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        1 - Analysis of the archetypes of "shadow and wise old man" in Ziauddin Nakhshabi's Tuti Name
        Zakiyyeh Dastmard محمود حیدری Alireza Shanazari
        Tuti Namah is a lyrical allegorical prose work by Ziauddin Nakhshabi the mystic of the 8th century AH, who migrated from Khorasan to India. This story is told in the style of "One Thousand and One Nights" and with the story-within-a-story method. Since the main theme of More
        Tuti Namah is a lyrical allegorical prose work by Ziauddin Nakhshabi the mystic of the 8th century AH, who migrated from Khorasan to India. This story is told in the style of "One Thousand and One Nights" and with the story-within-a-story method. Since the main theme of many of these works is the conflict between good and evil, happiness and misery, and the author in these stories is looking for a moral result for the audience, it is assumed that these characteristics are on the one hand with the teachings of Muslim mystics and The austerities and worships that they impose on the rebellious soul in their mystic behavior and on the other hand, are consistent with the archetypes of the shadow and the wise old man in the eyes of Jung. The upcoming research is based on qualitative content analysis and with a psychoanalytical criticism approach, in order to prove this hypothesis and answer these questions, how the folk stories of Tutı Nameh can be adapted to the two mentioned archetypes and how these archetypes in the completion of the collective unconscious process and reaching perfection effective? The result indicates that these archetypes are clearly evident in the arguments between Parrot and Khojasteh. Khojasteh's insistence on sexual pleasure and the parrot's warning to her are a manifestation of the relationship between the ego and the reassured soul, which can be analyzed with the archetypes of "shadow" and "wise .... Manuscript profile