Analysis of the function of musical terms in Seydi Tehrani's poetry
Subject Areas : Comparative Literature Studies
Mojtaba Asgharnasab
1
,
ayoub Kooshan
2
,
Hamidreza Farzi
3
1 - دانشجوی دکتری زبان و ادبیات فارسی دانشگاه آزاد اسلامی واحد تبریز، تبریز، ایران.
2 - Assistant Professor, Department of Persian Language and Literature, Islamic Azad University, Tabriz Branch, Tabriz, Iran.
3 - Associate Professor, Department of Persian Language and Literature, Islamic Azad University, Tabriz Branch, Tabriz, Iran.
Keywords: Musical terms, interdisciplinary, Indian style, Persian poetry, Seydi Tehrani.,
Abstract :
The connection and intermingling of Persian poetry and the art of music, arising from the ancient coexistence of these two cultural categories, is throughout the ancient history of Iran, which has been current in all periods of Persian poetry. Indian style poets use various sciences to create their new and heavy themes, among which music is one of the most widely used. Seydi Tehrani is one of the tasteful and soft-spoken poets of this style, who has used allusions and terms of various sciences, including music, in his themes. In this research, we have analyzed the diwan of this poet's poems in order to find the musical terms used in it in a library and analytical-descriptive way in order to explain the function of these words in his poems. After counting and examining Shahed's verses, the results show that although Seydi paid attention to musical terms in his themes and was influenced by the music of his time, but this influence could not be transformed into his linguistic coordinates. As we can see from the frequency of borrowed terms, Seydi devoted only 2.14% of his themes, which includes 58 verses out of 2700 verses of his diwan, to musical terms. Also, the various literary techniques seen in this poet's poems are often used in the service of lyrical themes.
