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      • Open Access Article

        1 - A comparative study of motto and wisdom in Emra-Ol- Gheys and Rudaki’s Poems
        Naser Mohseninya Elham Maryami
        In the world literature, both Persian and Arabic literature with much in common can have an important role in comparative research. Wisdom or rationalism and in more beautiful words, motto, is one of these common and comparable ways. Emra-Ol-Gheys-Al Kenn More
        In the world literature, both Persian and Arabic literature with much in common can have an important role in comparative research. Wisdom or rationalism and in more beautiful words, motto, is one of these common and comparable ways. Emra-Ol-Gheys-Al Kennedy, the pre-eminent of Arab belletrist, is placed on one side of the balance of this analogy, and Rudaki Samarkandi, known as Adam-O-Shshoara, i.e. the originator of Persian poetry, is located on the other side. Emra-Ol- Gheys, has implemented windows of the wisdom in his poems with the help of nature and teachings of the past and life experience of Jaheli epoch; and Rudaki also has come into poetry with the same mentioned concepts, but with a more important treasure in hand, namely Islam which is the source of insight and wisdom.   Manuscript profile
      • Open Access Article

        2 - Onsori and His Influence from Arabic Poets
        Mehdi Momtahen
          Comparative Literature, in general, is studying great thoughtful people's literature all around the world. Studying the relations between literatures from one side, and other things such as architecture, painting, music, poetry, grammar, art, economy, sociology More
          Comparative Literature, in general, is studying great thoughtful people's literature all around the world. Studying the relations between literatures from one side, and other things such as architecture, painting, music, poetry, grammar, art, economy, sociology, etc. on the other side is called comparative. It can be said that this kind of literature is comparing literature with other Human's sciences among the nations.Since the comparative literature was born in America and Europe in 19th century, but it is not so comprehensive in West, yet. Nevertheless, the literature of this part of the world is full of common purposes which were created through discussions among literary men and scientists.One of these literary men is Onsori, 4th and 5th century poet, who could derive many concepts by inspiration from Arabic poetry and put them among his beautiful odes. We, also, can have more effective role in order to enrich the comparative literature in this part of the world, Iran. Manuscript profile
      • Open Access Article

        3 - Comparative Study of Nabavi's Eulogies in Abdolrazzaq and Hilli's Poetries
        Ibrahim Fallah
        Speech and poem beautifing by Nabavi's eulogies as a literary type has always been interested by Persian and Arabic poets and authors. Religious literature _ which Nabavi eulogies is one of its subs_ has remained disregarded. The present paper intends to express how Moh More
        Speech and poem beautifing by Nabavi's eulogies as a literary type has always been interested by Persian and Arabic poets and authors. Religious literature _ which Nabavi eulogies is one of its subs_ has remained disregarded. The present paper intends to express how Mohammad – the Messenger – has been manifested in their poetries in descriptive – analytical method comparatively. The aim is to compare clause combinations of Jamalaldin Abdolrazzagh Esfehani and Safi Al Din Al Hilli's and express the similarities and differences. The results show that there are similarities in their poetries in applying lexicon such as ascension, birthday miracle, His priority to other Imams, His eulogy by other plants and creatures. Jamalaldin Abdolrazzagh Esfehani's eulogy is only about Mohammad the Prophet but Safi Al Din Al Hilli's is about Him and His Family members. Manuscript profile
      • Open Access Article

        4 - Praiseworthy voice and its reflection in Persian literature
        Askari Ebrahimi Jouibari
          Taking into account the plentiful of evidence in prose and rhymed works of Persian literature, it can be said that all of the authors of literary works have reverberated some beautiful and durable features of Quran and its sublime wisdom and devoted all their li More
          Taking into account the plentiful of evidence in prose and rhymed works of Persian literature, it can be said that all of the authors of literary works have reverberated some beautiful and durable features of Quran and its sublime wisdom and devoted all their lives to service in the school of Quran and didn't neylet any effort to pursue this path.   The emphasis of the holy Prophet regarding the virtue of praiseworthy voice and hadiths quoted from His Majesty, caused the Persian authors and poets, especially mystics and sufis, to turn their attention towards this matter. On the whole, two general views are widely stated in Persian literature about recitation of holy Quran: in the first view, good recitation has been appreciated in prose and rhymed works, and many stories and anecdotes have quoted in its support. In the other view, some of the authors and poets such as Sanai, Saadi, and Jami, in addition to support and emphasis on the former view by some authors such as blamed the blameworthy recitators and idle qaris mostly with a critical and amendatory intention and sometimes with the tools of satire and jesting reminded some valuable points to train and advice. In this dissertation it was tried to analyze and criticize both of these two views.      Manuscript profile
      • Open Access Article

        5 - Tavern from the reality to virtual meaning
        Ali Dehghan Moslem Rajabi Javad Sadighi Lighvan
        In Persian literature tavern is meant cabaret and the place of debauchery in real and negative meaning, and the place of gathering the lovers and mystics together in the virtual and positive meaning. The Persian poets have created intact concepts by this word. The diffe More
        In Persian literature tavern is meant cabaret and the place of debauchery in real and negative meaning, and the place of gathering the lovers and mystics together in the virtual and positive meaning. The Persian poets have created intact concepts by this word. The different contrasting meanings of tavern with frequent usage of this word and conversion it to a key word in the literary and mystical texts has led to gain significant position in Persian literature. Furthermore, this research investigates the etymology and evolution of tavern in the literary and mystical texts. The results of this research showed that tavern has different etymology and origin. The simple and negative meaning of this word has been evolved into the positive and mystical meaning and it has been converted from the scandal to the place of catharsis and releasing the superstitions and reaching to immortality. Manuscript profile
      • Open Access Article

        6 - تاثیر نگرش عرفانی نظامی بر شکل‌گیری هویت فرهنگی «جهان وطنی» در خمسه نظامی
        Mohamad Moradi ahmadreza keikhafarzane
      • Open Access Article

        7 - A study of the aesthetics of language and literary arrays in Saadi poetry
        shahrbanoo ranjbar Mohammad ali Davood abadi mohammad reza zaman ahmadi
        If we do not call Sheikh Ajal, Saadi Shirin Sokhan, the lord of Persian poetry and literature, we should undoubtedly and without exaggeration consider him one of the brightest stars in the vast expanse of Persian language, literature and culture. As the great and pionee More
        If we do not call Sheikh Ajal, Saadi Shirin Sokhan, the lord of Persian poetry and literature, we should undoubtedly and without exaggeration consider him one of the brightest stars in the vast expanse of Persian language, literature and culture. As the great and pioneers of Persian literature know Saadi's words and expression as eloquence, rhetoric, simplicity and beauty, these characteristics have caused Sheikh Shiraz's words to continue to capture the hearts of his audience from all walks of life despite centuries of conquest. Saadi's poems are pleasant, concise and tangible for all Persian speakers. What has been exuded from Saadi's pen is in a beautiful word, and this beauty attracts Saadi's poetry. Saadi is a unique master of language, whether in the level of words and phrases, or in the method of effective and captivating sentences and endings, or in the use and invention of literary innovations and arrays, or in creative illustrations. Saadi connects all these great masters in composing poetry with his pure feeling, emotion and exemplary humanity, and according to his own words, if the speaker speaks, the reader will feel this unique beauty. In fact, for this reason, it must be said that Saadi is a poet of beauty and aesthetics. Manuscript profile
      • Open Access Article

        8 - نقش تاریخی رودکی دراحیای هویت ملی ایرانیان
        دکتر فیاض زاهد کبری فخرآور
      • Open Access Article

        9 - بازتاب اندیشه ­های اجتماعی و اقتصادی در ادبیات فارسی
        ali dehghan
      • Open Access Article

        10 - Types of Allegory in Persian Literature
        Sardar Bafekr
        Abstract         Allegory is the most important and prolific literary skills in the didactic and Indian style. The base of this art lies on simile in which the poet or the writer likens a matter to a simpler one to prove it or uses an More
        Abstract         Allegory is the most important and prolific literary skills in the didactic and Indian style. The base of this art lies on simile in which the poet or the writer likens a matter to a simpler one to prove it or uses an ordinary example to transfer his ideas to the reader. Using this method in the didactic literature has flavored and strengthened the ethic maxims and doubled its attraction. Allegorical stories are frequent in didactic literary works but in Indian style the frequency of equation is more prevalent than other types of allegory. Having elaborated the numerous types of allegory, we will bring samples for each of them from important works of Persian literature and criticize their strengths and weaknesses. The type of research is based on the ability of literary arrays in the important didactic and Indian style and consider the view points of clear-sighted authorities. The ultimate conclusion of this article is that using the different types of allegory is the main and essence of didactic literature and Indian style are also of the mysteries the beauty of language and its impact on the readers. Manuscript profile
      • Open Access Article

        11 - The stairway to spiritual wayfaring
        Shahin Ojagh Alizadeh
        This article is an attempt to withdraw from the literary canon throughout the world the most prominent pioneers who told about their spiritual journeys (Mi’raj). The nature of the miraculous journey of prophet Mohammad being the most influential of all other ascen More
        This article is an attempt to withdraw from the literary canon throughout the world the most prominent pioneers who told about their spiritual journeys (Mi’raj). The nature of the miraculous journey of prophet Mohammad being the most influential of all other ascents according to moslems is emphasized.  Also the account of their spiritual, mental, and internal journeys by stages from the start of their pilgrimage to their final attainment is given in their own words.   Manuscript profile
      • Open Access Article

        12 - Ministers in Hafez's time
        Iraj Shahbazi
        This article discusses the concept of viziership in Persian literature, and investigates the life of ministers in Hafez's time. Emadeddin Mahmoud Kermani, Borhaneddin Fatollah, Ghavameddin Mohammad Saheb Ayyar, and jalaloddin Touranshah are the four ministers who were p More
        This article discusses the concept of viziership in Persian literature, and investigates the life of ministers in Hafez's time. Emadeddin Mahmoud Kermani, Borhaneddin Fatollah, Ghavameddin Mohammad Saheb Ayyar, and jalaloddin Touranshah are the four ministers who were particularly liked by Hafez and he composed some poetry in their praise. Investigation of this genre of poetry from the historical point of view is the main subject of this article. Such studies could throw light on Hafez's time and pave the way for compiling a complete history of the Persian literature.  Manuscript profile