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Open Access Article
1 - The Image of Wine in Mostafā wahbī al-tal's ( ͑Arār) poetry and the amount of its influence from rubāʿiyāt-e-Khayyām (Quatrains of Khayyam)
Hooman Nazemian Hossein Abavisani Soghra Falahat Razieh MaskaniMustafa Wahbi al-Tall, known as ͑Arār(1899-1949 AD) is one of the great poets of Jordan. He is known as the 'Father of Jordan contemporary poetry'. When ͑Arār received a versified translation ofthe rubāʿiyāt-e-Khayyām (Quatrains of Khayyam), he became interested in and MoreMustafa Wahbi al-Tall, known as ͑Arār(1899-1949 AD) is one of the great poets of Jordan. He is known as the 'Father of Jordan contemporary poetry'. When ͑Arār received a versified translation ofthe rubāʿiyāt-e-Khayyām (Quatrains of Khayyam), he became interested in and fond of them, and composedKhayyām-type poems. So, we can say that it is too difficult to understandhis poems and mastering his poetic themes without understanding philosophy and thoughts of Khayyām. In order to determine the degree of poet's reliance on his poetic ability in creating new images, the article tries to have a technical look in his khamryyāt (wine poems). Similie, metaphor, hyperbole and so on are the most important devices which are investigated in the article. The results of the research show that there is no traces of the influence of imaginary pictures of Khayyām on Arār and the so called influence is due to the traces of Khayyam's philosophical thoughts in Arār poems. Manuscript profile -
Open Access Article
2 - واکاوی مفاهیم علمی و اعداد در رباعیات خیام، و ارتباط آن با چارچوب فکری او
اشکان گرشاسبی -
Open Access Article
3 - Checking the norms in the Beyidel Dehlavi’s Quatrains
Abdolreza Modarreszadeh Zainab Khoshvatan Mohammad SalamatianDisfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richn MoreDisfamiliarization, exaggeration, normalization, deviation from the natural form of language and the rules governing the most influential methods of creating a new style in poetry and it is one of the important components for the arrangement of speech and literary richness because it transforms the language of the criterion and highlighting the language forms. If meta-normality is more novice, it will be more acceptable and the style of the poet will be more personal. Because one of the Indian style features is fresh and imaginative themes. Bidel Dehlavi is one of the poets of this genre with the highest degree of artistic tenderness and creativity in personal style. Bidel’s quatrains are full of imaginative and ingenious literary initiatives. The tendency to use fresh ingredients, novel themes and artistry imagery makes Bidel stretch from the natural language and it create stunning images with its amazing structure. In this article, the normality of the Bidel’s quatrains have been studied in eight lexical, syntactic, phonetic, semantic, dialectal, archaic, and written phrases،we encounter the various types of normality in Bidel, but the most prominent Bildel style attribute is related to syntactic normality is a semantic, lexical, and stylistic form by constructing specific numerical affiliations, new combinations, modern imagery, and algebraic terms. Manuscript profile -
Open Access Article
4 - Abdul-Rahman Shukri and the Rubaiyat of Omar Khayyam
Jamil Ja’fari Sherafat KarimiOmar Khayyam, the leading Persian poet and scientist of the fifth century created a collection of poems known as the Rubaiyat, which passed the geographical boundaries and has been translated into several languages. The first translation was presented by an English poet MoreOmar Khayyam, the leading Persian poet and scientist of the fifth century created a collection of poems known as the Rubaiyat, which passed the geographical boundaries and has been translated into several languages. The first translation was presented by an English poet named Fitzgerald who introduced Khayyam's poetry and opinions to the western world. His translation is to some extent a conceptual one, and even some of his translated poems differ from its original Persian equivalent. The Arab world did not lag behind, and some literary men began to translate the Rubaiyat into Arabic. Some of them used the original Persian version as their source, but most of them, due to lack of proficiency in Persian, inevitably took advantage of the English version. One of these Arab figures is the Egyptian poet Abdul-Rahman Shukri who has translated three quatrains from the English version into Arabic. Since he used an English translation as his source text, his translation reveals some defects both in its form and its content. For example, Khayyam’s quatrain form has been replaced by a free and conceptual translation, and he has endeavored only to convey the whole idea. This paper is a comparative study of Shakuri, and Fitzgerald translations and original Persian text of Khayyam aiming at evaluating and analyzing the defects of translation of Rubaiyat. Manuscript profile -
Open Access Article
5 - Sayyid Qutb and Persian poetry (Reflecting his appreciations regarding Hafez and Khayyam's poetry)
Faroogh NematiSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied thei MoreSayyid Qutb is one of the prominent figures of the twentieth century. He is considered as a religious and political intellectual, and his views regarding literature and poetry is subject to consideration. Studying Hafez and Khayyam poetry, he has critically studied their poem and believes that these two Persian literary figures can be classified among mystical poets. Hafez, in general, is poet with great wit and humor mixed whit romantic ideas and occult knowledge, and Khayyam, according to him, is a grieved Sufi and poet searching for the lost truth failing to find a ray of light in darkness. Sayyid Qutb's appraisals on the one hand indicates the degree of familiarity with the Iran's literature and culture and, on the other hand, reveals his detailed studies concerning the great poets of Iran. This paper aims at considering his critical appraisals and appreciation regarding two Iranian poets. Manuscript profile -
Open Access Article
6 - معشوق مهتر و کهتر در غزلیات و رباعیات سعدی
شبنم حاتم پور -
Open Access Article
7 - The study of the functions of "philosophy of the revolution of the world" in Rubaiyat Khayyami and Mohammad Hossein Karbarei
hossein akbari HABIB jadidRu'ba'yyat of Khayyami, as a representative of a tradition, has evolved throughout the centuries and years of Persian literature. Many poets in this wise tradition, formed in opposition to the deterministic thinker system, played a lot, and many morals were performed, b MoreRu'ba'yyat of Khayyami, as a representative of a tradition, has evolved throughout the centuries and years of Persian literature. Many poets in this wise tradition, formed in opposition to the deterministic thinker system, played a lot, and many morals were performed, but ultimately, the collection of these mental lesions, known as Hakim Khayyam, is called Neyshaburi. The type of thought that has been described and described in the form of Rubaiyat Khayyami has been continually imitated and followed by many poets including Mohammad Hossein Kebriayi, the prominent poet of the Nebhndani. By referring to the Ruba'iyat of Khayyami (as the later text), he has referred to various wisdom matters, including "the philosophy of the revolution of the world." In the present article, with the comparative approach and descriptive-analytical method, the manifestations of this influence and the possible innovations of the poet are considered. The results of the research indicate that the totality of what is described and represented in the Khayyami and Kebriayi are identical, and the continuity of the same tradition of scholarship in Quranic poetry is clearly seen, but what the poets of the poet give special privilege, the proper use of arrays The rhetoric is especially the likeness and metaphor and the use of indigenous terms in the Nehbandan area, which was used to simplify the process of perceiving the audience towards the details of the "philosophy of the revolution of the world." Manuscript profile -
Open Access Article
8 - نوستالژی در رباعیات خیام
علی دهقانی -
Open Access Article
9 - .
Isa Charati Ahmadreza Yalameha -
Open Access Article
10 - .
مهرداد چترایی عزیزآبادی -
Open Access Article
11 - A Study and an Analysis of Didactic Foundations in Saadi's Quatrains
Hamzeh Akbarizadeh Nemat Isfahani omran Hamid TabasiThe high frequency of some ethical themes in the text indicates the educational foundations in the author's thinking. Didactic foundations are more ostensible in a coherent and short literary form like quatrains, because the poet tries to depict his instructive thoughts MoreThe high frequency of some ethical themes in the text indicates the educational foundations in the author's thinking. Didactic foundations are more ostensible in a coherent and short literary form like quatrains, because the poet tries to depict his instructive thoughts with the shortest form of thought, in order to be more effective. Saadi is one of the poets who has portrayed his didactic concerns in various forms of poetry, including his quatrains. These concerns and didactic foundations are more pronounced in Saadi's quatrains than in his other works due to the brevity of form and structure of the quatrains. Doing this research could be significant and necessary because literary researches did not paid enough attention to Saadi's didactic quatrains. Furthermore, the quatrains have a special capacity to find Saadi's didactic foundations. Accordingly, in this article, an attempt has been done to examine in a descriptive and analytical manner, the didactic foundations of Saadi's quatrains, which have not been explored so far. Numerous themes, including death, unreliability of the world, love, predestination, free will, justice, and morality (special behavioral hints), form the profound didactic structure of Saadi's quatrains. Understanding these didactic themes requires classification and genealogical view to discover the intellectual and ideological origin of the poet's thoughts. The research findings show that the didactic foundations in Saadi's quatrains are influenced by the jurisprudential and theological ideas of his time and the philosophical ideas of ancient Iran. In fact, the poet composed his quatrains according to the unsettled situation of the society of his time. He has given didactic and instructive quatrains, so that he can teach the audience a set of moral good deeds. Manuscript profile -
Open Access Article
12 - جلوه های مختلف تکرار در رباعیات باباافضلالدین مرقی کاشانی .
محمد رضا شریفی -
Open Access Article
13 - Artistic innovations in RobaiyatMoulana
Kavous Hassan Lee Shahin HaghighiRobai is awell known genrein Persian poetry which many Persian poets namely Jalal al-Din Mowlana has adapted so many times. Moulana has been the center of attention by many literary scholars with his two outstanding works that is to say Masnavi and Ghazaliat Shams MoreRobai is awell known genrein Persian poetry which many Persian poets namely Jalal al-Din Mowlana has adapted so many times. Moulana has been the center of attention by many literary scholars with his two outstanding works that is to say Masnavi and Ghazaliat Shams. Nevertheless the world of his Robaiyat likewise is filled with poetic experiences and artistic innovations which must not be overlooked. However, the literary credit of Robaiyat is overshadowed by the above illuminating works. This article points to certain artistic motivations, and literary innovations in RobaiyatMoulana. The reference for this study has been Kolliyate Shams Tabrizi provided by TowfiqSobhani published in 1381 by Ghatreh publications. This work contains 1983 robai. Manuscript profile
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