Analysis and review of Persian contemporary song
Subject Areas : Persian Language & Literature
seyed mehdi
mousavi mirkalaei
1
(PhD Candidate, Persian Language and Literature Department, Islamic Azad University of Karaj, Karaj, Iran)
iraj
mehraki
2
(Associate Professor, Persian Language and Literature Department, Islamic Azad University of Karaj, Karaj, Iran)
Keywords: song, music, songwriter, ballad,
Abstract :
In Persian literature, song has always been a generic term that refers to a variety of music-accompanied poetic formats (especially Fahlaviat, couplet, Rubaie, and Beat). The contemporary song was written in the traditional way at the beginning of the last century. This poetic form was influenced by the literature of the return period and the impetus to imitate and revive the glorious era of ancient music played a special role in the emergence of the styles of Ali Akbar Khan Sheida and Aref Ghazvini. In the middle of the century, however, the modernist movement permeated Persian song and music and established a new kind. The main purpose of this study is to investigate the evolution of contemporary songs. A song that transcended the Islamic Revolution of Iran after the historical developments of the Islamic era, wars and peace, movements and became what we are seeing today. Ultimately, the language of today's tranquility seems to have become more intimate than before the revolution, which is due to the social and cultural developments of our society today. To better understand this concept - as needed - a brief history of songwriting and definitions of the fundamental concepts of this literary branch of music is provided. This research is a descriptive-analytic one that uses library tools to understand the history and view past research and content analysis.
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