اوجی

Open Access Article

1 - The Antimicrobial and Organoleptic Effects of Mentha aquatica Essential Oil on Kluyveromyces marxianus in Iranian Yoghurt Drink
S. Aghdasi H. Kaboosi L. Golestan

Introduction: Mentha aquatica is one of the species of mint family. The essential oil of this plant has shown effective antimicrobial properties on various kinds of microorganisms in the culture. This study aims to investigate the preventive influence of Mentha aquatic More

Introduction: Mentha aquatica is one of the species of mint family. The essential oil of this plant has shown effective antimicrobial properties on various kinds of microorganisms in the culture. This study aims to investigate the preventive influence of Mentha aquatic essential oil on viability of Kluyveromyces marxianus in Iranian yoghurt drink. Materials and Methods: Mentha aquatic essential oil was obtained by distillation method employing Clevenger apparatus. The effective composition of the essential oil was identified by Gas Chromatography equipped with Mass Spectrometer (GC/MS). The inhibitory effect of Mentha aquatic essential oil on kluyveromyces marxianus was examined on Muller Hinton agar culture using diffusion disk method. After assurance of its antimicrobial properties, the Inhibitory influence of Mentha aquatic essential oil was studied on Kluyveromyces marxianus at 0.05, 0.1, 0.125 and 0.25% concentrations in Iranian drinking yoghurt during 28 days of storage. Results: The results showed that Mentha aquatica essential oil has the highest inhibitory effect on Kluyveromyces marxianus growth at high concentrations. Concerning the antimicrobial property and organoleptic characteristics, it might be concluded that 0.1% concentration of the essential oil might be regarded as the optimum concentration. Conclusion: It can be concluded that Mentha aquatic essential oil, caused a declining effect on the viability of microorganism studied. Manuscript profile

Open Access Article

2 - Analysis of Savoji’s “Jamshid and the Sun” Based on Prop’s Theory
Ebrahim Vasheghani Farahani Leila Hashemian Maryam Rahmani

Morphological analysis is a central technique in structural criticism. In this analysis, the critic seeks to discover relationships among the structural constituents of a tale. It was first introduced into literary criticism by Vladimir Prop under the influence of Ferdi More

Morphological analysis is a central technique in structural criticism. In this analysis, the critic seeks to discover relationships among the structural constituents of a tale. It was first introduced into literary criticism by Vladimir Prop under the influence of Ferdinand de Saussure’s structural linguistics. Prop based his work on the actions of the characters in fairy tales and, after analyzing these actions and their functions, he found out that all the tales follow similar structures which can be generalized to explain the tales of various peoples over the world. Such analysis reveals that the characters of different tales, regardless of apparent differences, have constant specific functions according to their role in the tale. The present paper is an attempt at the structural analysis of the tale of “Jamshid and the Sun”, which is one of the most successful lyric tales of Persian literature, and at the study of the functions and their order in each role to determine the degree to which to these functions conform to the roles and self-actions in the story. Manuscript profile

Open Access Article

3 - A Study and Comparison on Lateral Music of Salman Savoji and Khwaju Kermani's Sonnets
Reza Ashraf Zadeh Ameneh Taak Mohammad Fazeli

Khwaju Kermani and Salman Savoji – famous and stylistic poets of eighth century – could manifest rhythm and terms harmony by music assistance. The present article intends to prove two iso – rhyme are less rhythmed by studying and surveying Khwaju Kerma More

Khwaju Kermani and Salman Savoji – famous and stylistic poets of eighth century – could manifest rhythm and terms harmony by music assistance. The present article intends to prove two iso – rhyme are less rhythmed by studying and surveying Khwaju Kermani and Salman Savoji's lateral music. Such kind of rhyme are more in Khwaju's poetries rather than Salman's. Khwaju was not interested in applying artificial rows while Salman's rows are mostly simple and prefixed. Rows in both poets' poetries are various. Manuscript profile

Open Access Article

4 - allegorical motifs- mystical Gnostic in book Jamshid and Khorshid Salman Savedji
Zahra Rajablou Mandana Alimi

Jamshid and Khorshid book written by Salman Savedji is a symbolic and allegorical book that all of its components are unified structure. This book shows familiarity of him with rich heritage of literary, cultural and spiritual legacy of the previous periods in addition More

Jamshid and Khorshid book written by Salman Savedji is a symbolic and allegorical book that all of its components are unified structure. This book shows familiarity of him with rich heritage of literary, cultural and spiritual legacy of the previous periods in addition to showing strength of him in his storytelling and joining of various materials. Part of this heritage belongs to the wisdom of the Gnostic thoughts and Manu and Hermes. The purpose of this article is to show traces of these ideas in the book Jamshid and Khorshid. In this paper, after introducing and explaining the Gnostic ideas and the history of Iranian civilization, the influence of Gnostic themes, including the duality of matter and spirit, love, sleep, travel, mediating and testing were shown in this book. Analysis of this work is in fact offering a fresh interpretation of the purpose of the query. Manuscript profile

Open Access Article

5 - The Analysis Of mystical Allusions In Divan-e- Salman-e-Saveji
Mohammad taghi Ghandi Jalil Tajlil

.An analytic Study through the Divan-e- Salman-e- Saveji reveals the fact that in love mysticism, he is greetely influenced by the distinguished figures such as Ibn-e- Arabi, Moulavi and Hafez. Going through his poems, the presence of mysticism in various forms is vivid More

.An analytic Study through the Divan-e- Salman-e- Saveji reveals the fact that in love mysticism, he is greetely influenced by the distinguished figures such as Ibn-e- Arabi, Moulavi and Hafez. Going through his poems, the presence of mysticism in various forms is vividly understood. Like his sonnets, the odes, written to give his compliments to those who have been admired by him however, is full of mystical lessons. Beauties and affections have been so highlited in Salman’s poems that they can be valued the same as masterpices left by Hafez and Sa’di. Salman is one of the followers of pantheism and illumination. His poems are characterized to be against hypocritical asceticism, but in favor of roguishness. Love and pantheism have been known to be the main themes of his poems and the core of his allusions. From his joyful point of view, the reality of life can be found in true love. In the appraisal sonnets and odes, a mixture of romantic deep feelings and a mystical look upon the universe, forms Salman’s attitude and life style. From this aspect, Salman has inherited his ancestors’ mystical tradition and pantheism. Manuscript profile

Open Access Article

6 - Mystical Nostalgia of Khaju Kermani and Salman Savoji
Somayyeh Abdullahi Nejad Mohammadreza Zaman Ahmadi Abdurreza Moharreszadeh

Language is the most important tool for communication by means of which human being can express his or her meanings and various needs. One of such needs is expression of envy, homesickness, and grief for the past called nostalgia. The sense of nostalgia is mingled with More

Language is the most important tool for communication by means of which human being can express his or her meanings and various needs. One of such needs is expression of envy, homesickness, and grief for the past called nostalgia. The sense of nostalgia is mingled with the thinking, sensation, and behavior of humankind. In Sufism and Islamic mysticism, nostalgia is remarkable presence having meaningful dimensions and various interpretations. In addition, nostalgia is the most impressive psychological activities in Persian literature, especially in the eighth century for which there are two mystical poets, namely Khaju Kermani and Salman Savoji. This paper investigates through descriptive analytic methodology aimed at the study of the poems by Khaju Kermani and Salman Savoji on the mystical nostalgia to explain the different types of nostalgia and the causes pertinent to that notion from their standpoint. The most significant thing this paper accomplishes is the identification of various factors affecting the mind and thought of the poet and its reflection on the better understanding and relation with their poems. The original staying away from home country and real beloved is the nostalgic themes of their works. The results of this paper explains why Salman Savoji, like Khaju Kermani, has felt the mystical nostalgia arisen from distance from real beloved and original homeland. After a short introduction on the multifaceted concepts of traditional, modern, and postmodern nostalgia, the writer deals with the explanation and account of nostalgic idea and its subdivisions in Khaju Kermani’s and Salman Savoji’s divans with reference to dictionaries and reference sources and articles, and thereafter, he mentions some evidences of their literature for each subject matter. Manuscript profile

Open Access Article

7 - Jamaleddin Savoji and the Effect of his Personality on the Behavioristic Path of Qalandariyya
zahra amire

Qalandariyya is one of the branches of the Safaviyya dynasty which was ramified from the faction of Malamatiyya and is sometimes considered as Malamatiyya itself. At first, the actions of Qalandariyya were similar to those of Malamatiyya, i.e. protesting against the pol More

Qalandariyya is one of the branches of the Safaviyya dynasty which was ramified from the faction of Malamatiyya and is sometimes considered as Malamatiyya itself. At first, the actions of Qalandariyya were similar to those of Malamatiyya, i.e. protesting against the political and social conditions. However, after some time, the members of this faction began to sham. They turned to unusual and strange appearances for distinguishing themselves from other members of the society. One of the prominent figures of Qalandariyya was Jamaleddin Savoji who was the leader of Julaghi Qalandaris. The myths surrounding Jamaleddin Savoji such as the stories told to Sufis and mystics are full of unbelievable exaggerations. Being an Iranian, Jamaleddin presented his novelty practices in Damascus. Later, he went to Egypt and settled in Damietta. A large number of people from Islamic countries became Jamaleddin's followers. After his death, Qalandaris who pretended to be chaste and free from worldly attachments fell into corruption and committed actions which were against both the custom and the religion.   Manuscript profile

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8 - «فراقنامه»؛ روایتی عاشقانه یا تغزّلی توصیفی؟
علی قلی نامی

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9 - بررسی پارامترهای کمی و کیفی گیاه اوجی خشک شده با روشهای‌ بستر سیال و مایکروویو
فرزانه صفری سیده زهرا سید النگی هادی عالمی

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Open Access Article

10 - Salman Savoji and the Tradition of the Rendi and Ghalandari
Dāvood Vāseghi khondabi Omid Shāhmorādi Mohammad Rezā Najjāriān

Salman Savoji is one of the prominent poets of 8th A.H. century whose poems represent various religious, mystical and social thoughts. Although he used to praise the kings and took financial profits from his poems, this feature never caused him to abandon the spiritual More

Salman Savoji is one of the prominent poets of 8th A.H. century whose poems represent various religious, mystical and social thoughts. Although he used to praise the kings and took financial profits from his poems, this feature never caused him to abandon the spiritual dimensions. The present article, based on library studies and descriptive-analytical method, tries to analysis the libertinistic (rendi) and bohemianistic (qalandari) themes in the ghazals of Salman Savoji. After giving an introduction to Malamatiyya school and theologies of libertinistism (rendi) and bohemianistism (qalandari), we consider these themes in the poems of Salman Savoji. Considering his poems shows that he is one of the most prominent figures of the real mysticism and avoids the ways of people of the cloak (the followers of formal mysticism). He challenges the principles of sufi monastery system and attacks their taboos by highlighting their corrupted values. Salaman is aware of the concept of diffusion of Love in the Divine order, and considers it as a Divine doposit; he abandons his name and fame, leaves mosque and monastery and takes refuge in the vintner's house. According to Salman Savoji, the perfect man is a bohemian libertine (rend) who turns her/his back on the exterior of the sacred Law and resides in cloister of Magians. He believes that the only way to salvation is bohemianistism (qalandari); In this path, the mystic cleans the cloak of hypocrisy with Divine wine and puts aside pragmatism. Manuscript profile

Open Access Article

11 - The Concept of joyance and its Synonyms from the View Point of Khayyam , Khagani and Salman Sawaji
Mas'ud Partovi Nejad Foomani Mohammad Reza Shad Manamen Alireza Nikooee

Abstract         Joyance, the internal tranquility, which causes the human mentality to understand and have pleasure, is manifested by cheerfulness and smiling expression in man. Nowadays, numerous criteria are introduced to create jo More

Abstract         Joyance, the internal tranquility, which causes the human mentality to understand and have pleasure, is manifested by cheerfulness and smiling expression in man. Nowadays, numerous criteria are introduced to create joy and relative decrease of sadness which some of them have little or short term impact on hilarity of man. Literature and poems of poets have had increasing effect on people's minds and souls in different settings. One of the most significant matters from the view point of poets is joyance and its derivatives; therefore, in this essay, we have tried to investigate the matter of happiness from the three poets' perspectives, and it was revealed that Khayyam, besides his philosophical and mathematical insights , considers the world ephemeral and invites people to joy and happiness and to take advantage from the short life. Khagani, in addition to his knowledge in other sciences, calls his readers to have pleasure in life and by alluding to festivals, ceremonies, and kings' feasts and description of nature encourages the common people to have high spirit. Salman Sawaji considers love mostly spiritual and emphasizes on internal joy. Manuscript profile

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