A Comparative Study of Perception in novel of Joyce's "Dublinians" and Sadegh Hedayat's "Zendeh Begour"

Subject Areas : شعر

Mohammad Karimi ¹ , Nasser Maleki ²

1 - MA in Persian Language and Literature
2 - Associate Professor, Razi University of Kermanshah

Received: 2020-12-06 Accepted : 2020-12-06 Published : 2020-12-21

Keywords: بافت فرهنگی, تولید معنا, عناصر نظریه دریافت, خوانش متن, Elements of perception theory, text reading, meaning production, cultural context,

Abstract :

The theory of perception is based on the assumption that the audience, itself, produces meaning. In this theory, each audience, based on their social, historical situation and mental experience, has an understanding of the text, which raises his perception, understanding and expectation of what is, and he is no longer the audience before reading the text. One of the writing methods of James Joyce (1882-1941) and Sadegh Hedayat (1902-1951) is to use the elements of the theory of perception. They have been able to engage readers well with the text. The main purpose of this article is to find examples of elements of perception theory (open space, open end, unexpected end, uncertain chains, reference to parts of another text, writing based on cultural context and question design) that has been conducted using descriptive-analytical method and library research method. The authors of the article intend to investigate and explain methods of Hedayat and Joyce's use of the theory of perception by providing examples from the stories of the book "Dublinians" and the collection of stories "Zandeh Begour".

References:

انجیل متی.

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کتب لاتین

Bennett, Susan. (1990). Theatre Audiences: A Theory of Production and Reception. London: Routledge.

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مقالات

نوبخت، فرشته. 1388ش، «جیمز جویس و جادوی ادبیات»، مجله ادبی هیچستان، شماره 97، صص 47- 55.

یاس و ایزر. 1387ش، «نظریه دریافت»، بهمن نامور مطلق، پژوهشنامه فرهنگستان هنر، شماره 11، صص 93-111.

Matthew Gospel.

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Ricoeur, Paul. 1994, Life in the World of Text, translated by Babak Ahmadi, Tehran: Markaz Publishing.

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Hedayat, Sadegh. 1963, Zande Begour, Tehran: Amirkabir Publications.

Bennett, Susan. (1990). Theatre Audiences: A Theory of Production and Reception. London: Routledge.

Harold Brodbar, (1961). A religious allegory: Joyce's "A Little Cloud", Midwest Quarterly. Vol.2. no.3. Pp.221-7.

Iser, Wolfgang. (1978). The Act of Reading: A Theory of Aesthetic response.
Baltimore: Johns Hopkins UP.

Nash, John. (2010). James Joyce and the Act of Reception: Reading, Ireland, Modernism. England: Cambridge Publication.

Stein, William B. (1963). The Effects of Eden in Joyce’s Eveline. Renascence, XV.

Schleiermachers,Sh.(1993). The Problems of Language in Schleiermacher’s Hermeneutics. Baltimore: Johns Hopkins UP.

 

                                                                                                                                        Articles

Nobakht, Fereshteh. 2009, "James Joyce and the Magic of Literature", Hitchistan Literary Magazine, No. 97, pp. 47-55.

Yas and Izer. 2008, "Theory of perception", Bahman Namvar Motlagh, Research Journal of the Academy of Arts, No. 11, pp. 93-111.