List of Articles دستار

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  1 - Investigating the Role of Dandar in the Cultural Identity of the Men of the Safavid Age, Based on Sa'eb Tabrizi Poetry
  nasrin rezazadeh maryam mohammadzadeh ramin sadeginejad
  10.30495/dk.2020.679749
  In examining the identity of the body, such as cover and makeup, wear, and moreover, upper underwear, especially the cover, such as gown and color, sex, shape, size and makeup, play a significant role in identity formation, in comparison with other cloths. The culture o More

  In examining the identity of the body, such as cover and makeup, wear, and moreover, upper underwear, especially the cover, such as gown and color, sex, shape, size and makeup, play a significant role in identity formation, in comparison with other cloths. The culture of men has been in different societies. One of the most influential cultural-social effects of this identity is Safavid era. The main question of this article, which we are seeking to find a response in a descriptive-documentary way, is that the poetry of the Safavid period, as an important part of the documents and historical sources, can play; the role of the dressing and arrangement in creating and forming an identity Cultural society among men in this period? The findings of this research show that Safavid era poetry, especially Saeb Tabrizi, is one of the richest sources and documents for historical-social studies, including cover and makeup, and the most important and most significant identity coverage The section of men is in the Safavid era. Manuscript profile
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  2 - The meaning of Sare Sofre in the hemistich of CHON SARE SOFRE ROKHE OU TOEY TOEY…. From the sixth book
  hadi akbarzadeh
  Reporting and explaining of verses of literary works which is known as TALIGHAT has a long history of five hundred years old. In the contemporary period, researchers and investigators have also written explanations on the old Persian literary works in the form of articl More

  Reporting and explaining of verses of literary works which is known as TALIGHAT has a long history of five hundred years old. In the contemporary period, researchers and investigators have also written explanations on the old Persian literary works in the form of article or reports. It is necessary to note that the surface structure of important literary texts is the first means for reaching to the deep structure. Therefore, the exact report of verses and literary expressions shouldn’t be neglected. The significant and usefulness of such reports become more obvious when we notice to the reports that M.A. and PhD students are writing. Unfortunately, We see that they are still unable to read the reports of old  words  and verses in literary texts. This article is one of my unorganized notes which I have written in the margin of Dr.JAFAR SHAHIDI's commentary of MATHNAVI. In fact this research is a marginal writing to the marginal writing of Dr. SHAHIDI for the sixth book of the MATHNAVI. To my opinion, this hemistich needs more attention and analysis. MATHNAVI MANAVI is among those books which consist of huge amount of information about culture of common people as well as valuable literary advices. This masterpiece has special, cultural and literary indexes which is incomprehensible for today's readers. The compound SERE SOFRE which MOLANA has used in hemistch of CHON SERE SOFRE ROKHE OU TOEY TOEY has created a problem for me and other commentator also have had trouble interpreting it .This compound hasn't been recorded in any Farsi dictionary. The writer of this article has tried to explain the different meanings of this compound in literary books and its usage in other literart works. The meaning of the mentioned hemistich is explained by using different sourced. We hope that the present article meant no disrespect to the great commentator, Dr. SHAHADI.   Manuscript profile
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  3 - The study of symbolic imagery of Farr (In connection with the images in Shahnameh)
  Fatemeh Mahvan Mohammad Jafar Yahaghi Farzad Ghaemi
  Motifs used in Shahnameh’s imagery are on one hand in connection with the textual sign systems and on the other hand are of a nature belonging to the visual sign system. An example from this dual system of textual-visual kind is seen in the visual motifs of heaven More

  Motifs used in Shahnameh’s imagery are on one hand in connection with the textual sign systems and on the other hand are of a nature belonging to the visual sign system. An example from this dual system of textual-visual kind is seen in the visual motifs of heavenly concept of farr. In textual system, Kiani Farr refers to Shah’s legitimacy. Researches made in this regard generally describe the concept of Farr, and deal with its application in Shahnameh and ancient texts. The emphasis of these works is mostly on the semantic aspect of Farr. This essay however attempts to study the concept of Farr from another approach. Looking for its meaning among the images to find out how the visual artists depicted the concept of Farr. Thus the attempt is made in this article to seek and find symbolic imagery in between the images in Shahnameh, rock reliefs, and images depicted in banners. For this reason apart from the textual sources, one made use of visual sources as well. Studying the images illustrate that Farr is manifested in form of three motifs of light, bird and crown. These three motifs each has different manifestations dealt with in detail in this study. The purpose of this research is to find the symbols of Farr by inspection of visual sources. Manuscript profile