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      • Open Access Article

        1 - Breaking Norms in Mahmoud Darvish's Poetry by Emphasizing Al-ʾAʿmāl aš-Šiʿriyyat al-Kāmilah
        Fatemeh Asadi Ezzat Molla Ebrahimi
        Breaking the norms is one of the Formalists' findings which today forms the basics of methodology and linguistics. Mahmoud Darvish has deformed the usual and normal formations in different cases and has created new combinations and attractive images. Breaking the norms More
        Breaking the norms is one of the Formalists' findings which today forms the basics of methodology and linguistics. Mahmoud Darvish has deformed the usual and normal formations in different cases and has created new combinations and attractive images. Breaking the norms from Leech's point of view is of eight types which the present paper intends to study and analyze lexical, semantics and scripting breaking norms in Al-ʾAʿmāl aš-Šiʿriyyat al-Kāmilah. The results show that Mahmoud Darvish has enjoyed similes and metaphors more than other poets as well as ancient lexicons beside new additional combinations, paradox, alliteration and … . Manuscript profile
      • Open Access Article

        2 - Stylistic Study of the Notion of Defamiliarization in “Al-Hadid” Sura
        morteza ghaemi esmaeil yousefi javad mohamadzade
        This article examines the notion ofdefamiliarizationin the holysura“Al- Hadid”.The defamiliarization is a term that emerged as a result of the strength of the break out of the habits. The main objective of this technique is to attractreader’s attention More
        This article examines the notion ofdefamiliarizationin the holysura“Al- Hadid”.The defamiliarization is a term that emerged as a result of the strength of the break out of the habits. The main objective of this technique is to attractreader’s attention. The Holy Quran,the most documentary bookhas breached syntactic and lexical rules.Thus, analysis of the  greatSura (Al-Hadid) based on stylistics centered on the “Defamilization” at the phonetic, semantic and combination layers.Among the letters music and content of the verses of the Surah, is the coordination and coherence. In semantic level, it is recognized that this Sura isfull of such arts like paradoxes and semantic conflicts, such that the high frequency of semanticconflicts, has given the text of the Qur'an a special expression. In part of the deviation of the norms,deviating from governing application of conventional centrifugal terms and phrases, including dedication and delay, delete and gratuity (departure has attracted the hearts both in terms of form as well as content. Manuscript profile
      • Open Access Article

        3 - The Artistic Features of the Poetry of Ibin Nobatah
        Hamed Sedghi Rahmatollah Haydari Manesh
        The Egyptian poet, Ibin Nobatah is one of the most renowned poets of Mamluki era who, we may say, has complained about different issues in his poetry much more than his contemporary poets. In these complaining poems he has considered issues like life and death, separati More
        The Egyptian poet, Ibin Nobatah is one of the most renowned poets of Mamluki era who, we may say, has complained about different issues in his poetry much more than his contemporary poets. In these complaining poems he has considered issues like life and death, separation and poverty, old age and common maladies in the world surrounding him. But the present article emphasizes the poet’s attention for the artistic features which have paved the way for him to express his complaints and express a better articulation for his private pains. The important features can be pointed as the poet’s use of words, compositions and styles and a combination of rhythmic diction compatible with his complaint and the depressing atmosphere surrounding him. Manuscript profile
      • Open Access Article

        4 - The Analysis of Linguistic Elements of Qeysar Aminpour’s Poetry from Stylistic Viewpoint
        Abbas Ganjali Neman Onegh
                                                                                    &nbs More
                                                                                                                               Qeysar Aminpour (1959-2007) is one of the outstanding figures in contemporary Persian poetry. One of the prominent aspects of his poetic style is the distinct language of his poems in the three areas of lexicon, compositions and syntax. Relying on these three areas, this study attempted to investigate the most important linguistic features of his poetry in order to figure out special style of the poet in the realm of language and to answer the fundamental question “What are the prominent features of Aminpour’s style of poetry that make it idiosyncratic?” Simple and modern language, innovative in lexicon and compositions, collocation of lexicon (symmetry), prominence of some words, playing on words and meanings, using codes and symbols, grammaticality and prosaic structure of sentences are among the most significant characteristics of Aminpour’s language which were examined and analyzed in this paper. Manuscript profile