Investigating the physical and tectonic components of architecture effective in the aesthetics of Iran's cultural buildingsCase example: cultural landmark buildings of the last 20 years in Tehran
Subject Areas : Life Space Journalzhmak mirhadi 1 , Mozayyan Dehbash Sharif 2 , darab diba 3
1 - PhD student of architecture at Islamic Azad University
2 - Assistant Professor, Department of Architecture, Central Tehran Branch, Islamic Azad University, Tehran, Iran.
3 - Professor, Department of Architecture, Central Tehran Branch, Islamic Azad University, Tehran, Iran.
Keywords: aesthetics, Hybrid method, Tectonic components, cultural landmarks in the last two decades,
Abstract :
Aesthetics itself is the cause of shaping the identity of the future and has a key role as the minister of construction for any cultural evolution. So, aesthetics has been and is an important subject in different sciences, in different arts and especially in architecture, this recognition and definitions of beauty, we can see how its relationship with architecture has affected buildings throughout history. Understanding beauty is a divine gift and a mental base that leads to objectivity, and art without it is a body without soul and devoid of attraction. It is difficult to fully understand the concept of aesthetics, but it is possible to understand the factors that are effective in the perception of the pleasantness of the environment. . (Grooter, 1375) Since beauty has objective and subjective aspects, beauty in architecture can be examined in two parts, form and meaning. The aesthetics of the form in which structures and patterns are important can be investigated based on the composition patterns that are rooted in Gestalt aesthetics. Semantic aesthetics is another approach in architectural aesthetics that is rooted in psychological and behavioral sciences and examines the role of association and acceptance of patterns by people. Patterns that are received through experiences, socio-cultural and religious backgrounds The link between architectural form and structure has always existed in Iran's traditional architecture based on many evidences. In this regard, we can refer to buildings such as the tomb of Qaboos bin Ziyar, nicknamed Qaboos Dome in Gorgan, Isfahan Grand Mosque, and Soltanieh Dome. Special technologies are under construction. The evolution of the structure in Iranian architecture has been evolutionary. This continuous historical process, which was accompanied by a huge support from the experiences of the past, is one of the reasons for the increasing progress of Iranian architects of that time in the field of construction techniques. From a long time ago, Iranians were very interested in the beauty and arrangement of buildings, and to achieve this goal, they used all kinds of initiatives and innovations. Harmony, stability and stability in a beautiful eye is one of the wonders of traditional Iranian architecture, which has been achieved to the end of elegance and balance along with meaningful content in the body of the architectural work. Cultural buildings as symbolic and beautiful urban collections create the identity of a city or region that has always been affected by various constructions. Constructions transform the form and body of the building more than anything, which due to the lack of knowledge and influence of the components and the extent of their effects on each other has caused divergence in their form and body. This can be clearly seen in newly built cultural buildings. Technology and the advancement of technologies in the field of construction has caused the appearance of various construction materials and also how they are used in various situations. The present article aims to explain the contribution of each component in creating the beauty of cultural buildings of the present and future period by reading the tectonic components in architecture. The research method is of mixed type, nesting and of qualitative type in quantity. which is compiled using the qualitative part of the quantitative tool. A systematic review of the literature is used to formulate the questions of the qualitative stage and conduct semi-structured interviews with experts to extract concepts in the theoretical field. Then the interview begins with 36 experts who are included in the snowball system and the criteria for entering the research. The results from the 28th person to the theoretical saturation dimension have been data reduction in the qualitative field with open coding with the face description and interpretation approach, in the ATLASTI software. The scope of study is the contemporary cultural buildings of the last two decades of Tehran. In the quantitative part, for the effect of each tectonic component, a Likert scale questionnaire is developed for each component. At this stage, ORIGINPRO software is used for data analysis. The results indicate that based on the results obtained from the regression model, the highest coefficient of determination with a value of (1.000) is related to the construction fan component and the lowest is related to The decoration component is 0.265.
