The Socio-lyrical integration in Bahar`s Poetry
Subject Areas : Persian Language & Literature
Roghayeh
Rajabi
1
(دانشجوی دوره دکترای دانشگاه ارومیه)
Abdolnader
Nazariyani
2
(Literary and language of farsi urmia university iran)
Alireza
Mozaffari
3
(Literary and language of farsi urmia university iran)
Keywords: Social poetry, lyrical poetry, constitutional period, Mohammad Taghi Bahar,
Abstract :
The constitutional period is a distinct period in Iran’s history, in which all aspects of Iranians lives has transformed and as a result the verse and literature encountered a great change by the change in point of view of poets of this period in comparison to former poets. In this period everything even the poetry serve the society. The greatest poets of this period are those who were in the middle of the society and the social events and react them; So this periods verse is explicit, clear, and thought governed, however streaks of feeling is accessible in these works but they cannot be classified in lyric poetry but this doesn’t underestimate the emotional aspect and semi-lyrical language of these works. Sometimes, the Constitutional poets try to support their works emotional and logical sides simultaneously; therefor the social matters present with a semi-lyrical language that cause a kind of Socio- lyrical integration in their works; however it’s a slight integration. This kind of socio-lyrical integration is observable in Aref`s, Farrokhi`s, Eshghi`s, Bahar`s, etc poetry with an unequal severity and weakness, Mohammad Taghi Bahar`s poetry as an authority in Persian verse in this respect is worthy to consider and investigate; because in this period no other poet is familiar with Persian classic poetry and in other hand he is the most political poet of constitutional period.
15- J.A. Guddon, Dictionary of literary terms, revised edition.
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