The Transition to Modernity in Contemporary Iranian literature from the Interpretive Sociology Approach (Case study ideas of methodological Sadegh Hedayat and Forough Farrokhzad)
Subject Areas : Persian Language and LiteratureHussein Abolhasan Tanhaei 1 , Mahmood Azimi Rasta 2
1 - Professor of Faculty of Social Sciences,
Islamic Azad University, Central Tehran Branch
2 - PhD candidate in the field of cultural sociology,
Faculty of Social Sciences, Islamic Azad University, Central Tehran Branch
Keywords:
Abstract :
This paper is a comparative analysis in relation to the transition process of modernity in contemporary Iranian literature based on the dialectical attitude Sadegh Hedayat and Forough Farrokhzad is in the works and their narratives. This study sought to find an appropriate answer to this key question was Sadegh Hedayat and Forough Farrokhzad in the transition to modernity in contemporary Iranian literature in their methodological study on the creation of his works have been based on what attitude? The study is Generally based on interpretive sociology approach. Meanwhile, some theoretical perspectives (Mead, Blumer and George Gorvich) in the analysis of important works of Sadegh Hedayat and Forough Farrokhzad was used. as a result, Sadegh Hedayat and Forough Farrokhzad in the transition to modernity in contemporary Iranian literature in terms of methodology and the type of attitude and abductionistic, subscriptions are very close together. methodological research is based on looking at social reality. Accordingly, important works of fiction and non-fiction Sadegh Hedayat and some important poems of Forough Farrokhzad in particular two collections of poetry "birth" and "believe in the cold season" was studied and analyzed. As a result, choose the kind of look and attitude in dealing with the creation of their work, In the transition to modernity in Iranian literature, methods of abductionistic and dialectic process together have fellowed. In terms of methodological abductionistic approach in a dialectical process in creating his art work clearly points were shared. But different on Their methodology is to look beyond gender Forough Farrokhzad, and staying within the traditional male-oriented structure that Sadegh Hedayat could not the distinction tradition and religion and time objectivity are not separate in naturalistic method mutual.
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