The present article studies the different aspects of Paris in the Lebanese novel in general and in Suhayl Idris’s Al-Hayy al-Latini in particular as a sample. This study examines the protagonist and al-Idrisi’s views of Paris as a beautiful western city and More
The present article studies the different aspects of Paris in the Lebanese novel in general and in Suhayl Idris’s Al-Hayy al-Latini in particular as a sample. This study examines the protagonist and al-Idrisi’s views of Paris as a beautiful western city and as one of the symbols of civilization and culture in modern Arabic literature. Whether the world is considered to be a psychological model or the symbol of a collective wholeor even a behavioralexample, all these concepts rely in their different forms on the necessity of analyzing man’s behavior and outcome based on a holistic view.This article attempts to apply the Romanian Lucien Goldmann’s views of external and foreign worlds to Suhail Idris’s views in Al-Hayy al-Latini. In sum, it could be concluded that Idris in this novel belongs to progressive socialism and reflects rebellion and insurgence through the protagonist all through the novel.
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The beginning of the novel is the gateway to its world. So this may cause some novelists to stop writing their own novels; because starting a novel is one of the most difficult things about writing a story. The beginning of a story can guide the reader into its world, i More
The beginning of the novel is the gateway to its world. So this may cause some novelists to stop writing their own novels; because starting a novel is one of the most difficult things about writing a story. The beginning of a story can guide the reader into its world, if it is engaging and encouraging. So the first scene of the story can play a huge role in encouraging the reader and communicating with the text; because the beginning of the story is the bridge between the novelist and the reader. This research intends to examine the beginning of the novel based on its initial scene and it focuses on the techniques that the novelist used in the beginning of his novel. Although research on the beginning of the novel has had a prominent place in contemporary research on the novel, this field requires more effort to show the importance of the novel's beginning and to pay attention to its constitutive elements. The beginning of the novel “Endama Tashikh al-Zeab” has special potentials that draw our attention to it. The importance of this research is that it attempts to pay attention to the beginning of the story and its elements and examine the extent of connection of novel's beginning with the novel itself as an interconnected system and a text in the structural perspective. Therefore, this study deals with the first scene of the novel and draws attention to the relationship between the novel and its beginning. The results of this study show that the narrator has used techniques in this novel that those techniques have overcome on the modern novel and he has put the characters at tipping point of his attention to show a world full of contradictions. The narrator uses a polyphonic technique in this novel to avoid the traditional monotony.
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The work Fi Darub Alsab'aein by Sayyed Mohammad Hossein Fadl- allah has dedidated a superiority and importance to itself applying classic and new odes with a mystical and emotional language for visiting God and a deep thinking about what has been obtained during the lif More
The work Fi Darub Alsab'aein by Sayyed Mohammad Hossein Fadl- allah has dedidated a superiority and importance to itself applying classic and new odes with a mystical and emotional language for visiting God and a deep thinking about what has been obtained during the life. What has worked in transferring the poet's message is form and structure of the odes. Structuralism is an effort to discover new signs and to understand inner relations of the work. In this study we aim to investigate existing bases related to structuralist criticism in several odes of the Divan in addition to offering a description of Allama's life, his poetic talent and introducing the Divan. For this reason we focus on two linguistic layers of the poem; outside layer is same poetic rhythm and rhyme, phonetic, verbal and synthactic structures and median layer is poetic images, sign and symble which have been explained with examples. In this study, we try to consider a kind of union between structure and content of the work and to offer a more accurate understanding and perception of its poems and their messages.
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