List of Articles الخطاب الشعری

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  1 - The commitment problem in the critical and poetic discourses of the contemporary Arbic literature
  Faramarz Mirzaee Abdolhosein Feghhi
  'commitment problem' is one of the most important problems for the contemporary literary critics and poets of Arab world. Surprisingly, literary researcher by deep study finds that the commitment has different senses for Arab literary critics and Arab poets. literary cr More

  'commitment problem' is one of the most important problems for the contemporary literary critics and poets of Arab world. Surprisingly, literary researcher by deep study finds that the commitment has different senses for Arab literary critics and Arab poets. literary critics see it as an obligation to social affairs, whereas Arab poets put it in the vital sphere of the freedom of speech. The study of this problem of criticism is important because it shows the difference between literary criticism and poem and that the contemporary literary critic tries to criticize poems in terms of his/her critical desires not in terms of the poetic demands and needs of the poet. Why such a deep difference emerged between critical discourse and poetic one in Arab world? This article by use of a descriptive and analytic method and by reference to critics and poets ideas tries to answer the question. The results of the research shows that the contemporary Arab critic who relies on the ideas of western critics and their literary schools, specially literary socialism, proposes principles to evaluate Arabic poems, instead of speculating specifically Arabic poems and exploitimg critical rules from them. Thus, from his/her view point poet must be committed to social problems, specially social justice, whereas the Arab poet who is influenced from Sartrian ontological thought believes that he/she must be committed to freedom of speech and nothing more. This difference in the interpretation of a critical and literary notion as 'commitment' is speculative and deserves study to be clear why literary criticism is imitative and is not derived from the poems of Arab world, and why Arab critic imposes thoughts outside the literary text on the Arabic poems.   Manuscript profile
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  2 - Defamiliarization in the structures of BoshraBostani’spoetry; A Case study (of Synesthesia)
  Ali Baqer Taherinia Hossein Elyasi
  Synesthesiais not solelygetting out of the standard and conventionallanguage, but the poet tries to get out of the standard language and break down the standard connectionbetweendifferentsenses in order to create an impressive and effective language.Synesthesia leads to More

  Synesthesiais not solelygetting out of the standard and conventionallanguage, but the poet tries to get out of the standard language and break down the standard connectionbetweendifferentsenses in order to create an impressive and effective language.Synesthesia leads to dynamism of poetic images and itenhances the conductivityof metaphor. It isconsidered as one of the most important basics of poetryornamentations. Ornamentation of expression isachievedwhwnexistdifferent indexes. Synesthesiais one of those indexes whichornamentspoetic expression. And apoemwiththisrichness of expression descends on souls of readers. This studyfocuses on importance of synesthesia in BoshraBostani’spoetry, and itstudies the role of synesthesia on the conductivity of poetic expression. This studyisbased on descriptive- analyticalmethod and appliessemioticsmethod in order to analyse evidences in twofields of sense and sign. Poetic conversation of BoshraBostaniis not a conversation of storytelling and conductivity of expression texture, but itis a conversation that breaks down the standard language in order to createpoeticornamentation and to increaseconductivity of meanings and finally to createwonders. Synesthesia in BoshraBostani’spoetryisconsidered as a languagetoolwhichissimplyapplied to create objectification. It alsohelps to show the patriarchal society and alsocreatehope to freedom and othermeanings. Results of thisstudy shows thatsynesthesiawasused more in visual- olfactoryaspects and also in abstract and olfactory aspects and the poetdid not use synesthesia in taste- tactile and olfactory- abstract aspects. Synesthesiaisapplied by breaking down standards of adjective and name, verb and subject, determinatum and determinant and in between, synesthesia in determinatumand determinantformsis more abundant. Manuscript profile