زن، ژاک‌لاکان، شهرزاد، بازی نمایشگری

Subject Areas : comparative literature

azadeh ebrahimipour ¹ , Roqieh sadraie ²

1 - bonyad shahid
2 - Assistant Professor of Persian Language and Literature, Azad University of Tehran

Received: 2018-04-05 Accepted : 2018-06-30 Published : 2018-08-23

Keywords: زن, ژاک‌لاکان, بازی نمایشگری, شهرزاد,

Abstract :

The basic requirement of literary criticism is to pay attention to the concept of femininity in its narrative and representation as a literary ability, and one and a half nights of multinational literary texts, in which women are active. The hero of the story is a tact that tells the intelligent self-knowledge of the intelligent kingdom. In this study, the play of play in the one and one-night novel by using post-structural psychoanalytic readings is examined by looking at the theory of the phase of mirror and femininity of Lacan and the theories of imitation, difference and prosperity of Shahrzad. Shahrzad traces the central character of the novel in his conscious and unconscious to a process which, from the perspective of Lacan, is the only struggle against the power of the discourse. In an endeavorless effort to understand and cultivate the Shah of Iran, engagement in games is sometimes successful and sometimes unsuccessful, sometimes by mirroring imitation, legitimizing the intellectual structure of society and challenging it with maladaptive imitation. The storytelling gradually opens the way for women to be identified as a human subject (not object and law).