Discourse and postmodern elements in the poems of Seyed Mehdi Mousavi
Subject Areas : Comparative Literature Studies
Zainab Watankhah
1
(
Ph.D. Student of Persian Language and Literature, Bushehr Branch, Islamic Azad University, Bushehr, Iran
)
Seyyed Mahmoud Seyed Sadeghi
2
(
Assistant Professor, Department of Persian Language and Literature, Bushehr Branch, Islamic Azad University, Bushehr, IranBushehr, Iran.
)
Maryam Parhizkari
3
(
Assistant Professor, Department of Persian Language and Literature, Bushehr Branch, Islamic Azad University, Bushehr, Iran
)
Keywords: modernity, postmodern poetry, Seyed Mehdi Mousavi, Elements of Modern Poetry,
Abstract :
Persian classical poetry, especially lyric , in continuation of its evolution, after the constitutional revolution and after the intellectual domination of the Nimaei current, has witnessed various areas and currents, one of which is mainly under the banner of today's lyric or new lyric or neoclassical poetry. Be. In the 1970s, a fledgling movement based on the idea of Western postmodernism created an atmosphere known as form poetry or avant-garde. Which in its nature had a kind of conflict with the known criteria of the literary tradition. Seyyed Mehdi Mousavi, the leading poet of this movement, became the flagship of this style with the publication of the book "fereshtaha kodkosh kardand". This article seeks to analyze the discourse of this idea and the linguistic and content characteristics and approaches of Mousavi's poems.The method of the present research is qualitative and descriptive. In this research, the mentioned poems have been examined and the findings of the research show: The idea of postmodernism, which showed itself in literature, was initially faced by the poems of the poets Nosora and SepidgooBut with effort Mousavi and the choice of rhythmic and maqfi poetry has been able to open its way.The next finding shows that linguistic, syntactic, moral and attention to language deconstructions are evident in Mousavi's poetry.
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