ode's declhne in contemporary era)
issa aman khani Mona Ali madadi

Ode is the first poetry form that Iranaian poets composed in it. In dispite of all the ups and downs, this form was a legimate and normal form (beside of ghazal and mathnavi) untile parliamentary revolution. But when parliamentary revolution happened, some poets and ope More

Ode is the first poetry form that Iranaian poets composed in it. In dispite of all the ups and downs, this form was a legimate and normal form (beside of ghazal and mathnavi) untile parliamentary revolution. But when parliamentary revolution happened, some poets and open- mInded as Aghakhan e Kermani, Akhundzade, Rafat,… opposed to ode and it's content (praise is the majer content of ode) and this form converted to an unnormal form and was being to decline suddenly. The reason of these converthons must be searched in converthons of episteme (modern and premodern). In a premodern episteme that it's presupposithon is unequality, ode is a normal form. In this episteme  the language is mild, favorable and flattering and it is compatible to ode, so ode is a usual form. But in the modern episteme  that it's presupposithon is equality, a flattering language isn't usual. So ode can not be a normal form in this episteme.   Manuscript profile

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23 - Verse Styli sties in the th Century
Sayyed Ziaoddin Sajjadi

This is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey t More

This is the second part of Sayed Ziaodin sajjadi deceased proffessor's essay which the first part was published in the previous number of the magazine was about two poets of the th century, Anvari and Jamaladdin Esfahani. In this essay first we are going to survey the most salient characteristics of Anvari's style in his elegy, lyric poems, quatrains, according to his taste in words and combination, poem's rhythme, rhyme and line, and also content of his poems and its main subjects. Jamaladdin Esfahani is introduced with literary ~ritics' point of views, innuences, elegy's style, rhythme, rhyme and line, rhetorical Figures that he applied and also the information that's found in his poetry, his lyrics and quatrains. Manuscript profile

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24 - Verese Stylistics of the th century
Sayyed Ziaedin Sajadi

Hereby we talk about the characteristics of verse stylistics in the th century.      It's started with examinig Sanaii Ghaznavi's Poetry that was known as a Nezami's Eghbalnameh Coincided with the finishing of his EskandarNameh in the th century. More

Hereby we talk about the characteristics of verse stylistics in the th century.      It's started with examinig Sanaii Ghaznavi's Poetry that was known as a Nezami's Eghbalnameh Coincided with the finishing of his EskandarNameh in the th century.      In this century Persian poetry changed in many ways such as theme, rhythm, form, word, and rhyme blending, novelty and the  khorasani's  poetry styles developed in the th century, and the most significant change is the entrance of Sufi and mystical ideas which was started by sanaii and Nezami ended it. Manners like virtues, Lampoonic, and Satirizing Poems, Wise sayings, Panegyric verse, Death Elegies, etc. engaged the Poets thoughts in this century.    Manuscript profile

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25 - Poetry in the South Coast of the Persian Gulf, the Emirates
Saeyed Ebrahim Arman

The realm of poets and poetry in the Emirates is quite vast.  Not only in the Emirates but also in other Arabic countries Poetry is divided into two groups:  folk and eloquent poetry.  At present not only intellectuals and the cultivated but also ordinary More

The realm of poets and poetry in the Emirates is quite vast.  Not only in the Emirates but also in other Arabic countries Poetry is divided into two groups:  folk and eloquent poetry.  At present not only intellectuals and the cultivated but also ordinary people                   in the Emirates turn to literature especially to poetry hence, numerous newspapers and magazines examine and criticize the two kinds of poetry.  This article purports to investigate the traces of such genre of poetry from the very beginning till the present in this country.  Also the reader is introduced to three generations of poets namely:  the pioneers, mukhadram, and the young ones. Manuscript profile

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26 - Poetry in the South Coast of the Persian Gulf, the Emirates
Sayed Ebrahim Arman

The realm of poets and poetry in the Emirates is quite vast.  Not only in the Emirates but also in other Arabic countries poetry is divided into two groups:  folk and eloquent poetry. At present not only intellectuals and the cultivated but also ordinary peop More

The realm of poets and poetry in the Emirates is quite vast.  Not only in the Emirates but also in other Arabic countries poetry is divided into two groups:  folk and eloquent poetry. At present not only intellectuals and the cultivated but also ordinary people in the Emirates turn to literature especially to poetry hence, numerous newspapers and magazines examine and criticize the two kinds of poetry. This article purports to investigate the traces of such genre of poetry from the very beginning till the present in this country.  Also the reader is introduced to three generations of poets namely:  the pioneers, mukhadram, and the young ones.    Manuscript profile

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27 - The linguistic investigation of Bahar’s odes
Mohammad Reza Pahlavan Nejad Alireza Sezavar

Bahar is the first person who wrote stylistics in a methodological and scientific manner regarding the prose and defined it scientifically.  Although he didn’t live long to continue his research and do the same for the verse but he had scattered notes which l More

Bahar is the first person who wrote stylistics in a methodological and scientific manner regarding the prose and defined it scientifically.  Although he didn’t live long to continue his research and do the same for the verse but he had scattered notes which later were collected.  In his book of stylistics, Bahar was more concerned with the linguistic aspect rather than other subjects.  The most prominent feature of Bahar’s odes is following the language of the past in all aspects especially in social and political issues the content was totally consistent with the details of the society of the day.  The movement of return to the ways of the ancients manifests itself mostly through their language particularly in their poetry.  In this article Bahar’s odes have been studied in terms of 1) phonology 2) morphology 3) syntax The phonology section is concerned with the characteristics of words such as tashdid, contraction, maximization, minimization, mutation in words and music produced by the proximity of words.  Morphology section deals with the employment of old words with fresh meanings and finally syntax is concerned with the structure of the languages in the past and their application in Bahar’s poetry focusing on supplements and variety of “ra”. Manuscript profile

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