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      • Open Access Article

        1 - Methodlogy of Qadr Surah based on Saussure Theory
        فاطمه بختیاری بتول مشکین‌فام
        The present article attempts realize among the Quranic research and linguistic studies by adducing to famous books such as Al Tahrir, Al Tanvir and Majma’ al-Bayan. The chosen technique is methodology on order to express the Qadr aesthetics. The semantics and voca More
        The present article attempts realize among the Quranic research and linguistic studies by adducing to famous books such as Al Tahrir, Al Tanvir and Majma’ al-Bayan. The chosen technique is methodology on order to express the Qadr aesthetics. The semantics and vocal documents and their effect are taken from Ferdinand de Saussure point of view. The lexical reasons have active and remarkable role in audience understanding as the combined reasons have outstanding role in semantics. Manuscript profile
      • Open Access Article

        2 - Sound Rhythm in the Ode "Balqis" by Nizar Qibbani
        Jamal Talebi
        Modern ode depends on two fundamental factors, rhythm and meter in shaping its musical structure. Sound rhythm is a verbal tool with which the poets express their feelings and emotions and transfer it to the reader. Nizar Qibbani, contemporary Syrian poet has used this More
        Modern ode depends on two fundamental factors, rhythm and meter in shaping its musical structure. Sound rhythm is a verbal tool with which the poets express their feelings and emotions and transfer it to the reader. Nizar Qibbani, contemporary Syrian poet has used this expressive  method in his odes especially the famous ode "Balqis". He composed this ode  in memory of his wife Balqis Ravi who was killed in  bomb explosion of Iraq embassy in Beirut. The rhythms created by order of words are observed abundantly in this ode. The  present paper has investigated metrical devices in the ode through a  descriptive- analytical approach. The  most important conclusion of this discussion is that Nizar Qibbani has been able to change phonetic level of words. He not only considered external rhyme   of the ode but also had special attention to rhythm caused by rhymes density, rhythmic words, words repetition and order caused by words arrangement. The above mentioned elements altogether have given dramatic musical quality to the ode. The poet has been able to offer pleasant and calming rhythm to this ode through rhyme diversity and other sound elements and so monotony has been diverted and this feature has been appeared in such odes. Manuscript profile
      • Open Access Article

        3 - The Study of Imam Ali’s Sermon from the Formalists Approach
        Hamid Ahmadiyan Ali Saidavi
             This article contains an aesthetic analysis of Imam Ali’s Sermon “Welayah”, using the views of the Formalists such as Roman Jakobson and Viktor Shhlovsky. The Formalists believe that it is the “Form” that creates the me More
             This article contains an aesthetic analysis of Imam Ali’s Sermon “Welayah”, using the views of the Formalists such as Roman Jakobson and Viktor Shhlovsky. The Formalists believe that it is the “Form” that creates the meaning. In this article, the concept and content of the Imam’s sermon is studied, considering the structural, phonological and lexical features along with its figurative language with regard to its whole form and structure leading to a deep concept which can only be appreciated through a formalistic study. The structure of this sermon is fully established on the opposition between the pious and the wicked, truth and false, virtue and doubt, peace and riot and going back to early Islam, from the beginning to the end of Imam’s Caliphate. In his profound thoughts and views, Imam Ali predicted confusion and confrontation. He expressed it in a sublime language, firm tone, deep affection, awesome and involving rhythm and creative imagination. Manuscript profile