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Open Access Article
1 - An analysis of pride types in Khaghani Shervani’s collection
Gholamreza kafiThe Mofakhereh (Self-Admiration) technique is one of the secondary epic literary types as one of the foundations of the Persian implicit poetry themes ad is considered in world literature, too. Of course, there are many poets who used this technique among which Khaghani MoreThe Mofakhereh (Self-Admiration) technique is one of the secondary epic literary types as one of the foundations of the Persian implicit poetry themes ad is considered in world literature, too. Of course, there are many poets who used this technique among which Khaghani Shervani is one of the prominent poets. By being proud of himself and narcissism about his poets, Khaghani exaggerated in self-admiration and superiority. In this article, different types of pride in his poetry would be analyzed in 2 classes and his self-admiration relative to other poets would be explained as innovative dimension of this article. In addition, speaking of the pride or suckling of the pride is a new argument which is considered in this article based on different evidence in Khaghani’s poetry. Admiration, superiority and being proud of ethical values are the frequently used honors of this poet. Manuscript profile -
Open Access Article
2 - Complaint in Khaghani’s Poetry
Ali Asghar Baba Safari Marzieh Farahi Qasr AbunasrComplaint is a kind of lyric poetry in which the poet tries to make the reader aware of what has made him/her suffer. Based on the subject, complain is generally divided into five categories: 1) Personal 2) Social 3) philosophical 4) Political 5) Mystical. Khaghani is a MoreComplaint is a kind of lyric poetry in which the poet tries to make the reader aware of what has made him/her suffer. Based on the subject, complain is generally divided into five categories: 1) Personal 2) Social 3) philosophical 4) Political 5) Mystical. Khaghani is among the poets whose poetry is deeply concerened with the motif of grief and sadness. One can almost say for sure that complaining has a particular function in his poetry. Of his 17000 lines, almost 1000 lines (about 6%) of his whole Divan has been devoted to this issue. His poetry is not concerened with mystical complaint at all, and political complaint has the lowest frequency, while other issues are, in turn, divided into various other subdivisions. This paper is concerened with complaint and its reflection in Khaghani’s poetry. Manuscript profile -
Open Access Article
3 - Poverty In Khaghani's Poem
Ali Mohamad Moazeni Ali Abbas Alizadeh Khaghani shervani, a great literarian of Persian literary in 6th century, is the first master poet in Persian speech as supposed highly in many aspects of lecturer. The used meanings through the khaghani’s poem was ignored as his using of metaphors, art p More Khaghani shervani, a great literarian of Persian literary in 6th century, is the first master poet in Persian speech as supposed highly in many aspects of lecturer. The used meanings through the khaghani’s poem was ignored as his using of metaphors, art poems and scientific expressions , which are his own style. Manifesting Gnostic thoughts an concepts in Persian poetry coused many poets to exercise their nature, to express their ideas in the field. Specially some issues, frequently manifested through khaghani’s poems, are Gnostic and suffis concepts the general study of his thoughts from the view is more extent than the essay so in this essay is tried to examine the poverty concept- he knows himself as a theories in the field. Manuscript profile -
Open Access Article
4 - Two Name Sake Isfahani Characters
Kamran KassaiIsfahan has the two characters who their names are Jamaluddin. The one of them is Jamaluddin Abdorrazzagh Isfahani, the famous poet and singer in the sixth A.H. century, which we don't want to speak about him. Because he is very famous for Persian literature searcher an MoreIsfahan has the two characters who their names are Jamaluddin. The one of them is Jamaluddin Abdorrazzagh Isfahani, the famous poet and singer in the sixth A.H. century, which we don't want to speak about him. Because he is very famous for Persian literature searcher and an other Jamaluddin is Mohammad b. Ali b. Mansoor, the righteous minister in the Saljoughid period. (the 6.th.century). This person, is the more unknown than Jamaluddin Abdorrazzagh Isfahani. Incidentally, Khaghani-e Shervani, the famous poet and singer in the 6.th century, makes friends with this two charactors. About the friendship between Khaghani and Jamaluddin and their oppositions, was spoken in the litteral critics and sources. The main matter of this article is characterization and description of minister Jamaluddin and his ethical features in historians sayings and Khaghani's poem id Tohfatoleraghein masnavi. Manuscript profile -
Open Access Article
5 - مهر و باورهایی از آن در ژرفساخت استعارههای خاقانی
mohammad sadegh tafazoli mohammad taghi goodarzi -
Open Access Article
6 - تفسیر چشماندازهای فرهنگی ایوان مدائن از دیدگاه خاقانی
رامین صادقی نژاد مریم محمّد زاده -
Open Access Article
7 - A comparative study of the common themes of the prophetic praises of Ahmad Shooghi and Khaqani
Roqayeh Nemati Mehrdad Aghaei Abdollah Pasalari The ancient root of comparative literature or parallel literature in the history of Persian and Arabic literature has not been hidden from any researcher of this bilingual literature, especially in the field of prophetic praises since ancient times. The praise of More The ancient root of comparative literature or parallel literature in the history of Persian and Arabic literature has not been hidden from any researcher of this bilingual literature, especially in the field of prophetic praises since ancient times. The praise of the Holy Prophet of Islam (PBUH) is a legacy of the common religious sentiment and thinking of Islamic writers, especially between the civilizations of Iran and Arabs. Even the long time of living between the poets of Wadiban has not been able to make these common and remarkable aspects and themes in their poems become forgotten. The poems of these two poets, considering The religious and religious background of both of them, in spite of living in different eras, and with a long time gap, has a common aspect, especially the teachings of the Holy Prophet of Islam. The comparison of the poems of these two poets is based on prophetic praises and common themes such as the birth, morals and creation of the Prophet (PBUH), the position and status of the companions and family of the Prophet (PBUH). , the Kausar pool, miracles and influence from the Qur'an and prophetic hadith and attention to Jesus the prophet can be compared and measured. with the difference that although Khaqani does not have a Sufi profession, he has a special skill in creating meanings and using various words of Sufi literature, and most of his descriptions are short and concise. However, in most cases, Shoghi expresses the matter in a simple, clear and concise way in his prophetic praises. A comparison compares the poems in Shoghi Diwan and Khaqani Batkieh on their prophetic praises, in order to show the commonalities and differences of these two famous poets in the way of speaking. Manuscript profile -
Open Access Article
8 - تحلیل زمینهای نوستالژی در اشعار خاقانی
نصرالله امامی افسانه سعادتی -
Open Access Article
9 - مقایسه تحلیلی هجو در شعر سنایی غزنوی، جمالالدین عبدالرزاق اصفهانی و خاقانی شروانی
علی اصغر باباصفری حشمت الله انصاری -
Open Access Article
10 - The Function of Eulogy in Khāqāni's Poetry
Rezā Sādeghi ShahparIranian and Semitic myths are widely and variously reflected in Khāqāni's poetry and his panegyrics. The extraordinary power and glory of the mythological figures is familiar to everyone. Khāqāni pays attention to this and describes his praised person and shows his/her MoreIranian and Semitic myths are widely and variously reflected in Khāqāni's poetry and his panegyrics. The extraordinary power and glory of the mythological figures is familiar to everyone. Khāqāni pays attention to this and describes his praised person and shows his/her superiority over Iranian and Semitic myths and even Islamic characters. Because of this, he sometimes ignores his religious beliefs. The present article aims to examine the function of the myths in Khāqāni's poetry. The results show that he has no disagreement with Iranian myths, nor does he disbelieve religious beliefs. Whenever, he refers to superiority of his praised persons over the mythological figures or despises the myths, he wants to attract his praised person attention and enjoy his/her material gifts. Manuscript profile -
Open Access Article
11 - Which SHahnameh has been used by KHaghani SHarvani?
kamran arzhangi Mohammad jafar YahaghiWhich SHahnameh has been used by KHaghani SHarvani? Khaghani Sharvani, the great eminent poet of the sixth century A.H. had borrowed to a large extent many narratives, epic, mythical, and heroic tales from Shahnameh in his poetry. However certain evidence show tha MoreWhich SHahnameh has been used by KHaghani SHarvani? Khaghani Sharvani, the great eminent poet of the sixth century A.H. had borrowed to a large extent many narratives, epic, mythical, and heroic tales from Shahnameh in his poetry. However certain evidence show that the stories drawn upon do not belong to Ferdowsi’s version of Shahnameh and distinctly not found in it. It is also possible that the tales are differently narrated. It is proposed in this article that Khaghani may have had access to another Shahnameh other than Ferdowsi’s epic. One also encounters such discrepancies in the poetry of other poets of the fifth and sixth century A.H. The attempt is made in this article to study the materials taken from Shahnameh in Khaghani’s poetry and to compare them with earlier epic sources and epic narratives available in ancient Persian history. The study verifies that Khaghani had access to other Shahnameh copies. Further examination of evidence strengthens this supposition that he had been mostly under the influence of Masoudi Marvazi’s Shahnameh. Manuscript profile
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